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Events for Sunday, October 6, 2024
10:00 AM-5:00 PM
Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
10:00 AM-5:00 PM
Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
10:00 AM-5:00 PM
Tim Atseff: Final Edition Everson Museum of Art
10:00 AM-5:00 PM
Sascha Brastoff: California King Everson Museum of Art
10:00 AM-5:00 PM
Off the Rack Everson Museum of Art
11:00 AM-4:00 PM
Clayscapes Everson Museum of Art
11:00 AM-6:00 PM
Nicholas Muellner: Asea Light Work Gallery
11:00 AM-6:00 PM
Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
11:00 AM-4:00 PM
Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
12:00 PM-6:00 PM
Arts & Minds: A Showcase for Creative Aging Art in the Atrium
12:00 PM-4:00 PM
Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
12:00 PM-4:00 PM
Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
12:00 PM-4:00 PM
Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
1:00 PM-5:00 PM
97th Annual Juried Members' Exhibit Associated Artists of Central New York
2:00 PM
'Cuse Cabaret
4:00 PM
16th-Century Hits (and contrasts) Schola Cantorum of Syracuse
Events for Monday, October 7, 2024
9:00 AM-8:00 PM
97th Annual Juried Members' Exhibit Associated Artists of Central New York
9:00 AM-4:00 PM
Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
10:00 AM-9:00 PM
Nicholas Muellner: Asea Light Work Gallery
10:00 AM-9:00 PM
Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
Events for Tuesday, October 8, 2024
9:00 AM-8:00 PM
97th Annual Juried Members' Exhibit Associated Artists of Central New York
9:00 AM-4:00 PM
Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
9:30 AM-6:00 PM
Texture/Form/Surface Edgewood Gallery
10:00 AM-9:00 PM
Nicholas Muellner: Asea Light Work Gallery
10:00 AM-9:00 PM
Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
10:00 AM-4:00 PM
Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
10:00 AM-4:00 PM
Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
10:00 AM-4:00 PM
Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
12:00 PM-8:00 PM
Sum Of Its Parts art haus SYR
8:00 PM
Ensemble Series: Symphony Orchestra and Wind Ensemble Syracuse University Setnor School of Music, featuring Scott Cuellar, piano
Events for Wednesday, October 9, 2024
9:00 AM-8:00 PM
97th Annual Juried Members' Exhibit Associated Artists of Central New York
9:00 AM-4:00 PM
Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
9:30 AM-6:00 PM
Texture/Form/Surface Edgewood Gallery
10:00 AM-9:00 PM
Nicholas Muellner: Asea Light Work Gallery
10:00 AM-9:00 PM
Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
10:00 AM-4:00 PM
Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
10:00 AM-4:00 PM
Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
10:00 AM-4:00 PM
Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
10:00 AM-4:00 PM
Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
11:00 AM-5:00 PM
Sascha Brastoff: California King Everson Museum of Art
11:00 AM-5:00 PM
Tim Atseff: Final Edition Everson Museum of Art
11:00 AM-5:00 PM
Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
11:00 AM-5:00 PM
Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
11:00 AM-4:00 PM
Clayscapes Everson Museum of Art
11:00 AM-5:00 PM
Off the Rack Everson Museum of Art
12:00 PM-8:00 PM
Sum Of Its Parts art haus SYR
2:00 PM-6:00 PM
Another World Is Possible: Posters by Ricardo Levins Morales ArtRage Gallery
7:00 PM
La Vida es Sueño Community Folk Art Center
Events for Thursday, October 10, 2024
9:00 AM-8:00 PM
97th Annual Juried Members' Exhibit Associated Artists of Central New York
9:00 AM-4:00 PM
Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
9:30 AM-6:00 PM
Texture/Form/Surface Edgewood Gallery
10:00 AM-9:00 PM
Nicholas Muellner: Asea Light Work Gallery
10:00 AM-9:00 PM
Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
10:00 AM-4:00 PM
Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
10:00 AM-8:00 PM
Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
10:00 AM-8:00 PM
Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
10:00 AM-8:00 PM
Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
11:00 AM-8:00 PM
Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
11:00 AM-8:00 PM
Tim Atseff: Final Edition Everson Museum of Art
11:00 AM-8:00 PM
Sascha Brastoff: California King Everson Museum of Art
11:00 AM-8:00 PM
Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
11:00 AM-8:00 PM
Clayscapes Everson Museum of Art
11:00 AM-8:00 PM
Off the Rack Everson Museum of Art
12:00 PM-8:00 PM
Sum Of Its Parts art haus SYR
2:00 PM-6:00 PM
Another World Is Possible: Posters by Ricardo Levins Morales ArtRage Gallery
7:00 PM
The Sound of Murder Acme Mystery Company
7:00 PM
La Vida es Sueño Community Folk Art Center
7:00 PM
Malmgren Concert Series: Lamentation and Joy Hendricks Chapel
7:00 PM
Kim Richey The 443 Social Club
7:00 PM-11:00 PM
Lynne Sachs: This Side of Salina Urban Video Project
7:30 PM
Warren Haynes Band: Million Voices Whisper Tour The Oncenter
Events for Friday, October 11, 2024
9:00 AM-4:00 PM
Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
9:30 AM-6:00 PM
Texture/Form/Surface Edgewood Gallery
10:00 AM-5:00 PM
97th Annual Juried Members' Exhibit Associated Artists of Central New York
10:00 AM-5:00 PM
Nicholas Muellner: Asea Light Work Gallery
10:00 AM-5:00 PM
Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
10:00 AM-4:00 PM
Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
10:00 AM-4:00 PM
Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
10:00 AM-4:00 PM
Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
10:00 AM-4:00 PM
Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
11:00 AM-5:00 PM
Sascha Brastoff: California King Everson Museum of Art
11:00 AM-5:00 PM
Tim Atseff: Final Edition Everson Museum of Art
11:00 AM-5:00 PM
Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
11:00 AM-5:00 PM
Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
11:00 AM-4:00 PM
Clayscapes Everson Museum of Art
11:00 AM-5:00 PM
Off the Rack Everson Museum of Art
12:00 PM-8:00 PM
Arts & Minds: A Showcase for Creative Aging Art in the Atrium
12:00 PM-8:00 PM
Sum Of Its Parts art haus SYR
2:00 PM-6:00 PM
Another World Is Possible: Posters by Ricardo Levins Morales ArtRage Gallery
6:00 PM-8:00 PM
Opening: Libro de Artista Point of Contact Gallery
7:00 PM
La Vida es Sueño Community Folk Art Center
7:00 PM
Hamlet (solo) Redhouse
7:00 PM
Robert Ellis The 443 Social Club
7:00 PM
Nikki Glaser: Alive and Unwell Tour The Oncenter
7:00 PM-11:00 PM
Lynne Sachs: This Side of Salina Urban Video Project
8:00 PM
Preview: Pippin Syracuse University Drama Department
Events for Saturday, October 12, 2024
10:00 AM-5:00 PM
97th Annual Juried Members' Exhibit Associated Artists of Central New York
10:00 AM-4:00 PM
Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
10:00 AM-2:00 PM
Texture/Form/Surface Edgewood Gallery
10:00 AM-5:00 PM
Off the Rack Everson Museum of Art
10:00 AM-5:00 PM
Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
10:00 AM-5:00 PM
Clayscapes Everson Museum of Art
10:00 AM-5:00 PM
Sascha Brastoff: California King Everson Museum of Art
10:00 AM-5:00 PM
Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
10:00 AM-5:00 PM
Tim Atseff: Final Edition Everson Museum of Art
11:00 AM-6:00 PM
Nicholas Muellner: Asea Light Work Gallery
11:00 AM-4:00 PM
Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
12:00 PM-6:00 PM
Arts & Minds: A Showcase for Creative Aging Art in the Atrium
12:00 PM-4:00 PM
Another World Is Possible: Posters by Ricardo Levins Morales ArtRage Gallery
12:00 PM-4:00 PM
Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
12:00 PM-4:00 PM
Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
12:00 PM-4:00 PM
Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
12:00 PM-6:00 PM
Sum Of Its Parts art haus SYR
7:00 PM
La Vida es Sueño Community Folk Art Center
7:00 PM
Hamlet (solo) Redhouse
7:00 PM
Jamie McLean Band The 443 Social Club
7:00 PM-11:00 PM
Lynne Sachs: This Side of Salina Urban Video Project
7:30 PM
Vector Lite Steeple Coffee House
7:30 PM
Kountry Wayne The Oncenter
8:00 PM
Opening: Pippin Syracuse University Drama Department
Events for Sunday, October 13, 2024
10:00 AM-5:00 PM
Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
10:00 AM-5:00 PM
Sascha Brastoff: California King Everson Museum of Art
10:00 AM-5:00 PM
Tim Atseff: Final Edition Everson Museum of Art
10:00 AM-5:00 PM
Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
10:00 AM-5:00 PM
Off the Rack Everson Museum of Art
11:00 AM-4:00 PM
Clayscapes Everson Museum of Art
11:00 AM-6:00 PM
Nicholas Muellner: Asea Light Work Gallery
11:00 AM-4:00 PM
Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
12:00 PM-6:00 PM
Arts & Minds: A Showcase for Creative Aging Art in the Atrium
12:00 PM-4:00 PM
Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
12:00 PM-4:00 PM
Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
12:00 PM-4:00 PM
Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
1:00 PM-5:00 PM
97th Annual Juried Members' Exhibit Associated Artists of Central New York
1:00 PM-3:00 PM
Nachos & Blancos The 443 Social Club
2:00 PM
Hamlet (solo) Redhouse
2:00 PM
Pippin Syracuse University Drama Department
Sunday, October 6, 2024
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10:00 AM - 5:00 PM, October 6 |
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Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community. "I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.
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10:00 AM - 5:00 PM, October 6 |
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Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project. Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.
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10:00 AM - 5:00 PM, October 6 |
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Tim Atseff: Final Edition Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate. Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.
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10:00 AM - 5:00 PM, October 6 |
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Sascha Brastoff: California King Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name). When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.
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10:00 AM - 5:00 PM, October 6 |
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Off the Rack Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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11:00 AM - 4:00 PM, October 6 |
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Clayscapes Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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11:00 AM - 6:00 PM, October 6 |
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Nicholas Muellner: Asea Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it. With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.
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11:00 AM - 6:00 PM, October 6 |
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Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.
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12:00 PM - 6:00 PM, October 6 |
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Arts & Minds: A Showcase for Creative Aging Art in the Atrium
Price: Free City Hall Commons Atrium
201 East Washington St.,
Syracuse
"Arts & Minds: A Showcase for Creative Aging" celebrates the human potential for creativity at all ages! Do you believe older adults are beyond creative self-expression? In fact, our elders are often unbound from the rules that can limit creativity earlier in life. Visit the Arts & Minds Showcase of works by older adults, with and without dementia, in various media: painting, mixed media, collage, poetry, and more — and revitalize your attitude to aging. A short video is offered depicting the benefits to opening the spirit to aesthetic and meaningful self-expression in later life, and tells stories of how elder artists achieve purpose, meaning and self-validation as they are freed to develop artistic skills and capacity. Presented by Syracuse Jewish Family Services.
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12:00 PM - 4:00 PM, October 6 |
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Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.
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12:00 PM - 4:00 PM, October 6 |
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Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.
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12:00 PM - 4:00 PM, October 6 |
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Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.
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1:00 PM - 5:00 PM, October 6 |
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97th Annual Juried Members' Exhibit Associated Artists of Central New York
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr.,
Manlius
The exhibit features the work of Carol Boyer, 2024 Best of Show winner for her fiber art piece "Sea Floor", in addition to that of Award of Merit and Honorable Mention winners and other Associated members.
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History |
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11:00 AM - 4:00 PM, October 6 |
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Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years. Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.
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Music |
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4:00 PM, October 6 |
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16th-Century Hits (and contrasts) Schola Cantorum of Syracuse Barry Torres, conductor
Price: $20 regular, $15 seniors, $5 students and children Pebble Hill Presbyterian Church
5299 Jamesville Rd.,
Dewitt
Motets of Josquin, Victoria, Byrd, Lasso, and Palestrina, contrasted with settings of the same texts by Domenico Scarlatti, Mozart, Gounod, Delibes, Franz Biebl?, and Morten Lauridsen
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Theater |
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2:00 PM, October 6 |
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'Cuse Cabaret
Price: $35 Jazz Central
441 E. Washington St.,
Syracuse
If you saw this show last year, you know there's a whole lot of comedy in ... I-81! The snow! Jim Boeheim! Salted roads! Destiny USA! More snow! The Dome! Syracuse China! Armory Square! Ravenous Deer! Dino BBQ! The Cardiff Giant! THAT Bridge! And ... those crows? Join us for the second run of this hilarious night of comedy songs celebrating the quirks and charms of Syracuse and Central New York. The catchy tunes, witty lyrics, and uproarious performances pay tribute to our beloved city and its unique culture. The extraordinary cast includes music director Frederick Willard at the keyboard, singers Evelyn Oliver, Natasia White, Novis Fuller, and Thomas Netter (also directing) performing this 70-minute show. Co-lyricists Johanna Beale Keller and Hanna Richardson wrote this collection of parody songs about the 'Cuse they both love — the town with a big ice chip on its shoulder. You'll recognize many of your favorite tunes from Broadway, rock and roll, and pop hits as the joys and frustrations of living in Syracuse are illustrated with affection and edgy humor.
Tickets
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Monday, October 7, 2024
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Art |
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9:00 AM - 8:00 PM, October 7 |
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97th Annual Juried Members' Exhibit Associated Artists of Central New York
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr.,
Manlius
The exhibit features the work of Carol Boyer, 2024 Best of Show winner for her fiber art piece "Sea Floor", in addition to that of Award of Merit and Honorable Mention winners and other Associated members.
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9:00 AM - 4:00 PM, October 7 |
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Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.
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10:00 AM - 9:00 PM, October 7 |
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Nicholas Muellner: Asea Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it. With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.
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Back to list |
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10:00 AM - 9:00 PM, October 7 |
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Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.
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Back to list |
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Tuesday, October 8, 2024
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Art |
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9:00 AM - 8:00 PM, October 8 |
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97th Annual Juried Members' Exhibit Associated Artists of Central New York
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr.,
Manlius
The exhibit features the work of Carol Boyer, 2024 Best of Show winner for her fiber art piece "Sea Floor", in addition to that of Award of Merit and Honorable Mention winners and other Associated members.
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Back to list |
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9:00 AM - 4:00 PM, October 8 |
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Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.
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Back to list |
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9:30 AM - 6:00 PM, October 8 |
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Texture/Form/Surface Edgewood Gallery
Edgewood Gallery
216 Tecumseh Rd.,
Syracuse
David (Hongo) Robertson: textural acrylic paintings from various series Lauren Bristol: sculptural coiled basketry Dana Stenson: metalsmith jewelry
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Back to list |
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10:00 AM - 9:00 PM, October 8 |
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Nicholas Muellner: Asea Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it. With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.
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Back to list |
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10:00 AM - 9:00 PM, October 8 |
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Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.
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Back to list |
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10:00 AM - 4:00 PM, October 8 |
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Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.
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Back to list |
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10:00 AM - 4:00 PM, October 8 |
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Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.
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Back to list |
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10:00 AM - 4:00 PM, October 8 |
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Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.
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Back to list |
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12:00 PM - 8:00 PM, October 8 |
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Sum Of Its Parts art haus SYR
120 Walton St.
Syracuse
A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.
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Back to list |
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Music |
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8:00 PM, October 8 |
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Ensemble Series: Symphony Orchestra and Wind Ensemble Syracuse University Setnor School of Music Featuring Scott Cuellar, piano
Price: Free Setnor Auditorium, Crouse College
Syracuse University,
Syracuse
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Back to list |
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Wednesday, October 9, 2024
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Art |
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9:00 AM - 8:00 PM, October 9 |
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97th Annual Juried Members' Exhibit Associated Artists of Central New York
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr.,
Manlius
The exhibit features the work of Carol Boyer, 2024 Best of Show winner for her fiber art piece "Sea Floor", in addition to that of Award of Merit and Honorable Mention winners and other Associated members.
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Back to list |
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9:00 AM - 4:00 PM, October 9 |
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Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.
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Back to list |
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9:30 AM - 6:00 PM, October 9 |
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Texture/Form/Surface Edgewood Gallery
Edgewood Gallery
216 Tecumseh Rd.,
Syracuse
David (Hongo) Robertson: textural acrylic paintings from various series Lauren Bristol: sculptural coiled basketry Dana Stenson: metalsmith jewelry
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Back to list |
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10:00 AM - 9:00 PM, October 9 |
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Nicholas Muellner: Asea Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it. With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.
|
Back to list |
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10:00 AM - 9:00 PM, October 9 |
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Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.
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Back to list |
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10:00 AM - 4:00 PM, October 9 |
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Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.
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Back to list |
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10:00 AM - 4:00 PM, October 9 |
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Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.
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Back to list |
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10:00 AM - 4:00 PM, October 9 |
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Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.
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Back to list |
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11:00 AM - 5:00 PM, October 9 |
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Sascha Brastoff: California King Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name). When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.
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Back to list |
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11:00 AM - 5:00 PM, October 9 |
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Tim Atseff: Final Edition Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate. Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.
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Back to list |
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11:00 AM - 5:00 PM, October 9 |
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Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project. Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.
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Back to list |
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11:00 AM - 5:00 PM, October 9 |
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Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community. "I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.
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Back to list |
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11:00 AM - 4:00 PM, October 9 |
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Clayscapes Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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11:00 AM - 5:00 PM, October 9 |
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Off the Rack Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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Back to list |
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12:00 PM - 8:00 PM, October 9 |
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Sum Of Its Parts art haus SYR
120 Walton St.
Syracuse
A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.
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Back to list |
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2:00 PM - 6:00 PM, October 9 |
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Another World Is Possible: Posters by Ricardo Levins Morales ArtRage Gallery
Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse
Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression. He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009). He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA. Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!
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History |
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10:00 AM - 4:00 PM, October 9 |
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Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years. Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.
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Theater |
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7:00 PM, October 9 |
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La Vida es Sueño Community Folk Art Center
Price: $5 Community Folk Art Center
805 E. Genesee St.,
Syracuse
The Community Folk Art Center and La Joven Guardia del Teatro present La Vida es Sueño, written by Pedro Calderón de la Barca and adapted by José Miguel Hernández Hurtado.
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Back to list |
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Thursday, October 10, 2024
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Art |
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9:00 AM - 8:00 PM, October 10 |
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97th Annual Juried Members' Exhibit Associated Artists of Central New York
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr.,
Manlius
The exhibit features the work of Carol Boyer, 2024 Best of Show winner for her fiber art piece "Sea Floor", in addition to that of Award of Merit and Honorable Mention winners and other Associated members.
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Back to list |
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9:00 AM - 4:00 PM, October 10 |
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Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.
|
Back to list |
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9:30 AM - 6:00 PM, October 10 |
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Texture/Form/Surface Edgewood Gallery
Edgewood Gallery
216 Tecumseh Rd.,
Syracuse
David (Hongo) Robertson: textural acrylic paintings from various series Lauren Bristol: sculptural coiled basketry Dana Stenson: metalsmith jewelry
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Back to list |
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10:00 AM - 9:00 PM, October 10 |
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Nicholas Muellner: Asea Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it. With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.
|
Back to list |
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10:00 AM - 9:00 PM, October 10 |
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Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.
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Back to list |
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10:00 AM - 8:00 PM, October 10 |
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Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.
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Back to list |
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10:00 AM - 8:00 PM, October 10 |
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Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.
|
Back to list |
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10:00 AM - 8:00 PM, October 10 |
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Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.
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Back to list |
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11:00 AM - 8:00 PM, October 10 |
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Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project. Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.
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Back to list |
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11:00 AM - 8:00 PM, October 10 |
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Tim Atseff: Final Edition Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate. Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.
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11:00 AM - 8:00 PM, October 10 |
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Sascha Brastoff: California King Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name). When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.
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11:00 AM - 8:00 PM, October 10 |
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Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community. "I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.
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11:00 AM - 8:00 PM, October 10 |
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Clayscapes Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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11:00 AM - 8:00 PM, October 10 |
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Off the Rack Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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12:00 PM - 8:00 PM, October 10 |
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Sum Of Its Parts art haus SYR
120 Walton St.
Syracuse
A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.
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2:00 PM - 6:00 PM, October 10 |
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Another World Is Possible: Posters by Ricardo Levins Morales ArtRage Gallery
Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse
Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression. He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009). He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA. Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!
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7:00 PM - 11:00 PM, October 10 |
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Lynne Sachs: This Side of Salina Urban Video Project
Everson Museum of Art Plaza
401 Harrison St.,
Syracuse
Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes) Screening begins at dusk.
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History |
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10:00 AM - 4:00 PM, October 10 |
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Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years. Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.
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Music |
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7:00 PM, October 10 |
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Malmgren Concert Series: Lamentation and Joy Hendricks Chapel Marques L. A. Garrett, conductor
Price: Free Hendricks Chapel
Syracuse University,
Syracuse
Esteemed guest conductor Marques L. A. Garrett will lead the combined choirs of the Setnor School of Music and the Syracuse University Oratorio Society in an evening of powerful choral works. The program features The Cry of Jeremiah by renowned composer Rosephanye Powell, a stirring multi-movement oratorio for choir and organ based on the text from the 29th chapter of Jeremiah. Additionally, the Concert Choir will perform Nathaniel Dett's Let Us Cheer the Weary Traveler, and the combined choirs will close the evening with Garrett's own compositions, A Song of Life and Your Hand and Mine.
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7:00 PM, October 10 |
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Kim Richey The 443 Social Club
The 443 Social Club
443 Burnet Ave.,
Syracuse
In January 2024, Kim Richey found herself in Mexico, gazing out at a sea of people singing along to "I'm Alright," one of her classic tracks. The three folks on stage with the veteran, Grammy-nominated singer-songwriter were also raising their voices in harmony. To her right sat Brandi Carlile, to her left, Mary Chapin Carpenter, and Brandy Clark. The formidable foursome was participating in a songwriter's round only half-jokingly dubbed "Titans of Americana" at Carlile's female-forward Girls Just Wanna Weekend festival on the Riviera Maya in Mexico. The good news for fans of this particular Titan is a whole new batch of songs to sing along with and arm wave to with the May 2024 release of her 10th studio album Every New Beginning.
Tickets
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7:30 PM, October 10 |
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Warren Haynes Band: Million Voices Whisper Tour The Oncenter
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St.,
Syracuse
Tickets
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Theater |
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7:00 PM, October 10 |
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The Sound of Murder Acme Mystery Company
Spaghetti Warehouse
689 N. Clinton St.,
Syracuse
High on a hill died a lonely goatherd and some people around the Abbey are beginning to get the idea that sweet little Maria just might be a budding serial killer. Is she now at 16, going on 17? What exactly are her favorite things? Mother Abbess and her new assistant, Sister Adolph, are calling in all nuns and townsfolk to decide what to do. Even the pompous Captain Von Trampp and his bratty children will be there. Don't be late. You don't want Sister Adolph shaking her carrot at you.
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7:00 PM, October 10 |
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La Vida es Sueño Community Folk Art Center
Price: $5 Community Folk Art Center
805 E. Genesee St.,
Syracuse
The Community Folk Art Center and La Joven Guardia del Teatro present La Vida es Sueño, written by Pedro Calderón de la Barca and adapted by José Miguel Hernández Hurtado.
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Friday, October 11, 2024
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Art |
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9:00 AM - 4:00 PM, October 11 |
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Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.
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9:30 AM - 6:00 PM, October 11 |
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Texture/Form/Surface Edgewood Gallery
Edgewood Gallery
216 Tecumseh Rd.,
Syracuse
David (Hongo) Robertson: textural acrylic paintings from various series Lauren Bristol: sculptural coiled basketry Dana Stenson: metalsmith jewelry
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10:00 AM - 5:00 PM, October 11 |
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97th Annual Juried Members' Exhibit Associated Artists of Central New York
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr.,
Manlius
The exhibit features the work of Carol Boyer, 2024 Best of Show winner for her fiber art piece "Sea Floor", in addition to that of Award of Merit and Honorable Mention winners and other Associated members.
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10:00 AM - 5:00 PM, October 11 |
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Nicholas Muellner: Asea Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it. With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.
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10:00 AM - 5:00 PM, October 11 |
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Shadow/Figure: Selections from the Light Work Collection Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.
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10:00 AM - 4:00 PM, October 11 |
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Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.
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10:00 AM - 4:00 PM, October 11 |
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Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.
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10:00 AM - 4:00 PM, October 11 |
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Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.
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11:00 AM - 5:00 PM, October 11 |
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Sascha Brastoff: California King Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name). When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.
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11:00 AM - 5:00 PM, October 11 |
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Tim Atseff: Final Edition Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate. Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.
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11:00 AM - 5:00 PM, October 11 |
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Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project. Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.
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11:00 AM - 5:00 PM, October 11 |
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Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community. "I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.
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11:00 AM - 4:00 PM, October 11 |
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Clayscapes Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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11:00 AM - 5:00 PM, October 11 |
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Off the Rack Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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12:00 PM - 8:00 PM, October 11 |
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Sum Of Its Parts art haus SYR
120 Walton St.
Syracuse
A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.
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12:00 PM - 8:00 PM, October 11 |
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Arts & Minds: A Showcase for Creative Aging Art in the Atrium
Price: Free City Hall Commons Atrium
201 East Washington St.,
Syracuse
"Arts & Minds: A Showcase for Creative Aging" celebrates the human potential for creativity at all ages! Do you believe older adults are beyond creative self-expression? In fact, our elders are often unbound from the rules that can limit creativity earlier in life. Visit the Arts & Minds Showcase of works by older adults, with and without dementia, in various media: painting, mixed media, collage, poetry, and more — and revitalize your attitude to aging. A short video is offered depicting the benefits to opening the spirit to aesthetic and meaningful self-expression in later life, and tells stories of how elder artists achieve purpose, meaning and self-validation as they are freed to develop artistic skills and capacity. Presented by Syracuse Jewish Family Services.
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2:00 PM - 6:00 PM, October 11 |
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Another World Is Possible: Posters by Ricardo Levins Morales ArtRage Gallery
Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse
Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression. He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009). He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA. Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!
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6:00 PM - 8:00 PM, October 11 |
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Opening: Libro de Artista Point of Contact Gallery
Price: Free Point of Contact Gallery
350 W. Fayette St.,
Syracuse
There will be a presentation by Matías Roth, MNBA executive and curator of the show, followed by an opening reception this evening 6:00-8:00 pm. Point of Contact (POC), in partnership with the Museo Nacional de Bellas Artes de Argentina (MNBA), and the Museum Studies Program at Syracuse University, presents the exhibit Libro de Artista, a showcase of the National Museum's Artist Book Collection, for its first showing in the United States. Artist books occupy an important place in a creator's life. They are notebooks, sketches, projects, and ideas that, at times, serve as the seed for future art pieces, and can also transfigure into true works of art themselves. The Libro de Artista exhibit comprises more than 60 works from different periods by artists in their explorations around painting, sculpture, printmaking, photography, and drawing. Using different techniques, formats, and materials, artist books take many forms on paper, cardboard, celluloid, acrylic, metal, and other materials, transforming into boxes, intervened prints, collages, and pop-up books.
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7:00 PM - 11:00 PM, October 11 |
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Lynne Sachs: This Side of Salina Urban Video Project
Everson Museum of Art Plaza
401 Harrison St.,
Syracuse
Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes) Screening begins at dusk.
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History |
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10:00 AM - 4:00 PM, October 11 |
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Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years. Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.
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Music |
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7:00 PM, October 11 |
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Robert Ellis The 443 Social Club
The 443 Social Club
443 Burnet Ave.,
Syracuse
Recorded live to tape in just two days, Robert Ellis's exquisite new album, Yesterday's News, is as stripped-down as it gets, with the celebrated songwriter and producer's delicate, reedy tenor accompanied only by nylon string guitar, upright bass, and the occasional piece of handheld percussion. The arrangements are harmonically sophisticated here, drawing on the open tunings and intricate fingerpicking of English songwriters like Nick Drake or Richard Thompson, and Ellis's performances are similarly subtle and nuanced, tapping into the bittersweet longing of Chet Baker and the playful poignancy of Bill Evans and Jim Hall.
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Theater |
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7:00 PM, October 11 |
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La Vida es Sueño Community Folk Art Center
Price: $5 Community Folk Art Center
805 E. Genesee St.,
Syracuse
The Community Folk Art Center and La Joven Guardia del Teatro present La Vida es Sueño, written by Pedro Calderón de la Barca and adapted by José Miguel Hernández Hurtado.
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7:00 PM, October 11 |
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Hamlet (solo) Redhouse Robert Ross Parker, director
Redhouse at City Center
400 S. Salina St.,
Syracuse
Hamlet (solo) combines the ancient art of storytelling and the modern "one-man show," a thrilling evening which focuses on the three most essential elements of theatre: The Actor, The Text, and The Audience. This production is best described as "bare bones" in its presentation with Raoul Bhaneja playing 17 parts in a two-hour version using only Shakespeare's text. This critically acclaimed production has been enjoyed by audiences as diverse as the people of Inuvik, a community north of the Arctic Circle, and the next generation of Britain's young actors at The Royal Academy of Dramatic Art. An exceptional and rare experience for both the novice and the Shakespeare enthusiast! Adapted and Performed by Raoul Bhaneja, produced by Hope and Hell Theatre Co.
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7:00 PM, October 11 |
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Nikki Glaser: Alive and Unwell Tour The Oncenter
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St.,
Syracuse
For nearly two decades at clubs across the country, and as the host of three hit podcasts, Nikki Glaser has honed her shockingly honest, no-holds barred style, solidifying herself as one of the funniest voices in comedy today.
Tickets
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8:00 PM, October 11 |
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Preview: Pippin Syracuse University Drama Department Torya Beard, director
Storch Theater, Syracuse Stage
820 E. Genesee St.,
Syracuse
The first son of King Charlamagne embarks on a delightful theatrical journey to find his own "corner in the sky" in Stephen Schwartz's Tony Award-winning musical that celebrates the power of stories to create magic in our everyday lives.
Tickets
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Saturday, October 12, 2024
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Art |
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10:00 AM - 5:00 PM, October 12 |
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97th Annual Juried Members' Exhibit Associated Artists of Central New York
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr.,
Manlius
The exhibit features the work of Carol Boyer, 2024 Best of Show winner for her fiber art piece "Sea Floor", in addition to that of Award of Merit and Honorable Mention winners and other Associated members.
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10:00 AM - 4:00 PM, October 12 |
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Captured Moments: Photographs of Life in the Wild, by Sandra Roe Baltimore Woods Weeks Art Gallery
Price: Free Baltimore Woods Nature Center
4007 Bishop Hill Rd.,
Marcellus
The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.
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10:00 AM - 2:00 PM, October 12 |
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Texture/Form/Surface Edgewood Gallery
Edgewood Gallery
216 Tecumseh Rd.,
Syracuse
David (Hongo) Robertson: textural acrylic paintings from various series Lauren Bristol: sculptural coiled basketry Dana Stenson: metalsmith jewelry
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10:00 AM - 5:00 PM, October 12 |
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Off the Rack Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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Back to list |
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10:00 AM - 5:00 PM, October 12 |
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Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community. "I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.
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10:00 AM - 5:00 PM, October 12 |
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Clayscapes Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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10:00 AM - 5:00 PM, October 12 |
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Sascha Brastoff: California King Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name). When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.
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Back to list |
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10:00 AM - 5:00 PM, October 12 |
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Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project. Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.
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10:00 AM - 5:00 PM, October 12 |
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Tim Atseff: Final Edition Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate. Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.
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11:00 AM - 6:00 PM, October 12 |
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Nicholas Muellner: Asea Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it. With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.
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12:00 PM - 6:00 PM, October 12 |
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Sum Of Its Parts art haus SYR
120 Walton St.
Syracuse
A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.
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12:00 PM - 6:00 PM, October 12 |
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Arts & Minds: A Showcase for Creative Aging Art in the Atrium
Price: Free City Hall Commons Atrium
201 East Washington St.,
Syracuse
"Arts & Minds: A Showcase for Creative Aging" celebrates the human potential for creativity at all ages! Do you believe older adults are beyond creative self-expression? In fact, our elders are often unbound from the rules that can limit creativity earlier in life. Visit the Arts & Minds Showcase of works by older adults, with and without dementia, in various media: painting, mixed media, collage, poetry, and more — and revitalize your attitude to aging. A short video is offered depicting the benefits to opening the spirit to aesthetic and meaningful self-expression in later life, and tells stories of how elder artists achieve purpose, meaning and self-validation as they are freed to develop artistic skills and capacity. Presented by Syracuse Jewish Family Services.
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12:00 PM - 4:00 PM, October 12 |
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Another World Is Possible: Posters by Ricardo Levins Morales ArtRage Gallery
Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse
Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression. He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009). He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA. Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!
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12:00 PM - 4:00 PM, October 12 |
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Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.
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12:00 PM - 4:00 PM, October 12 |
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Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.
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12:00 PM - 4:00 PM, October 12 |
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Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.
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7:00 PM - 11:00 PM, October 12 |
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Lynne Sachs: This Side of Salina Urban Video Project
Everson Museum of Art Plaza
401 Harrison St.,
Syracuse
Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes) Screening begins at dusk.
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Comedy |
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7:30 PM, October 12 |
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Kountry Wayne The Oncenter
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St.,
Syracuse
Kountry Wayne (a.k.a. Wayne Colley) has been generating an extraordinary amount of buzz among his peers within the entertainment industry as one of comedy's most notable rising stars. With his humble roots and unbridled energy, Wayne continues to build his audience with cutting-edge yet clean, curse-free material that transcends cultural lines!
Tickets
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History |
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11:00 AM - 4:00 PM, October 12 |
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Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years. Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.
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Music |
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7:00 PM, October 12 |
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Jamie McLean Band The 443 Social Club
The 443 Social Club
443 Burnet Ave.,
Syracuse
Jamie McLean Band is a triple threat. The group's energetic and captivating live show is undeniable. McLean's fiery guitar has joined the ranks of Derek Trucks, Gregg Allman, Aaron Neville, Dr. John, and more on stages from Madison Square Garden to Japan's Fuji Rock. His blue-eyed southern soul vocals ooze real emotion. And his top-line songwriting chops have crafted profound, honest, and heartfelt songs that will keep you singing, dancing, and feeling like the song was written about you. Jamie McLean Band creates a musical gumbo that incorporates New Orleans soul, middle Americana roots, Delta blues, and New York City swagger.
Tickets
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7:30 PM, October 12 |
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Vector Lite Steeple Coffee House
Price: $15-$20 suggested donation covers entertainment, dessert, coffee/tea United Church of Fayetteville
310 E. Genesee St.,
Fayetteville
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Theater |
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7:00 PM, October 12 |
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La Vida es Sueño Community Folk Art Center
Price: $5 Community Folk Art Center
805 E. Genesee St.,
Syracuse
The Community Folk Art Center and La Joven Guardia del Teatro present La Vida es Sueño, written by Pedro Calderón de la Barca and adapted by José Miguel Hernández Hurtado.
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Back to list |
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7:00 PM, October 12 |
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Hamlet (solo) Redhouse Robert Ross Parker, director
Redhouse at City Center
400 S. Salina St.,
Syracuse
Hamlet (solo) combines the ancient art of storytelling and the modern "one-man show," a thrilling evening which focuses on the three most essential elements of theatre: The Actor, The Text, and The Audience. This production is best described as "bare bones" in its presentation with Raoul Bhaneja playing 17 parts in a two-hour version using only Shakespeare's text. This critically acclaimed production has been enjoyed by audiences as diverse as the people of Inuvik, a community north of the Arctic Circle, and the next generation of Britain's young actors at The Royal Academy of Dramatic Art. An exceptional and rare experience for both the novice and the Shakespeare enthusiast! Adapted and Performed by Raoul Bhaneja, produced by Hope and Hell Theatre Co.
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8:00 PM, October 12 |
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Opening: Pippin Syracuse University Drama Department Torya Beard, director
Storch Theater, Syracuse Stage
820 E. Genesee St.,
Syracuse
The first son of King Charlamagne embarks on a delightful theatrical journey to find his own "corner in the sky" in Stephen Schwartz's Tony Award-winning musical that celebrates the power of stories to create magic in our everyday lives.
Tickets
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Back to list |
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Sunday, October 13, 2024
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Art |
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10:00 AM - 5:00 PM, October 13 |
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Cali M. Banks: I’ve Learned to Hold Myself Softly Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community. "I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.
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10:00 AM - 5:00 PM, October 13 |
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Sascha Brastoff: California King Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name). When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.
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Back to list |
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10:00 AM - 5:00 PM, October 13 |
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Tim Atseff: Final Edition Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate. Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.
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10:00 AM - 5:00 PM, October 13 |
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Putting Art to Work: Prints of the Works Progress Administration Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project. Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.
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10:00 AM - 5:00 PM, October 13 |
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Off the Rack Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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Back to list |
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11:00 AM - 4:00 PM, October 13 |
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Clayscapes Everson Museum of Art
Everson Museum of Art
401 Harrison St.,
Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Back to list |
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11:00 AM - 6:00 PM, October 13 |
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Nicholas Muellner: Asea Light Work Gallery
Light Work Gallery
316 Waverly Ave., Syracuse University,
Syracuse
Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it. With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.
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Back to list |
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12:00 PM - 6:00 PM, October 13 |
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Arts & Minds: A Showcase for Creative Aging Art in the Atrium
Price: Free City Hall Commons Atrium
201 East Washington St.,
Syracuse
"Arts & Minds: A Showcase for Creative Aging" celebrates the human potential for creativity at all ages! Do you believe older adults are beyond creative self-expression? In fact, our elders are often unbound from the rules that can limit creativity earlier in life. Visit the Arts & Minds Showcase of works by older adults, with and without dementia, in various media: painting, mixed media, collage, poetry, and more — and revitalize your attitude to aging. A short video is offered depicting the benefits to opening the spirit to aesthetic and meaningful self-expression in later life, and tells stories of how elder artists achieve purpose, meaning and self-validation as they are freed to develop artistic skills and capacity. Presented by Syracuse Jewish Family Services.
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12:00 PM - 4:00 PM, October 13 |
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Homeward to the Prairie I Come: Gordon Parks Photographs Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.
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12:00 PM - 4:00 PM, October 13 |
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Mithila Women Paint Gender-Based Violence in the 21st Century Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.
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12:00 PM - 4:00 PM, October 13 |
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Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum Syracuse University Art Museum
Syracuse University Art Museum, Shaffer Art Building
Syracuse University,
Syracuse
"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.
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1:00 PM - 5:00 PM, October 13 |
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97th Annual Juried Members' Exhibit Associated Artists of Central New York
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr.,
Manlius
The exhibit features the work of Carol Boyer, 2024 Best of Show winner for her fiber art piece "Sea Floor", in addition to that of Award of Merit and Honorable Mention winners and other Associated members.
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History |
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11:00 AM - 4:00 PM, October 13 |
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Suit Up! Syracuse Sporting Uniforms Through the Years Onondaga Historical Association
Price: Free Onondaga Historical Association
321 Montgomery St.,
Syracuse
"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years. Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.
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Music |
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1:00 PM - 3:00 PM, October 13 |
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Nachos & Blancos The 443 Social Club
The 443 Social Club
443 Burnet Ave.,
Syracuse
Join us for our once-a-month rockin' rhythm and roots par-tay at The 443! It's the best hang in town and we can't think of a better way to spend Sunday afternoon than grooving to the tasty tunes of the mighty Los Blancos.
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Theater |
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2:00 PM, October 13 |
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Hamlet (solo) Redhouse Robert Ross Parker, director
Redhouse at City Center
400 S. Salina St.,
Syracuse
Hamlet (solo) combines the ancient art of storytelling and the modern "one-man show," a thrilling evening which focuses on the three most essential elements of theatre: The Actor, The Text, and The Audience. This production is best described as "bare bones" in its presentation with Raoul Bhaneja playing 17 parts in a two-hour version using only Shakespeare's text. This critically acclaimed production has been enjoyed by audiences as diverse as the people of Inuvik, a community north of the Arctic Circle, and the next generation of Britain's young actors at The Royal Academy of Dramatic Art. An exceptional and rare experience for both the novice and the Shakespeare enthusiast! Adapted and Performed by Raoul Bhaneja, produced by Hope and Hell Theatre Co.
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2:00 PM, October 13 |
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Pippin Syracuse University Drama Department Torya Beard, director
Storch Theater, Syracuse Stage
820 E. Genesee St.,
Syracuse
The first son of King Charlamagne embarks on a delightful theatrical journey to find his own "corner in the sky" in Stephen Schwartz's Tony Award-winning musical that celebrates the power of stories to create magic in our everyday lives.
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Next week >>>
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