Monday, October 14, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

   

Tuesday, October 15, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

   

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

   

Bonnie Garmus
Friends of the Central Library Author Series

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

After a decades-long career as a copywriter, Bonnie Garmus achieved literary acclaim with her debut novel, Lessons in Chemistry. It has been translated into 40 languages and has achieved countless national and international awards. It was selected by Queen Camilla for the Queen's Reading Room and has been on the New Times, Sunday Times, and Der Spiegel bestseller lists for nearly two years. Interestingly, when Garmus sent out her first finished book, it was rejected 98 times. Lessons in Chemistry was recently made into an Apple TV+ series starring, Oscar winner Brie Larson.

Tickets

   

Dr. Neil DeGrasse Tyson
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Beginning with Mars, we review the ongoing effort to search for habitable planets, liquid water, and life in the cosmos. Culminating in the search for intelligent life, whether or not it already exists on Earth.

Tickets

   

Wednesday, October 16, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

   

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

   

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

   

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Walking and Talking Wednesday: Historical Lunchtime Tour of Downtown Syracuse
Onondaga Historical Association

Price: $15 OHA members, $20 non-members
Onondaga Historical Association
321 Montgomery St., Syracuse

Spend your midweek lunch hour with Curator of History Robert Searing, listening to some local history as you get in a midday walk around town.

The tour leaves from OHA's downtown museum at 321 Montgomery Street at 12:00 and ends in Clinton Square. The tour will last approximately 45-60 minutes and covers a wide array of topics, including abolition, architecture, general historical happenings, and some of the city's lost historical treasures.

Tickets

   

Quinn XCII: All You Can Eat Tour, with special guest Carter Vail
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Quinn XCII (pronounced Ninety-Two) emerged with a disarmingly catchy and dynamic personal style of his own punctuated by alternative nuances and unexpected (yet undeniable) pop prowess. He has accumulated over 3.5 billion global streams across his catalogue and earned successive Platinum singles, including "Straitjacket," "Kings of Summer", and "Love Me Less". In additional Gold singles, including "Stay Next To Me" and "Flare Guns", "Another Day In Paradise," "Stacy," and "Always Been You." Simultaneously, he ignited anthems alongside Noah Kahan, Big Sean, AJR, Logic, blackbear, Chelsea Cutler, Jeremy Zucker, and more. He has sold out headline tours coast-to-coast, selling over 500,000 tickets as a headliner, and graced the stages of festivals such as Lollapalooza, Bonnaroo, Firefly, Governors Ball, and Electric Forest. This year Quinn enters a new era with 3 new EP's titled Breakfast, Lunch, and Dinner.

Tickets

   

Preview: Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Tickets

   

Pippin
Syracuse University Drama Department
Torya Beard, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The first son of King Charlamagne embarks on a delightful theatrical journey to find his own "corner in the sky" in Stephen Schwartz's Tony Award-winning musical that celebrates the power of stories to create magic in our everyday lives.

Tickets

   

Thursday, October 17, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

   

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

   

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

   

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

   

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

The Sound of Murder
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

High on a hill died a lonely goatherd and some people around the Abbey are beginning to get the idea that sweet little Maria just might be a budding serial killer. Is she now at 16, going on 17? What exactly are her favorite things? Mother Abbess and her new assistant, Sister Adolph, are calling in all nuns and townsfolk to decide what to do. Even the pompous Captain Von Trampp and his bratty children will be there. Don't be late. You don't want Sister Adolph shaking her carrot at you.

   

Preview: Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Tickets

   

Pippin
Syracuse University Drama Department
Torya Beard, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The first son of King Charlamagne embarks on a delightful theatrical journey to find his own "corner in the sky" in Stephen Schwartz's Tony Award-winning musical that celebrates the power of stories to create magic in our everyday lives.

Tickets

   

Friday, October 18, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

   

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

   

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

   

Arts & Minds: A Showcase for Creative Aging
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Arts & Minds: A Showcase for Creative Aging" celebrates the human potential for creativity at all ages!

Do you believe older adults are beyond creative self-expression? In fact, our elders are often unbound from the rules that can limit creativity earlier in life. Visit the Arts & Minds Showcase of works by older adults, with and without dementia, in various media: painting, mixed media, collage, poetry, and more — and revitalize your attitude to aging. A short video is offered depicting the benefits to opening the spirit to aesthetic and meaningful self-expression in later life, and tells stories of how elder artists achieve purpose, meaning and self-validation as they are freed to develop artistic skills and capacity.

Presented by Syracuse Jewish Family Services.

   

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Disney Jr. Live On Tour: Let’s Play
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Mickey is getting ready for the biggest playdate ever at the Clubhouse with all his favorite pals including Minnie and Goofy, the Puppy Dog Pals, Ginny and Bitsy from "SuperKitties" and Ariel from "Disney Jr.'s Ariel," but mysterious weather keeps interrupting the fun. Can Team Spidey from "Marvel's Spidey and his Amazing Friends" find out who is behind this and help save the playdate?

Tickets

   

Gloria
Central New York Playhouse
Andie Sagatis, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

This funny, trenchant, and powerful play, by Branden Jacobs-Jenkins, follows an ambitious group of editorial assistants at a notorious Manhattan magazine, each of whom hopes for a starry life of letters and a book deal before they turn 30. But when an ordinary humdrum workday becomes anything but, the stakes for who will get to tell their own story become higher than ever.

Tickets

   

Opening: Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Tickets

   

Pippin
Syracuse University Drama Department
Torya Beard, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The first son of King Charlamagne embarks on a delightful theatrical journey to find his own "corner in the sky" in Stephen Schwartz's Tony Award-winning musical that celebrates the power of stories to create magic in our everyday lives.

Tickets

   

Saturday, October 19, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

   

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

   

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

   

Arts & Minds: A Showcase for Creative Aging
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Arts & Minds: A Showcase for Creative Aging" celebrates the human potential for creativity at all ages!

Do you believe older adults are beyond creative self-expression? In fact, our elders are often unbound from the rules that can limit creativity earlier in life. Visit the Arts & Minds Showcase of works by older adults, with and without dementia, in various media: painting, mixed media, collage, poetry, and more — and revitalize your attitude to aging. A short video is offered depicting the benefits to opening the spirit to aesthetic and meaningful self-expression in later life, and tells stories of how elder artists achieve purpose, meaning and self-validation as they are freed to develop artistic skills and capacity.

Presented by Syracuse Jewish Family Services.

   

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Light Classics, Blues & Broadway
Civic Morning Musicals
Featuring Ronald Caravan, clarinet and saxophone; Sar-Shalom Strong, piano

Price: $10
St. David's Episcopal Church
13 Jamar Dr., Dewitt

Chapple Ebony & Ivory
Templeton Pocket Size Sonata
Siegmeister Around New York
Corigliano Serenade & Rondo
Caravan Soliloquy & Celebration
Cohen Sonata for Soprano Saxophone & Piano

Tickets

   

Nicholas Goluses
Skaneateles Library Guitar Series

Price: Free
Skaneateles Library
49 E. Genesee St., Skaneateles

Nicholas Goluses is Professor of Guitar, founder, and director of the guitar programs at the Eastman School of Music, where he is the recipient of the Eisenhart Award for Excellence in Teaching. Additionally, he was the inaugural Andrés Segovia Professor at Manhattan School of Music where he received the Doctor of Musical Arts degree and was the recipient of the Pablo Casals Award for Musical Accomplishment and Human Endeavor, the Faculty Award of Distinguished Merit and the 2019 Distinguished Alumni Award. His students have won major competitions and professorships throughout the world. He is a Fulbright International Specialist Professor and serves as the external examiner for doctoral dissertations throughout the British Isles.

Nicholas Goluses's concert tours as soloist, with orchestra, and as chamber musician have taken him across North America, South America, Europe, Australia, and the Far East to critical acclaim. He has recorded extensively for NAXOS, Albany Records, BMG, and Linn Records. Committed to performing new music for the guitar, Goluses has given world première performances of over 100 works. His 2023 season was highlighted by a performance of a new concerto by Stephen Goss in Glasgow, Scotland and a Fulbright Residency in Tolima, Colombia.

   

Vocal Jazz Concert
Syracuse Vocal Ensemble
Jeff Welcher, conductor

Price: $15 adults, students free
Park Central Presbyterian Church
504 E. Fayette St., Syracuse

Featuring vocal jazz old and new, and venturing into contemporary styles.

   

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Tickets

   

Pippin
Syracuse University Drama Department
Torya Beard, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The first son of King Charlamagne embarks on a delightful theatrical journey to find his own "corner in the sky" in Stephen Schwartz's Tony Award-winning musical that celebrates the power of stories to create magic in our everyday lives.

Tickets

   

Gloria
Central New York Playhouse
Andie Sagatis, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

This funny, trenchant, and powerful play, by Branden Jacobs-Jenkins, follows an ambitious group of editorial assistants at a notorious Manhattan magazine, each of whom hopes for a starry life of letters and a book deal before they turn 30. But when an ordinary humdrum workday becomes anything but, the stakes for who will get to tell their own story become higher than ever.

Tickets

   

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Tickets

   

Pippin
Syracuse University Drama Department
Torya Beard, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The first son of King Charlamagne embarks on a delightful theatrical journey to find his own "corner in the sky" in Stephen Schwartz's Tony Award-winning musical that celebrates the power of stories to create magic in our everyday lives.

Tickets

   

Sunday, October 20, 2024

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

   

Arts & Minds: A Showcase for Creative Aging
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Arts & Minds: A Showcase for Creative Aging" celebrates the human potential for creativity at all ages!

Do you believe older adults are beyond creative self-expression? In fact, our elders are often unbound from the rules that can limit creativity earlier in life. Visit the Arts & Minds Showcase of works by older adults, with and without dementia, in various media: painting, mixed media, collage, poetry, and more — and revitalize your attitude to aging. A short video is offered depicting the benefits to opening the spirit to aesthetic and meaningful self-expression in later life, and tells stories of how elder artists achieve purpose, meaning and self-validation as they are freed to develop artistic skills and capacity.

Presented by Syracuse Jewish Family Services.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Nosferatu the Vampire
Syracuse Wurlitzer

Price: $15 regular, $5 children 15 and under
Empire Theater
New York State Fairgrounds, Geddes

Silent 1922 horror film, with live music by organist Brett Miller.

   

Malmgren Concert Series: Each Moment Radiant: Music of Johannes Brahms and Kurt Erickson Commemorating the Pan Am Flight 103 Disaster
Hendricks Chapel

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

A profoundly moving concert, marking the beginning of Remembrance Week (October 20-26). The event features the world premiere of Each Moment Radiant, a newly commissioned chamber work by composer Kurt Erickson and poet Brian Turner commemorating the Pan Am Flight 103 Air Disaster. Setnor School of Music faculty and guest musicians will perform Erickson and Turner's song cycle Here, Bullet and Johannes Brahms's Piano Trio in C minor.

   

Mania: The ABBA Tribute
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Take A Chance On Mania ... and you won't be disappointed!

This year the iconic Swedish pop group is celebrating the 50th anniversary of their breakthrough hit single "Waterloo," and MANIA can't wait to share the joy of this huge milestone!

Tickets

   

Gloria
Central New York Playhouse
Andie Sagatis, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

This funny, trenchant, and powerful play, by Branden Jacobs-Jenkins, follows an ambitious group of editorial assistants at a notorious Manhattan magazine, each of whom hopes for a starry life of letters and a book deal before they turn 30. But when an ordinary humdrum workday becomes anything but, the stakes for who will get to tell their own story become higher than ever.

Tickets

   

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Tickets

   

Pippin
Syracuse University Drama Department
Torya Beard, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The first son of King Charlamagne embarks on a delightful theatrical journey to find his own "corner in the sky" in Stephen Schwartz's Tony Award-winning musical that celebrates the power of stories to create magic in our everyday lives.

Tickets

   

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Tickets

   

Monday, October 21, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.