Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The Everson Museum of Art is delighted to host a special performance by Syracuse-native Elizabeth Sutphen, a celebrated coloratura soprano. Known for her "sparkling voice" (The New York Times) and her ability to "soar deftly through stratospheric trills and arpeggios" (Financial Times), Sutphen will take the stage for an unforgettable evening of operatic storytelling. In conjunction with the "Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776–1976" exhibition, Sutphen will weave American stories through her breathtaking performance. This evening promises a celebration of both the visual and musical arts, bringing together the rich heritage of American culture. A meet and greet with Sutphen will follow the performance.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Everson Museum of Art
401 Harrison St., Syracuse

Catherine Spencer creates sculptures and alternative environments inspired by her childhood surroundings, exploring the interplay of human experience and nature. Using found objects and human-made materials, her work bridges emotional and physical landscapes. Spencer earned her BFA from Alfred University and her MFA from Syracuse University. Her work has been shown in venues like the Muskegon Museum, Axis Gallery, and Governors Island, and she has participated in residencies such as the Cleveland West Art League, Turner Residency, and Chautauqua School of Art.