Tuesday, September 9, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Artists Telling Stories
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All artwork tells a story -- this juried exhibit showcases more than 70 pieces of artwork by 23 artists, accompanied by a thoughtful dialogue on how each artist communicates a story through their artwork.

Artists include Jacqueline Adamo, Joan Applebaum, Amy Bartell, Barbara Conte-Gaugel, Deb Dahlin, Patrice Downes Centore, Vykky Ebner, Patricia Elliot Seitz, Mary Fragapane, Domenico Gigante, Diana Godfrey, Patty Mabie Rich, Jeff Madison, Suzanne Masters, Michael Moody, Steve Nyland, Phil Parsons, Kathy Petrillo, Maria Rizzo, Kristina Starowitz, Karmin Schafer Hansen, Nathaniel West, Clare Willson

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

Where the Me Becomes We
La Casita Cultural Center
Point of Contact Gallery
Featuring Pepón Osorio

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Puerto Rican artist Pepón Osorio, whose work inspired the Balcón Criollo gallery project at La Casita Cultural Center, will speak of his practice in the context of his inclusive participatory process. The lecture will cover his artistic production from the late 1990s to the most recent work. A Q&A will follow the presentation.

Wednesday, September 10, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Artists Telling Stories
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All artwork tells a story -- this juried exhibit showcases more than 70 pieces of artwork by 23 artists, accompanied by a thoughtful dialogue on how each artist communicates a story through their artwork.

Artists include Jacqueline Adamo, Joan Applebaum, Amy Bartell, Barbara Conte-Gaugel, Deb Dahlin, Patrice Downes Centore, Vykky Ebner, Patricia Elliot Seitz, Mary Fragapane, Domenico Gigante, Diana Godfrey, Patty Mabie Rich, Jeff Madison, Suzanne Masters, Michael Moody, Steve Nyland, Phil Parsons, Kathy Petrillo, Maria Rizzo, Kristina Starowitz, Karmin Schafer Hansen, Nathaniel West, Clare Willson

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

Lunchtime Lecture
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Gallery tour of the exhibit "Tammy Renée Brackett: Dear Deer," with David Prince, Associate Director and Curator of Collections.

Thursday, September 11, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Artists Telling Stories
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All artwork tells a story -- this juried exhibit showcases more than 70 pieces of artwork by 23 artists, accompanied by a thoughtful dialogue on how each artist communicates a story through their artwork.

Artists include Jacqueline Adamo, Joan Applebaum, Amy Bartell, Barbara Conte-Gaugel, Deb Dahlin, Patrice Downes Centore, Vykky Ebner, Patricia Elliot Seitz, Mary Fragapane, Domenico Gigante, Diana Godfrey, Patty Mabie Rich, Jeff Madison, Suzanne Masters, Michael Moody, Steve Nyland, Phil Parsons, Kathy Petrillo, Maria Rizzo, Kristina Starowitz, Karmin Schafer Hansen, Nathaniel West, Clare Willson

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Opening: It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

There will be an opening reception this afternoon 4:30-6:30 pm.

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

Opening: OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Opening: Isaac Julien: Western Union: Small Boats (The Leopard)
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Urban Video Project (UVP) is pleased to announce the opening of the 2014-15 programming year with this exhibition by world-renowned visual artist and filmmaker Isaac Julien. Video projection begins at dusk.

This exhibition marks the beginning of "Celestial Navigation: a year into the afro future", a year-long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

"Western Union: Small Boats (The Leopard)" concerns journeys made across the seas of the Mediterranean by so-called "clandestines" who leave Libya, escaping wars and famines. They can be seen as economic migrant workers, along with certain Europeans--"Angels" in Walter Benjamin's terms--who bear witness to modernity's failed hopes and dreams, and who now travel across oceanic spaces some never to arrive or return.

Isaac Julien (b. 1960) lives and works in London. He first rose to prominence for his feature-length and short-form films. He received a Special Teddy at the Berlin International Film Festival for his film on Derek Jarman, called "Derek" (2008), created in collaboration with Tilda Swinton. Julien's most recent work has focused on immersive single- and multi-channel video installations. His work was part of Documenta XI (2002), and he has had solo shows at the Pompidou Centre in Paris (2005), MOCA Miami (2005) and most recently at SESC Pompeia in Brazil (2012), among others. Julien is represented in both public and private collections, including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; and the Hirshhorn Collection. He has taught at Harvard University and Goldsmiths College, University of London, and is currently a faculty member at the Whitney Museum of American Arts, professor of media art at Staatliche Hochschule für Gestaltung Karlsruhe, Germany, and Chair of Global Art at University of the Arts London.

Preview: The 25th Annual Putnam County Spelling Bee
Redhouse

Price: $15
Former Redhouse Theater
219 S. West St., Syracuse

In this delightful musical six quirky adolescents compete in the Putnam Valley Middle School Bee and learn that winning isn't everything! Conceived by Rebecca Feldman, music and lyrics by William Finn, book by Rachel Sheinkin and additional material by Jay Reiss. Rated PG13.

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The Guys
Central New York Playhouse
Pat Catchouny, director

Price: $10
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

Less than two weeks after the September 11 attacks, New Yorkers are still in shock. One of them, an editor named Joan, receives an unexpected phone call on behalf of Nick, a fire captain who has lost most of his men in the attack. He's looking for a writer to help him with the eulogies he must present at their memorial services. Nick and Joan spend a long afternoon together, recalling the fallen men through recounting their virtues and their foibles, and fashioning the stories into memorials of words. In the process, Nick and Joan discover the possibilities of friendship in each other and their shared love for the unconquerable spirit of the city. As they make their way through the emotional landscape of grief, they draw on humor, tango, the appreciation of craft in all its forms—and the enduring bonds of common humanity. The Guys is based on a true story.

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Friday, September 12, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Artists Telling Stories
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All artwork tells a story -- this juried exhibit showcases more than 70 pieces of artwork by 23 artists, accompanied by a thoughtful dialogue on how each artist communicates a story through their artwork.

Artists include Jacqueline Adamo, Joan Applebaum, Amy Bartell, Barbara Conte-Gaugel, Deb Dahlin, Patrice Downes Centore, Vykky Ebner, Patricia Elliot Seitz, Mary Fragapane, Domenico Gigante, Diana Godfrey, Patty Mabie Rich, Jeff Madison, Suzanne Masters, Michael Moody, Steve Nyland, Phil Parsons, Kathy Petrillo, Maria Rizzo, Kristina Starowitz, Karmin Schafer Hansen, Nathaniel West, Clare Willson

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

Cups for a Cause
The Independent Potters Association

Price: $25
Benjamin's on Franklin
314 S. Franklin St., Syracuse

A fun evening featuring handmade pottery, music, food, and drinks to fund prostate cancer awareness and the Men to Men support group at Upstate Cancer Center. Live music by The Possum Tail Pluckers will be a part of the event. For an extra $50 donation, patrons will be able to choose from more than 100 hand-crafted sets of pottery vessels made by upstate New York's preeminent ceramic artists. The IPA hopes to raise $5,000 for those battling prostate cancer in Central New York.

Opening: Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

Isaac Julien: Western Union: Small Boats (The Leopard)
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Urban Video Project (UVP) is pleased to announce the opening of the 2014-15 programming year with this exhibition by world-renowned visual artist and filmmaker Isaac Julien. Video projection begins at dusk.

This exhibition marks the beginning of "Celestial Navigation: a year into the afro future", a year-long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

"Western Union: Small Boats (The Leopard)" concerns journeys made across the seas of the Mediterranean by so-called "clandestines" who leave Libya, escaping wars and famines. They can be seen as economic migrant workers, along with certain Europeans--"Angels" in Walter Benjamin's terms--who bear witness to modernity's failed hopes and dreams, and who now travel across oceanic spaces some never to arrive or return.

Isaac Julien (b. 1960) lives and works in London. He first rose to prominence for his feature-length and short-form films. He received a Special Teddy at the Berlin International Film Festival for his film on Derek Jarman, called "Derek" (2008), created in collaboration with Tilda Swinton. Julien's most recent work has focused on immersive single- and multi-channel video installations. His work was part of Documenta XI (2002), and he has had solo shows at the Pompidou Centre in Paris (2005), MOCA Miami (2005) and most recently at SESC Pompeia in Brazil (2012), among others. Julien is represented in both public and private collections, including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; and the Hirshhorn Collection. He has taught at Harvard University and Goldsmiths College, University of London, and is currently a faculty member at the Whitney Museum of American Arts, professor of media art at Staatliche Hochschule für Gestaltung Karlsruhe, Germany, and Chair of Global Art at University of the Arts London.

La Festa Italiana

Price: Free
Washington St. (in front of City Hall)
Syracuse

Free entertainment by local, regional and national acts. Come enjoy Italian foods, activities for children and a bocce tournament. For more information, please visit www.festaitaliana.bizland.com.

11:30 am: Auggie and Rocco
5:00 pm: Nick Mulpagano
7:00 pm: Prime Time
9:30 pm: Atlas

Jazz@Sitrus: Nancy Kelly
CNY Jazz Arts Foundation

Price: No cover
Sitrus on the Hill
Sheraton Syracuse University Hotel, Syracuse

On this return appearance, national artist Nancy Kelly and her band will be stretching out on selections from her new CD, "B That Way". This will be local fans' first opportunity to celebrate Nancy's new effort following her September 4 CD release party at the legendary Birdland in New York City.

During a 30-plus year career, Nancy Kelly has honed her trademark back-to-the-roots swinging style in front of audiences throughout the US and abroad. She appears regularly in New York City at The Blue Note, Birdland, The Rainbow Room, and Dizzy's Jazz Club at Lincoln Center. Impressively, Kelly has twice been named "Best Female Jazz Vocalist" in the Down Beat Readers' Poll. She has recorded six critically acclaimed CDs.

Switchfoot, with special guest Gungor
CNY Crossroads

Price: $25, $35
Landmark Theatre
362 S. Salina St., Syracuse

Switchfoot, the Grammy-award winning alternative rock band was formed by brothers Jon Foreman (vocals/guitar) and Tim Foreman (bass) along with their surfing buddy Chad Butler (drums). Jerome Fontamillas (keys/guitar) and Drew Shirley (guitar) make up the balance of this 5-piece California rock band. Audiences will enjoy the numerous sides of Switchfoot whose music crosses over many music genres including rock, progressive and Christian. Switchfoot recently released their 9th album, Fading West, which debuted at No. 6 on the Billboard Top 200 Charts this year.

Gungor, formerly known as the Michael Gungor Band, joins with Switchfoot to compliment the evening's rock experience and uplifting message. Michael Gungor writes songs that are a mix of Indie Rock, Post Rock, Progressive and Soft Rock –- he describes his song style as "alternative, folk, textured and experimental."

Switchfoot and Gungor will deliver a concert that is powerful, deliberate and honest. And for those of us that are looking for it, will experience a faith shining through.

Classical Indian Music: Performance Live Presentation
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

For most events, free and accessible concert parking is available on campus in the Q-1 lot, located behind Crouse College. Campus parking availability is subject to change, so please call 315-443-2191 for current information.

Slaid Cleaves
Folkus Project

Price: $20 regular, $17 member
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Slaid Cleaves is one of the most beloved and respected of the Texas-style songwriters (shades of Townes Van Zandt and Robert Earl Keen). And he was on the very short list of truly top-notch singer-songwriters never to have appeared in the Folkus series, until now.

Among Cleaves's biggest fans is the novelist Stephen King, and it's easy to see why. Cleaves's songs tell the kinds of stories and paint the kinds of verbal pictures associated with John Steinbeck and Ray Carver. His smoothly crafted songs are instantly engaging, fully enveloping, and pull you into the worlds of characters for whom life is a gritty and sometimes bittersweet adventure. He is one of America's very best poet-songwriters, with a musical style that is at once warm and arresting. His relaxed, intimate voice and easy-going instrumental approach complete the package. Plus, he's bringing fiddler/mandolist Chojo Jacques. This is not a show to be missed.

If you love Ellis Paul, John Gorka, Richard Shindell, or Dar Williams, but have never seen Slaid Cleaves, this is your chance to get on board. Trust us.

Rubblebucket, with Body Language, 2001
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

Delfeayo Marsalis

Price: $15 general admission, $25 reserved seating
OnCenter Convention Center
800 South State St., Syracuse

For one night only, we're creating a NOLA style Jazz Lounge with award-winning trombonist, composer, and producer Delfeayo Marsalis -- one of today's top jazz performers and member of the internationally-acclaimed Marsalis family. Accompanying Marsalis are CNY Jazz musicians Larry Luttinger, Rick Mantalbano, and Danny Ziemann.

Opening the evening's entertainment are Signature Music, Jeff Martin on guitar, Don Martin, and Dave Frateschi Duo.

Delfeayo Marsalis is one of the top trombonists, composers and producers in jazz today. Marsalis attended the New Orleans Center for Creative Arts high school, was classically trained at the Eastern Music Festival and Tanglewood Institute, and majored in both performance and audio production at the Berklee College of Music. From the age of 17 until the present, Marsalis has produced over 100 recordings for major artists. In addition, Marsalis is an exceptional trombonist who toured internationally with five renowned bandleaders. In January 2011, Delfeayo and the Marsalis family earned the nation's highest jazz honor, a National Endowment for the Arts Jazz Masters Award.

Proceeds from this event benefit Home Aides of Central New York.

For more information, call The Events Company at 315-422-9400.

The Adventures of Tom Sawyer
Appleseed Productions
C.J. Young, director

Price: $18 regular, $15 students/seniors
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

See Tom Sawyer, Huckleberry Finn, and Becky Thatcher in the greatest summer adventure ever told in this imaginative, highly theatrical adaptation of Mark Twain's incomparable classic. Featuring the thrill of mischief-making, the fickleness of first love, the cold shivers that linger after an adventure gone awry and the unbridled joy of discovering real buried treasure!

Read a Review!

The Laramie Project
Central New York Playhouse
Justin Polly, director

Price: $20
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

In October 1998, a 21-year-old student at the University of Wyoming was kidnapped, severely beaten and left to die, tied to a fence in the middle of the prairie outside Laramie, Wyoming. His bloody, bruised and battered body was not discovered until the next day, and he died several days later in an area hospital. His name was Matthew Shepard, and he was the victim of this assault because he was gay.

Moisés Kaufman and fellow members of the Tectonic Theater Project made six trips to Laramie over the course of a year and a half in the aftermath of the beating and during the trial of the two young men accused of killing Shepard. They conducted more than 200 interviews with the people of the town. Some people interviewed were directly connected to the case, and others were citizens of Laramie, and the breadth of their reactions to the crime is fascinating. Kaufman and Tectonic Theater members have constructed a deeply moving theatrical experience from these interviews and their own experiences. The Laramie Project is a breathtaking theatrical collage that explores the depths to which humanity can sink and the heights of compassion of which we are capable.

Read a Review!

Opening: The 25th Annual Putnam County Spelling Bee
Redhouse

Price: $30 regular, $20 members
Former Redhouse Theater
219 S. West St., Syracuse

In this delightful musical six quirky adolescents compete in the Putnam Valley Middle School Bee and learn that winning isn't everything! Conceived by Rebecca Feldman, music and lyrics by William Finn, book by Rachel Sheinkin and additional material by Jay Reiss. Rated PG13.

Read a Review!

Saturday, September 13, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

Opening: Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

There will be an opening reception this evening 6:00-8:00 pm.

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

There will be an artist reception this evening 6:00-8:00 pm.

Bill Cosby
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Bill Cosby is, by any standards, one of the most influential stars in America today. Whether it be through concert appearances or recordings, television or films, commercials or education, Bill Cosby has the ability to touch people's lives. His humor often centers on the basic cornerstones of our existence, seeking to provide an insight into our roles as parents, children, family members, and men and women.

Tickets can be purchased by calling the Landmark Theatre Box Office at 315-475-7979 or online at TicketMaster.com.

Read a review!

Attack Theatre: Traveling
Redhouse

Price: Free for Redhouse members
Former Redhouse Theater
219 S. West St., Syracuse

Attack Theatre's "Traveling" is a witty contemporary dance performance that tells the story of a traveling salesman, his sample case of curiosities, and the enormous potential of the little things in life.

The International Arts & Puppet Festival
Open Hand Theater

Price: Free
International Mask and Puppet Museum
518 Prospect Ave., Syracuse

We're taking over N. Salina Street between Butternut and Ash to bring you an afternoon of amazing family activities and performances:

11:00 am: Children's Mask making workshops
11:00 am: Juggling Workshop
11:00 am: East African Drumming
11:30 am: Open Hand Theater: The Stone Cutter Puppet Show
12:00 pm: Bhutanese Dance of Nepal
12:30 pm: South Indian Dance
12:45 pm: Juggling Workshop
1:00 pm: Brazilian Percussion Ensemble ~ Samba Laranja
1:45 pm: Puppet Parade with Brazilian Percussion
2:00 pm: Open Hand Theater's GIANT PUPPET CIRCUS
3:00 pm: Children's puppet making workshops
3:00 pm: Seneca String Quartet
3:00 pm: Quiet Story Time in the castle
3:15 pm: Magical John, Magic Show
3:30 pm: Irish Dance

Throughout the day:
Strolling Puppets & pop up puppet performances
Puppet & Mask exhibitions at the International Mask and Puppet Museum
Flat Iron Painters Project: Nine Artists create paintings that day
Information on North Side Neighborhood projects
Axum Earth Management: Fun Gardening workshops

Moonshine Musical Mania: Frozen
Redhouse

Price: $15 regular, $10 members
Former Redhouse Theater
219 S. West St., Syracuse

Come sing along with us as Redhouse celebrates 10 years! Featuring the voices of Kristen Bell and Idina Menzel, "Frozen" is the coolest comedy-adventure ever to hit the big screen delighting kids and adults alike!

Cinemagogue: The Life & Times of Hank Greenberg
Temple Society of Concord

Price: Free (donations welcome)
Temple Society of Concord
910 Madison St., Syracuse

This documentary covers the life and career of Hank Greenberg, the first Jewish baseball superstar. It is a film about an extraordinary baseball player who transcended ethnic and religious prejudice to become a hero for all Americans.

La Festa Italiana

Price: Free
Washington St. (in front of City Hall)
Syracuse

Free entertainment by local, regional and national acts. Come enjoy Italian foods, activities for children and a bocce tournament. For more information, please visit www.festaitaliana.bizland.com.

2:00 pm: Yvonne Conte
3:30 pm: Dance Centre North
5:00 pm: Jimmy Cavallo
7:30 pm: Ruby Shooz
9:30 pm: Stroke

Elements of Bluegrass: The Mark Allnatt Band
Petit Branch Library

Price: Free
Petit Branch Library
105 Victoria Pl., Syracuse

This educational and entertaining program will introduce Bluegrass, a truly American music, to young and old alike. The Mark Allnatt Band, a local group of veteran musicians, will demonstrate how their instruments and three-part harmony combine to present a distinctive sound.

The members of the Mark Allnatt Band are: Mark Allnatt on banjo & lead vocals; Ted Williams on guitar, mandolin & vocals; Karl Paisley on dobro, guitar & vocals; Henry Jankiewicz on fiddle; and John Dancks on bass.

The Little Mermaid
Magic Circle Children's Theatre

Price: $5
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive retelling of the children's classic.

The Adventures of Tom Sawyer
Appleseed Productions
C.J. Young, director

Price: $18 regular, $15 students/seniors
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

See Tom Sawyer, Huckleberry Finn, and Becky Thatcher in the greatest summer adventure ever told in this imaginative, highly theatrical adaptation of Mark Twain's incomparable classic. Featuring the thrill of mischief-making, the fickleness of first love, the cold shivers that linger after an adventure gone awry and the unbridled joy of discovering real buried treasure!

Read a Review!

The Laramie Project
Central New York Playhouse
Justin Polly, director

Price: $34.95 dinner theater, $20 show only
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

Tonight's show will be preceded by dinner at 6:45 pm.

In October 1998, a 21-year-old student at the University of Wyoming was kidnapped, severely beaten and left to die, tied to a fence in the middle of the prairie outside Laramie, Wyoming. His bloody, bruised and battered body was not discovered until the next day, and he died several days later in an area hospital. His name was Matthew Shepard, and he was the victim of this assault because he was gay.

Moisés Kaufman and fellow members of the Tectonic Theater Project made six trips to Laramie over the course of a year and a half in the aftermath of the beating and during the trial of the two young men accused of killing Shepard. They conducted more than 200 interviews with the people of the town. Some people interviewed were directly connected to the case, and others were citizens of Laramie, and the breadth of their reactions to the crime is fascinating. Kaufman and Tectonic Theater members have constructed a deeply moving theatrical experience from these interviews and their own experiences. The Laramie Project is a breathtaking theatrical collage that explores the depths to which humanity can sink and the heights of compassion of which we are capable.

Read a Review!

The 25th Annual Putnam County Spelling Bee
Redhouse

Price: $30 regular, $20 members
Former Redhouse Theater
219 S. West St., Syracuse

In this delightful musical six quirky adolescents compete in the Putnam Valley Middle School Bee and learn that winning isn't everything! Conceived by Rebecca Feldman, music and lyrics by William Finn, book by Rachel Sheinkin and additional material by Jay Reiss. Rated PG13.

Read a Review!

Sunday, September 14, 2014

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Jewish Music and Cultural Festival

Price: Free
Jewish Community Center
5655 Thompson Rd., Dewitt

An afternoon of Jewish music, Jewish food, jewelry and crafts vendors, and children's activities.

12:00-1:00 pm: Zetz!
1:15-1:45 pm: West of Odessa
2:00-2:30 pm: Keyna Hora Klezmer Band
3:00 pm: CNY's Largest Hora
3:00-4:30 pm: Jon Nelson Band
4:45-5:45 pm: Sruli and Lisa's Family Band
5:45-6 pm: Band Jam

La Festa Italiana

Price: Free
Washington St. (in front of City Hall)
Syracuse

Free entertainment by local, regional and national acts. Come enjoy Italian foods, activities for children and a bocce tournament. For more information, please visit www.festaitaliana.bizland.com.

12:30 pm: Federico School of Music
1:45 pm: Nick Mulpagano
3:30 pm: Yvonne Conte
5:00 pm: Jimmy Cavallo

John Lauter, theater organ
Syracuse Wurlitzer

Price: $15 adults, $2 children
Empire Theater
New York State Fairgrounds, Geddes

Detroit native John Lauter has presented many concerts at the famous Fabulous Fox Theatre in Detroit, and performed at the Chicago Oriental Theatre, Denver Paramount, the San Francisco Castro Theatre and the Organ Stop Pizza restaurant in Phoenix, AZ, just to name a few. Lauter was a featured performer at the American Theatre Organ Society's 2009 national convention in Cleveland. John spent three years playing at "Theatre Organ Pizza and Pipes" in Pontiac, MI. In Februrary 2010, John was a musical guest on NPR's popular Prairie Home Companion program. This will be John's debut performance in Syracuse.

Biz Markie, with Stann Smith
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

The Adventures of Tom Sawyer
Appleseed Productions
C.J. Young, director

Price: $18 regular, $15 students, $12 seniors
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

See Tom Sawyer, Huckleberry Finn, and Becky Thatcher in the greatest summer adventure ever told in this imaginative, highly theatrical adaptation of Mark Twain's incomparable classic. Featuring the thrill of mischief-making, the fickleness of first love, the cold shivers that linger after an adventure gone awry and the unbridled joy of discovering real buried treasure!

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The Laramie Project
Central New York Playhouse
Justin Polly, director

Price: $15
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

In October 1998, a 21-year-old student at the University of Wyoming was kidnapped, severely beaten and left to die, tied to a fence in the middle of the prairie outside Laramie, Wyoming. His bloody, bruised and battered body was not discovered until the next day, and he died several days later in an area hospital. His name was Matthew Shepard, and he was the victim of this assault because he was gay.

Moisés Kaufman and fellow members of the Tectonic Theater Project made six trips to Laramie over the course of a year and a half in the aftermath of the beating and during the trial of the two young men accused of killing Shepard. They conducted more than 200 interviews with the people of the town. Some people interviewed were directly connected to the case, and others were citizens of Laramie, and the breadth of their reactions to the crime is fascinating. Kaufman and Tectonic Theater members have constructed a deeply moving theatrical experience from these interviews and their own experiences. The Laramie Project is a breathtaking theatrical collage that explores the depths to which humanity can sink and the heights of compassion of which we are capable.

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Monday, September 15, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Artists Telling Stories
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All artwork tells a story -- this juried exhibit showcases more than 70 pieces of artwork by 23 artists, accompanied by a thoughtful dialogue on how each artist communicates a story through their artwork.

Artists include Jacqueline Adamo, Joan Applebaum, Amy Bartell, Barbara Conte-Gaugel, Deb Dahlin, Patrice Downes Centore, Vykky Ebner, Patricia Elliot Seitz, Mary Fragapane, Domenico Gigante, Diana Godfrey, Patty Mabie Rich, Jeff Madison, Suzanne Masters, Michael Moody, Steve Nyland, Phil Parsons, Kathy Petrillo, Maria Rizzo, Kristina Starowitz, Karmin Schafer Hansen, Nathaniel West, Clare Willson

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

My Friend Irma (1949)
Syracuse Cinephile Society

Price: $3.50 non-members, $3 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Director: George Marshall. Cast: Marie Wilson, Diana Lynn, John Lund, Don DeFore, Hans Conreid and introducing Dean Martin and Jerry Lewis.

Paramount's hit comedy based on the popular radio sitcom, and the film that introduced the team of Martin & Lewis to moviegoers. Dean and Jerry are prominently featured in this fun story of two single roommates (Wilson and Lynn) and their strange assortment of friends and neighbors.

Tuesday, September 16, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Artists Telling Stories
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All artwork tells a story -- this juried exhibit showcases more than 70 pieces of artwork by 23 artists, accompanied by a thoughtful dialogue on how each artist communicates a story through their artwork.

Artists include Jacqueline Adamo, Joan Applebaum, Amy Bartell, Barbara Conte-Gaugel, Deb Dahlin, Patrice Downes Centore, Vykky Ebner, Patricia Elliot Seitz, Mary Fragapane, Domenico Gigante, Diana Godfrey, Patty Mabie Rich, Jeff Madison, Suzanne Masters, Michael Moody, Steve Nyland, Phil Parsons, Kathy Petrillo, Maria Rizzo, Kristina Starowitz, Karmin Schafer Hansen, Nathaniel West, Clare Willson

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

Goldenberg Series: Syracuse City Ballet
Temple Society of Concord

Price: Free (donations welcome)
Temple Society of Concord
910 Madison St., Syracuse

Syracuse City Ballet will perform classical and contemporary dance works that will dazzle you!

"What If..." Film Series: Growing Cities
Gifford Foundation

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

In their search for answers, filmmakers Dan Susman and Andrew Monbouquette take a road trip and meet the men and women who are challenging the way this country grows and distributes its food, one vacant city lot, rooftop garden, and backyard chicken coop at a time. Join them as they discover that good food isn't the only crop these urban visionaries are harvesting. They're producing stronger and more vibrant communities, too. With special guest Chef Will Lewis. (60 minutes)

Thomas Kelley, Fall 2014 Visiting Critic
Syracuse University School of Architecture

Price: Free
Slocum Hall Auditorium
Syracuse University campus, Syracuse

Thomas Kelley was raised in Canberra, Berlin, Warsaw, Tegucigalpa, Oxford, Lima, and Washington DC. Thomas has worked for the architecture practices of Brasil Arquitetura Studio in São Paulo, Asymptote Architecture in New York, and Skidmore, Owings, and Merrill in Chicago. Thomas is the recipient of the 2012-2013 Reyner Banham Fellowship from the University at Buffalo School of Architecture and Planning and the 2013-2014 James R. Lamantia, Jr. Rome Prize in Architecture from the American Academy in Rome. He is a Clinical Assistant Professor at the University of Illinois at Chicago's School of Architecture. In addition, Thomas is a partner in the architecture and design collaborative Norman Kelley. Most recently, the practice was awarded the 2014 Architectural League of New York Prize for Young Architects and Designers. Their drawings are currently on exhibit at the 2014 Venice Architecture Biennale and published in Log 31: New Ancients.

An Evening with Tammy Renée Brackett
Syracuse University Art Museum

Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Vocal Jazz Gala with the New York Voices
LeMoyne College

Price: Concert: $20 regular, $5 students and LeMoyne community. VIP Reception: $10 in advance, $20 at the door
Palace Theater
2384 James St., Syracuse

Join Le Moyne College as it hosts GRAMMY-winning vocal jazz group The New York Voices in the historic Palace Theatre. The event will also feature a silent auction and VIP reception, during which attendees will meet the performers. Event proceeds benefit the Le Moyne College music program.

Tommy Emmanuel, guitar, with The International Guitar Duo

Price: $33-$73
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

After an absence of two years, Australian guitarist Tommy Emmanuel is finally returning to Central New York. Opening for Emmanuel are hometown heroes Loren and Mark, The International Guitar Duo.

It's now been six years since Emmanuel penned the beautiful song, "Finger Lakes," while visiting Skaneateles. He finished drafting the song on the road and performed it for the first time that evening in Ithaca. With resounding success, Emmanuel opened every concert around the world with "Finger Lakes" for over a year.

Ensemble Series: SU Wind Ensemble
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Ecstatic Fanfare (Steven Bryant)
Allerseelen (Richard Strauss, arr. Davis)
Suite Francaise (Darius Milhaud)
The Free Lance March (John Philip Sousa)

For most events, free and accessible concert parking is available on campus in the Q-1 lot, located behind Crouse College. Additional parking is available in Irving Garage. Campus parking availability is subject to change, so please call 315-443-2191 for current information.