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401 Harrison St. Syracuse, NY 13202 Phone: 315-474-6064 everson@everson.org Website: www.everson.org
Everson Museum of Art Coming Events
Clayscapes
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Saturday, April 27, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Janet Biggs: Imagination and Desire in a Northern Landscape
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Saturday, April 27, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
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Off the Rack
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Saturday, April 27, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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Pick and Mix
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Saturday, April 27, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack. In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment. The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes. Holding Space, Holding Pattern: Radical Decoration Strikes Back Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s. Natural Synthesis: African Stoneware from the Ramage Collection Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students. Feelies Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form. Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.
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Rachel Ivy Clarke: Material Interactions
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Saturday, April 27, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Sana Musasama: Returning to Ourselves
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Saturday, April 27, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll. Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.
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Off the Rack
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Sunday, April 28, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
|
|
Pick and Mix
|
|
|
Sunday, April 28, 2024, 10:00 AM - 5:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack. In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment. The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes. Holding Space, Holding Pattern: Radical Decoration Strikes Back Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s. Natural Synthesis: African Stoneware from the Ramage Collection Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students. Feelies Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form. Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.
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Clayscapes
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Sunday, April 28, 2024, 11:00 AM - 4:00 PM
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|
Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Janet Biggs: Imagination and Desire in a Northern Landscape
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|
|
Sunday, April 28, 2024, 11:00 AM - 4:00 PM
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|
Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
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Jewels from the Fire: 20th Century Enamels
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Sunday, April 28, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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Rachel Ivy Clarke: Material Interactions
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Sunday, April 28, 2024, 11:00 AM - 4:00 PM
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|
Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
|
|
Sana Musasama: Returning to Ourselves
|
|
|
Sunday, April 28, 2024, 11:00 AM - 4:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll. Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.
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Clayscapes
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Wednesday, May 1, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
|
|
Janet Biggs: Imagination and Desire in a Northern Landscape
|
|
|
Wednesday, May 1, 2024, 11:00 AM - 4:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
|
|
Jewels from the Fire: 20th Century Enamels
|
|
|
Wednesday, May 1, 2024, 11:00 AM - 4:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
|
|
Off the Rack
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|
|
Wednesday, May 1, 2024, 11:00 AM - 5:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
|
|
Pick and Mix
|
|
|
Wednesday, May 1, 2024, 11:00 AM - 5:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack. In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment. The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes. Holding Space, Holding Pattern: Radical Decoration Strikes Back Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s. Natural Synthesis: African Stoneware from the Ramage Collection Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students. Feelies Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form. Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.
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|
Rachel Ivy Clarke: Material Interactions
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|
Wednesday, May 1, 2024, 11:00 AM - 4:00 PM
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|
Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
|
|
Clayscapes
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Thursday, May 2, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
|
|
Janet Biggs: Imagination and Desire in a Northern Landscape
|
|
|
Thursday, May 2, 2024, 11:00 AM - 8:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
|
|
Off the Rack
|
|
|
Thursday, May 2, 2024, 11:00 AM - 8:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
|
|
Pick and Mix
|
|
|
Thursday, May 2, 2024, 11:00 AM - 8:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack. In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment. The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes. Holding Space, Holding Pattern: Radical Decoration Strikes Back Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s. Natural Synthesis: African Stoneware from the Ramage Collection Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students. Feelies Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form. Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.
|
|
Rachel Ivy Clarke: Material Interactions
|
|
|
Thursday, May 2, 2024, 11:00 AM - 8:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
|
|
Clayscapes
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|
|
Friday, May 3, 2024, 11:00 AM - 4:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
|
|
Janet Biggs: Imagination and Desire in a Northern Landscape
|
|
|
Friday, May 3, 2024, 11:00 AM - 4:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
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Jewels from the Fire: 20th Century Enamels
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Friday, May 3, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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Off the Rack
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Friday, May 3, 2024, 11:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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Pick and Mix
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Friday, May 3, 2024, 11:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack. In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment. The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes. Holding Space, Holding Pattern: Radical Decoration Strikes Back Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s. Natural Synthesis: African Stoneware from the Ramage Collection Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students. Feelies Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form. Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.
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Rachel Ivy Clarke: Material Interactions
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Friday, May 3, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Saturday, May 4, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Janet Biggs: Imagination and Desire in a Northern Landscape
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Saturday, May 4, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
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Off the Rack
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Saturday, May 4, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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Pick and Mix
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Saturday, May 4, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack. In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment. The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes. Holding Space, Holding Pattern: Radical Decoration Strikes Back Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s. Natural Synthesis: African Stoneware from the Ramage Collection Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students. Feelies Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form. Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.
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Rachel Ivy Clarke: Material Interactions
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Saturday, May 4, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Off the Rack
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Sunday, May 5, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage. As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries. This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.
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Pick and Mix
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Sunday, May 5, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack. In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment. The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes. Holding Space, Holding Pattern: Radical Decoration Strikes Back Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s. Natural Synthesis: African Stoneware from the Ramage Collection Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students. Feelies Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form. Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.
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Clayscapes
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Sunday, May 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Janet Biggs: Imagination and Desire in a Northern Landscape
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Sunday, May 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
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Jewels from the Fire: 20th Century Enamels
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Sunday, May 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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Rachel Ivy Clarke: Material Interactions
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Sunday, May 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Wednesday, May 8, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Janet Biggs: Imagination and Desire in a Northern Landscape
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|
|
Wednesday, May 8, 2024, 11:00 AM - 4:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
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|
Jewels from the Fire: 20th Century Enamels
|
|
|
Wednesday, May 8, 2024, 11:00 AM - 4:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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Rachel Ivy Clarke: Material Interactions
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Wednesday, May 8, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Thursday, May 9, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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|
Janet Biggs: Imagination and Desire in a Northern Landscape
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|
|
Thursday, May 9, 2024, 11:00 AM - 8:00 PM
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|
Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
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Rachel Ivy Clarke: Material Interactions
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Thursday, May 9, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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|
Clayscapes
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Friday, May 10, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
|
|
Janet Biggs: Imagination and Desire in a Northern Landscape
|
|
|
Friday, May 10, 2024, 11:00 AM - 4:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
|
|
Jewels from the Fire: 20th Century Enamels
|
|
|
Friday, May 10, 2024, 11:00 AM - 4:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
|
|
Rachel Ivy Clarke: Material Interactions
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|
|
Friday, May 10, 2024, 11:00 AM - 4:00 PM
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|
|
Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
|
|
Clayscapes
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Saturday, May 11, 2024, 10:00 AM - 5:00 PM
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|
Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
|
|
Janet Biggs: Imagination and Desire in a Northern Landscape
|
|
|
Saturday, May 11, 2024, 10:00 AM - 5:00 PM
|
|
|
Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
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O’tá:ra
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Saturday, May 11, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Saturday, May 11, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Sunday, May 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Janet Biggs: Imagination and Desire in a Northern Landscape
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Sunday, May 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.
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Jewels from the Fire: 20th Century Enamels
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Sunday, May 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, May 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Sunday, May 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Wednesday, May 15, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, May 15, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, May 15, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Wednesday, May 15, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Thursday, May 16, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, May 16, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Thursday, May 16, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Friday, May 17, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, May 17, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, May 17, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Friday, May 17, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Saturday, May 18, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, May 18, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Saturday, May 18, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Sunday, May 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, May 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, May 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Sunday, May 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Wednesday, May 22, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, May 22, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, May 22, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Wednesday, May 22, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Thursday, May 23, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, May 23, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Thursday, May 23, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Friday, May 24, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, May 24, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, May 24, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Friday, May 24, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Saturday, May 25, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, May 25, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Saturday, May 25, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Sunday, May 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, May 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, May 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Sunday, May 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Wednesday, May 29, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, May 29, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, May 29, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Wednesday, May 29, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Thursday, May 30, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, May 30, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Thursday, May 30, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Friday, May 31, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, May 31, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, May 31, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Friday, May 31, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Saturday, June 1, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, June 1, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Saturday, June 1, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Sunday, June 2, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, June 2, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, June 2, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Sunday, June 2, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Wednesday, June 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, June 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, June 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Wednesday, June 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Thursday, June 6, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, June 6, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Thursday, June 6, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Friday, June 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, June 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, June 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Friday, June 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Saturday, June 8, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, June 8, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Saturday, June 8, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Sunday, June 9, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, June 9, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, June 9, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Rachel Ivy Clarke: Material Interactions
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Sunday, June 9, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.
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Clayscapes
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Wednesday, June 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, June 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, June 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, June 13, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, June 13, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, June 14, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, June 14, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, June 14, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, June 15, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, June 15, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, June 16, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, June 16, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, June 16, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, June 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, June 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, June 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, June 20, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, June 20, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, June 21, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, June 21, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, June 21, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, June 22, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, June 22, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, June 23, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, June 23, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, June 23, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, June 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, June 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, June 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, June 27, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, June 27, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, June 28, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, June 28, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, June 28, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, June 29, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, June 29, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, June 30, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, June 30, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, June 30, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, July 3, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, July 3, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, July 3, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, July 4, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, July 4, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, July 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, July 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, July 5, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, July 6, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, July 6, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, July 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, July 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, July 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, July 10, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, July 10, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, July 10, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, July 11, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, July 11, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, July 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, July 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, July 12, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, July 13, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, July 13, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, July 14, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, July 14, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, July 14, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, July 17, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, July 17, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, July 17, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, July 18, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, July 18, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, July 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, July 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, July 19, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, July 20, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, July 20, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, July 21, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, July 21, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, July 21, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, July 24, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, July 24, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, July 24, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, July 25, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, July 25, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, July 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, July 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, July 26, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, July 27, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, July 27, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, July 28, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, July 28, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, July 28, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, July 31, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, July 31, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, July 31, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, August 1, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, August 1, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, August 2, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, August 2, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, August 2, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, August 3, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, August 3, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, August 4, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, August 4, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, August 4, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, August 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, August 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, August 7, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, August 8, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, August 8, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, August 9, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, August 9, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, August 9, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, August 10, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, August 10, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, August 11, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, August 11, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, August 11, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, August 14, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Wednesday, August 14, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Wednesday, August 14, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Thursday, August 15, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Thursday, August 15, 2024, 11:00 AM - 8:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Friday, August 16, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Friday, August 16, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Friday, August 16, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Saturday, August 17, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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O’tá:ra
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Saturday, August 17, 2024, 10:00 AM - 5:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Sunday, August 18, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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Jewels from the Fire: 20th Century Enamels
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Sunday, August 18, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.
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O’tá:ra
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Sunday, August 18, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Akwesasne Mohawk artist Natasha Smoke Santiago has spent the last two decades mastering traditional Haudenosaunee pottery techniques. Her unique work incorporates storytelling, activism, and the exploration of native foodways, including experiments with seedkeeping and collaborations with Indigenous chefs. The exhibition's title, O'tá:ra (pronounced oh-da-law) takes its name from a Mohawk phrase that means both "our clay" and "our clan," a testament to clay's foundational role in Haudenosaunee culture.
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Clayscapes
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Wednesday, August 21, 2024, 11:00 AM - 4:00 PM
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Thursday, August 22, 2024, 11:00 AM - 8:00 PM
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Friday, August 23, 2024, 11:00 AM - 4:00 PM
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Saturday, August 24, 2024, 10:00 AM - 5:00 PM
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Sunday, August 25, 2024, 11:00 AM - 4:00 PM
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Wednesday, August 28, 2024, 11:00 AM - 4:00 PM
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Thursday, August 29, 2024, 11:00 AM - 8:00 PM
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Friday, August 30, 2024, 11:00 AM - 4:00 PM
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Saturday, August 31, 2024, 10:00 AM - 5:00 PM
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Sunday, September 1, 2024, 11:00 AM - 4:00 PM
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Wednesday, September 4, 2024, 11:00 AM - 4:00 PM
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Thursday, September 5, 2024, 11:00 AM - 8:00 PM
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Friday, September 6, 2024, 11:00 AM - 4:00 PM
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Saturday, September 7, 2024, 10:00 AM - 5:00 PM
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Sunday, September 8, 2024, 11:00 AM - 4:00 PM
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Wednesday, September 11, 2024, 11:00 AM - 4:00 PM
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Thursday, September 12, 2024, 11:00 AM - 8:00 PM
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Friday, September 13, 2024, 11:00 AM - 4:00 PM
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Saturday, September 14, 2024, 10:00 AM - 5:00 PM
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Sunday, September 15, 2024, 11:00 AM - 4:00 PM
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Wednesday, September 18, 2024, 11:00 AM - 4:00 PM
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Thursday, September 19, 2024, 11:00 AM - 8:00 PM
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Friday, September 20, 2024, 11:00 AM - 4:00 PM
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Saturday, September 21, 2024, 10:00 AM - 5:00 PM
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Sunday, September 22, 2024, 11:00 AM - 4:00 PM
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Wednesday, September 25, 2024, 11:00 AM - 4:00 PM
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Thursday, September 26, 2024, 11:00 AM - 8:00 PM
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Friday, September 27, 2024, 11:00 AM - 4:00 PM
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Saturday, September 28, 2024, 10:00 AM - 5:00 PM
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Sunday, September 29, 2024, 11:00 AM - 4:00 PM
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Wednesday, October 2, 2024, 11:00 AM - 4:00 PM
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Thursday, October 3, 2024, 11:00 AM - 8:00 PM
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Friday, October 4, 2024, 11:00 AM - 4:00 PM
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Saturday, October 5, 2024, 10:00 AM - 5:00 PM
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Sunday, October 6, 2024, 11:00 AM - 4:00 PM
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Wednesday, October 9, 2024, 11:00 AM - 4:00 PM
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Thursday, October 10, 2024, 11:00 AM - 8:00 PM
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Friday, October 11, 2024, 11:00 AM - 4:00 PM
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Saturday, October 12, 2024, 10:00 AM - 5:00 PM
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Sunday, October 13, 2024, 11:00 AM - 4:00 PM
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Wednesday, October 16, 2024, 11:00 AM - 4:00 PM
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Thursday, October 17, 2024, 11:00 AM - 8:00 PM
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Friday, October 18, 2024, 11:00 AM - 4:00 PM
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Saturday, October 19, 2024, 10:00 AM - 5:00 PM
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Sunday, October 20, 2024, 11:00 AM - 4:00 PM
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Everson Museum of Art 401 Harrison St., Syracuse
Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources. As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.
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