Tuesday, September 16, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Artists Telling Stories
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All artwork tells a story -- this juried exhibit showcases more than 70 pieces of artwork by 23 artists, accompanied by a thoughtful dialogue on how each artist communicates a story through their artwork.

Artists include Jacqueline Adamo, Joan Applebaum, Amy Bartell, Barbara Conte-Gaugel, Deb Dahlin, Patrice Downes Centore, Vykky Ebner, Patricia Elliot Seitz, Mary Fragapane, Domenico Gigante, Diana Godfrey, Patty Mabie Rich, Jeff Madison, Suzanne Masters, Michael Moody, Steve Nyland, Phil Parsons, Kathy Petrillo, Maria Rizzo, Kristina Starowitz, Karmin Schafer Hansen, Nathaniel West, Clare Willson

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

Goldenberg Series: Syracuse City Ballet
Temple Society of Concord

Price: Free (donations welcome)
Temple Society of Concord
910 Madison St., Syracuse

Syracuse City Ballet will perform classical and contemporary dance works that will dazzle you!

"What If..." Film Series: Growing Cities
Gifford Foundation

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

In their search for answers, filmmakers Dan Susman and Andrew Monbouquette take a road trip and meet the men and women who are challenging the way this country grows and distributes its food, one vacant city lot, rooftop garden, and backyard chicken coop at a time. Join them as they discover that good food isn't the only crop these urban visionaries are harvesting. They're producing stronger and more vibrant communities, too. With special guest Chef Will Lewis. (60 minutes)

Thomas Kelley, Fall 2014 Visiting Critic
Syracuse University School of Architecture

Price: Free
Slocum Hall Auditorium
Syracuse University campus, Syracuse

Thomas Kelley was raised in Canberra, Berlin, Warsaw, Tegucigalpa, Oxford, Lima, and Washington DC. Thomas has worked for the architecture practices of Brasil Arquitetura Studio in São Paulo, Asymptote Architecture in New York, and Skidmore, Owings, and Merrill in Chicago. Thomas is the recipient of the 2012-2013 Reyner Banham Fellowship from the University at Buffalo School of Architecture and Planning and the 2013-2014 James R. Lamantia, Jr. Rome Prize in Architecture from the American Academy in Rome. He is a Clinical Assistant Professor at the University of Illinois at Chicago's School of Architecture. In addition, Thomas is a partner in the architecture and design collaborative Norman Kelley. Most recently, the practice was awarded the 2014 Architectural League of New York Prize for Young Architects and Designers. Their drawings are currently on exhibit at the 2014 Venice Architecture Biennale and published in Log 31: New Ancients.

An Evening with Tammy Renée Brackett
Syracuse University Art Museum

Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Vocal Jazz Gala with the New York Voices
LeMoyne College

Price: Concert: $20 regular, $5 students and LeMoyne community. VIP Reception: $10 in advance, $20 at the door
Palace Theater
2384 James St., Syracuse

Join Le Moyne College as it hosts GRAMMY-winning vocal jazz group The New York Voices in the historic Palace Theatre. The event will also feature a silent auction and VIP reception, during which attendees will meet the performers. Event proceeds benefit the Le Moyne College music program.

Tommy Emmanuel, guitar, with The International Guitar Duo

Price: $33-$73
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

After an absence of two years, Australian guitarist Tommy Emmanuel is finally returning to Central New York. Opening for Emmanuel are hometown heroes Loren and Mark, The International Guitar Duo.

It's now been six years since Emmanuel penned the beautiful song, "Finger Lakes," while visiting Skaneateles. He finished drafting the song on the road and performed it for the first time that evening in Ithaca. With resounding success, Emmanuel opened every concert around the world with "Finger Lakes" for over a year.

Ensemble Series: SU Wind Ensemble
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Ecstatic Fanfare (Steven Bryant)
Allerseelen (Richard Strauss, arr. Davis)
Suite Francaise (Darius Milhaud)
The Free Lance March (John Philip Sousa)

For most events, free and accessible concert parking is available on campus in the Q-1 lot, located behind Crouse College. Additional parking is available in Irving Garage. Campus parking availability is subject to change, so please call 315-443-2191 for current information.

Wednesday, September 17, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Artists Telling Stories
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All artwork tells a story -- this juried exhibit showcases more than 70 pieces of artwork by 23 artists, accompanied by a thoughtful dialogue on how each artist communicates a story through their artwork.

Artists include Jacqueline Adamo, Joan Applebaum, Amy Bartell, Barbara Conte-Gaugel, Deb Dahlin, Patrice Downes Centore, Vykky Ebner, Patricia Elliot Seitz, Mary Fragapane, Domenico Gigante, Diana Godfrey, Patty Mabie Rich, Jeff Madison, Suzanne Masters, Michael Moody, Steve Nyland, Phil Parsons, Kathy Petrillo, Maria Rizzo, Kristina Starowitz, Karmin Schafer Hansen, Nathaniel West, Clare Willson

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

Ivory Tower
Palace Theatre

Price: $10
Palace Theater
2384 James St., Syracuse

Join us for an exclusive, one-night only screening of the film Ivory Tower. Ivory Tower looks at how colleges work behind the scenes and reasons the cost of college is ballooning while the job placement rate is decreasing. After the film, we welcome you to stay for a conversation about strategies to find a marketable career and dramatically reduce the cost of college.

Collection Spotlight: Perspectives
Syracuse University Art Museum
Featuring Andrew Saluti

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The SU Art Collection is the home of thousands of examples of contributions made by woman to the visual arts. For the 2014-2015 exhibition season the galleries celebrate women's contributions to 20th-century art. This small selection of artwork represents that unique and significant perspective since 1950, with a range of media from the modern masters of Abstract Expressionism, the Harlem
Renaissance, and Feminist art.

Perspectives illustrates a specific and pivotal period of contemporary art, and represents only a fraction of the important and innovative female artists in the SU Art Collection.

Piano Students of Fred Karpoff from the SU School of Music
Civic Morning Musicals

Price: Free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Anthony Marra
Raymond Carver Reading Series

Price: Free
Gifford Auditorium, Huntington Beard Crouse Hall
Syracuse University, Syracuse

Readings are preceded by a question and answer session from 3:45-4:30 pm.

Dirty Bee: The 25th Annual Putnam County Spelling Bee
Redhouse

Price: $25 regular, $15 members
Former Redhouse Theater
219 S. West St., Syracuse

Featuring a "dirty bee" on Wednesday nights, where the improv is rated R!

In this delightful musical six quirky adolescents compete in the Putnam Valley Middle School Bee and learn that winning isn't everything! Conceived by Rebecca Feldman, music and lyrics by William Finn, book by Rachel Sheinkin and additional material by Jay Reiss. Rated PG13.

Read a Review!

Thursday, September 18, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Artists Telling Stories
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

All artwork tells a story -- this juried exhibit showcases more than 70 pieces of artwork by 23 artists, accompanied by a thoughtful dialogue on how each artist communicates a story through their artwork.

Artists include Jacqueline Adamo, Joan Applebaum, Amy Bartell, Barbara Conte-Gaugel, Deb Dahlin, Patrice Downes Centore, Vykky Ebner, Patricia Elliot Seitz, Mary Fragapane, Domenico Gigante, Diana Godfrey, Patty Mabie Rich, Jeff Madison, Suzanne Masters, Michael Moody, Steve Nyland, Phil Parsons, Kathy Petrillo, Maria Rizzo, Kristina Starowitz, Karmin Schafer Hansen, Nathaniel West, Clare Willson

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

Isaac Julien: Western Union: Small Boats (The Leopard)
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Urban Video Project (UVP) is pleased to announce the opening of the 2014-15 programming year with this exhibition by world-renowned visual artist and filmmaker Isaac Julien. Video projection begins at dusk.

This exhibition marks the beginning of "Celestial Navigation: a year into the afro future", a year-long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

"Western Union: Small Boats (The Leopard)" concerns journeys made across the seas of the Mediterranean by so-called "clandestines" who leave Libya, escaping wars and famines. They can be seen as economic migrant workers, along with certain Europeans--"Angels" in Walter Benjamin's terms--who bear witness to modernity's failed hopes and dreams, and who now travel across oceanic spaces some never to arrive or return.

Isaac Julien (b. 1960) lives and works in London. He first rose to prominence for his feature-length and short-form films. He received a Special Teddy at the Berlin International Film Festival for his film on Derek Jarman, called "Derek" (2008), created in collaboration with Tilda Swinton. Julien's most recent work has focused on immersive single- and multi-channel video installations. His work was part of Documenta XI (2002), and he has had solo shows at the Pompidou Centre in Paris (2005), MOCA Miami (2005) and most recently at SESC Pompeia in Brazil (2012), among others. Julien is represented in both public and private collections, including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; and the Hirshhorn Collection. He has taught at Harvard University and Goldsmiths College, University of London, and is currently a faculty member at the Whitney Museum of American Arts, professor of media art at Staatliche Hochschule für Gestaltung Karlsruhe, Germany, and Chair of Global Art at University of the Arts London.

Through A Lens Darkly: Black Photographers and the Emergence of a People
Syracuse University College of Arts and Sciences
Human Rights Film Festival

Price: Free
Hergenhan Auditorium, Newhouse 3
Syracuse University, Syracuse

The film will be preceded by a reception with director Thomas Allen Harris, 5:30-6:30 pm, Miron Room, Newhouse 1.

Thomas Allen Harris's poetic and deeply personal film examines how black photographers--both professional and amateur--have used the camera as a tool for social change from photography's invention to the present.

Artist Talk: Christine Chin and Robert Knight
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Join us for an Artist Talk featuring Christine Chin of Ithaca and Robert Knight of Clinto, both featured in "GLOBALissues. CLIMATEmatters. SocialCHANGE."

Christine Chin is an artist whose work makes humorous and ironic commentary on contemporary issues of technology and the environment. Recent projects have addressed artificial intelligence, genetically modified food and alternative energy. Her work has been shown nationally and internationally at venues including the New York Hall of Science, Art Basel Miami, and Canon Communication Space, Beijing. In 2006-2007 she was granted a Fulbright Fellowship to pursue her project Alternative Alternative Energy in China, and she was the 2008 recipient of the Garry B. Fritz Imagemaker Award from the Society for Photographic Education.

Robert Knight is Assistant Professor of Art at Hamilton College. Robert received an MFA in Photography from the Massachusetts College of Art & Design and a BA in Architecture and Economics from Yale University. He previously taught at the Mass College of Art, Emerson College, New England Institute of Art and MIT. His work has been exhibited at several galleries in the Boston area, as well as nationally at Jen Bekman Gallery in New York, the LaGrange Museum in Georgia, The Bascom in North Carolina and the Houston Center for Photography in Texas. Internationally, his work has been shown at photography festivals in Nantes, Le Mans and Arles, France. Robert is represented by Gallery Kayafas, Boston, MA and his work is in the collection of the Museum of Fine Arts, Boston.

Murder Most Faire
Acme Mystery Company

Price: $32.50 (includes meal, show, tax and gratuities)
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Henry King the Eighth is experiencing a royal pain. His Sperling Renaissance Faire is failing and with it his family fortune. Ye Goode Olde Days seem gone for good but his scheming lawyer has come up with a knavish plan that just might save him. He now must match wits with a fortune teller in search of fortune, a queen who will do anything to keep her throne, and a preening knight with a serious case of lance envy. Drink deeply from your mead and hang onto your codpiece. The affairs of this Faire may soon turn deadly.

The 25th Annual Putnam County Spelling Bee
Redhouse

Price: $25 regular, $15 members
Former Redhouse Theater
219 S. West St., Syracuse

In this delightful musical six quirky adolescents compete in the Putnam Valley Middle School Bee and learn that winning isn't everything! Conceived by Rebecca Feldman, music and lyrics by William Finn, book by Rachel Sheinkin and additional material by Jay Reiss. Rated PG13.

Read a Review!

The Laramie Project
Central New York Playhouse
Justin Polly, director

Price: $15
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

In October 1998, a 21-year-old student at the University of Wyoming was kidnapped, severely beaten and left to die, tied to a fence in the middle of the prairie outside Laramie, Wyoming. His bloody, bruised and battered body was not discovered until the next day, and he died several days later in an area hospital. His name was Matthew Shepard, and he was the victim of this assault because he was gay.

Moisés Kaufman and fellow members of the Tectonic Theater Project made six trips to Laramie over the course of a year and a half in the aftermath of the beating and during the trial of the two young men accused of killing Shepard. They conducted more than 200 interviews with the people of the town. Some people interviewed were directly connected to the case, and others were citizens of Laramie, and the breadth of their reactions to the crime is fascinating. Kaufman and Tectonic Theater members have constructed a deeply moving theatrical experience from these interviews and their own experiences. The Laramie Project is a breathtaking theatrical collage that explores the depths to which humanity can sink and the heights of compassion of which we are capable.

Read a Review!

Friday, September 19, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Balcon Criollo
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Inspired by the work of Puerto Rican artist Pepón Osorio, this gallery-wide installation of meaningful memorabilia pays special tribute to the valiant contributions of Hispanic soldiers in active duty and veterans of the U.S. Armed Forces. All the memorabilia, photographs and other meaningful objects in view are loaned and contributed for the show by members of the Hispanic communities of Syracuse University, the City of Syracuse and Hispanic American families statewide.

Among the honored veterans, this program especially recognizes the troops of the 65th Infantry Regiment known as the "Borinqueneers", the only segregated all-Hispanic battalion in the history of the U.S. Army. The legendary Borinqueneers gallantly served their country in World War I, WWII, and the Korean War. A former Borinqueneer and Korean War veteran, Eugenio Quevedo, was the guest of honor at the opening reception of the Balcón Criollo.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

Isaac Julien: Western Union: Small Boats (The Leopard)
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Urban Video Project (UVP) is pleased to announce the opening of the 2014-15 programming year with this exhibition by world-renowned visual artist and filmmaker Isaac Julien. Video projection begins at dusk.

This exhibition marks the beginning of "Celestial Navigation: a year into the afro future", a year-long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

"Western Union: Small Boats (The Leopard)" concerns journeys made across the seas of the Mediterranean by so-called "clandestines" who leave Libya, escaping wars and famines. They can be seen as economic migrant workers, along with certain Europeans--"Angels" in Walter Benjamin's terms--who bear witness to modernity's failed hopes and dreams, and who now travel across oceanic spaces some never to arrive or return.

Isaac Julien (b. 1960) lives and works in London. He first rose to prominence for his feature-length and short-form films. He received a Special Teddy at the Berlin International Film Festival for his film on Derek Jarman, called "Derek" (2008), created in collaboration with Tilda Swinton. Julien's most recent work has focused on immersive single- and multi-channel video installations. His work was part of Documenta XI (2002), and he has had solo shows at the Pompidou Centre in Paris (2005), MOCA Miami (2005) and most recently at SESC Pompeia in Brazil (2012), among others. Julien is represented in both public and private collections, including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; and the Hirshhorn Collection. He has taught at Harvard University and Goldsmiths College, University of London, and is currently a faculty member at the Whitney Museum of American Arts, professor of media art at Staatliche Hochschule für Gestaltung Karlsruhe, Germany, and Chair of Global Art at University of the Arts London.

truTV Impractical Jokers Tour featuring The Tenderloins

War Memorial at Oncenter
800 S. State St., Syracuse

Those hilarious hidden-camera pranksters from truTV's hit series Impractical Jokers are hitting the road this fall for the 2014 truTV Impractical Jokers Tour featuring The Tenderloins. The show will star Impractical Jokers Q, Sal, Murr, and Joe, the lifelong friends who are also known as the comedy team The Tenderloins.

For mature (18+) audiences only

For more information, visit www.impracticaljokers.com.

Tickets are available at the OnCenter Box Office (inside the State St. entrance of The Oncenter War Memorial Arena), by phone at 315-435-2121, or through ticketmaster.com.

American Bear
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Join filmmakers Sarah Sellman and Greg Grano as they kick-off their Syracuse "Community Residency" for American Bear. American Bear is a feature length documentary film where the filmmakers challenged themselves to rely on the kindness of strangers as they traveled across the US.

About the BEAR Bones Web Series: While filming American Bear, Sarah and Greg interviewed professors around the country about the dynamics of interacting with strangers. How do we develop trust? What happens in the brain when we meet someone for the first time? What are the sociopolitical challenges Americans face and how can we work through them together? Each professor explores the themes of American Bear through their expertise: neuroscience, gender studies, race relations, sociology, and more. Those interviews have turned into the web series BEAR Bones. Each episode features content from the overall American Bear project, and animated text to engage audiences of all ages.

Lakshmi
Syracuse University College of Arts and Sciences
Human Rights Film Festival

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Almost 44,000 children are abducted in India every year, a quarter of whom are never traced. Most probably fall victim to sex trafficking. Inspired by a true story, the film follows 13-year-old Lakshmi, who is abducted along with several other girls in rural Andhra Pradesh. By Nagesh Kukunoor.

Legends of Jazz Series: Chick Corea and the Vigil
Onondaga Community College

Price: $50
Storer Auditorium
Onondaga Community College, Syracuse

Legends of Jazz Series: Chick Corea and the Vigil
Onondaga Community College

Price: $50
Storer Auditorium
Onondaga Community College, Syracuse

Anniversary: A Spoken Word Concert
Underground Poetry Spot

Syracuse Stage
820 E. Genesee St., Syracuse

The Adventures of Tom Sawyer
Appleseed Productions
C.J. Young, director

Price: $18 regular, $15 students/seniors
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

See Tom Sawyer, Huckleberry Finn, and Becky Thatcher in the greatest summer adventure ever told in this imaginative, highly theatrical adaptation of Mark Twain's incomparable classic. Featuring the thrill of mischief-making, the fickleness of first love, the cold shivers that linger after an adventure gone awry and the unbridled joy of discovering real buried treasure!

Read a Review!

The Laramie Project
Central New York Playhouse
Justin Polly, director

Price: $20
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

In October 1998, a 21-year-old student at the University of Wyoming was kidnapped, severely beaten and left to die, tied to a fence in the middle of the prairie outside Laramie, Wyoming. His bloody, bruised and battered body was not discovered until the next day, and he died several days later in an area hospital. His name was Matthew Shepard, and he was the victim of this assault because he was gay.

Moisés Kaufman and fellow members of the Tectonic Theater Project made six trips to Laramie over the course of a year and a half in the aftermath of the beating and during the trial of the two young men accused of killing Shepard. They conducted more than 200 interviews with the people of the town. Some people interviewed were directly connected to the case, and others were citizens of Laramie, and the breadth of their reactions to the crime is fascinating. Kaufman and Tectonic Theater members have constructed a deeply moving theatrical experience from these interviews and their own experiences. The Laramie Project is a breathtaking theatrical collage that explores the depths to which humanity can sink and the heights of compassion of which we are capable.

Read a Review!

Red Light: The Bad Girls of Broadway
Rarely Done Productions

Price: $20
Jazz Central
441 E. Washington St., Syracuse

This revue features Broadway songs featuring hookers, strippers, and bad girls. The show will include songs from Broadway hits such as The Best Little Whorehouse in Texas, Jekyll & Hyde, Evita, Cabaret, Sweet Charity, Gypsy, and more.

This show is for mature audiences.

The 25th Annual Putnam County Spelling Bee
Redhouse

Price: $30 regular, $20 members
Former Redhouse Theater
219 S. West St., Syracuse

In this delightful musical six quirky adolescents compete in the Putnam Valley Middle School Bee and learn that winning isn't everything! Conceived by Rebecca Feldman, music and lyrics by William Finn, book by Rachel Sheinkin and additional material by Jay Reiss. Rated PG13.

Read a Review!

Saturday, September 20, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Salt City Clay: Selected Works by Syracuse Ceramics Guild
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition, juried by Chandra Debuse and Tommy Frank, presents new work by members of the Syracuse Ceramic Guild. The Syracuse Ceramic Guild, established in 1947, is a not-for-profit organization of potters dedicated to the promotion of awareness and understanding of the ceramic medium.

Shadows: Fernando Orellana
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The interactive artworks found in Shadows are designed to be used posthumously. Inspired by paranormal research, spiritualism, and ghost folklore, these machines continuously search for the dead, attempting to allow the departed continued use of their worldly possessions. Extracted from recent estate sales, the personal objects found in these techno-effigies are in a constant state of potential energy, awaiting their owner's return. By monitoring sudden fluctuations in temperature, infrared, and electromagnetic readings, the machines try to open a channel or doorway into the neither world. By this, each machine gives the dead an opportunity or proxy to continue interacting in this world and the next.

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Performing Media: Works by Signal Culture Artists in Residence
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition highlights work which was made through a performative process with media art. Artists Benton-C Bainbridge, Pat Cain, Jax Deluca & Kyle Marler, Andrew Deutsch, Colleen Keough, LoVid, and Eric Souther are featured with single channel videos, installations, and live performances. All were artists in residence at Signal Culture in Owego, NY.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

There will be a reception this afternoon 3:00–6:00 pm.

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

Isaac Julien: Western Union: Small Boats (The Leopard)
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Urban Video Project (UVP) is pleased to announce the opening of the 2014-15 programming year with this exhibition by world-renowned visual artist and filmmaker Isaac Julien. Video projection begins at dusk.

This exhibition marks the beginning of "Celestial Navigation: a year into the afro future", a year-long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

"Western Union: Small Boats (The Leopard)" concerns journeys made across the seas of the Mediterranean by so-called "clandestines" who leave Libya, escaping wars and famines. They can be seen as economic migrant workers, along with certain Europeans--"Angels" in Walter Benjamin's terms--who bear witness to modernity's failed hopes and dreams, and who now travel across oceanic spaces some never to arrive or return.

Isaac Julien (b. 1960) lives and works in London. He first rose to prominence for his feature-length and short-form films. He received a Special Teddy at the Berlin International Film Festival for his film on Derek Jarman, called "Derek" (2008), created in collaboration with Tilda Swinton. Julien's most recent work has focused on immersive single- and multi-channel video installations. His work was part of Documenta XI (2002), and he has had solo shows at the Pompidou Centre in Paris (2005), MOCA Miami (2005) and most recently at SESC Pompeia in Brazil (2012), among others. Julien is represented in both public and private collections, including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; and the Hirshhorn Collection. He has taught at Harvard University and Goldsmiths College, University of London, and is currently a faculty member at the Whitney Museum of American Arts, professor of media art at Staatliche Hochschule für Gestaltung Karlsruhe, Germany, and Chair of Global Art at University of the Arts London.

Pork Pie Hat
Salt City Improv Theater

Price: $7
Salt City Improv Theatre
Shoppingtown Mall, Sears Wing, Dewitt

An evening of improv comedy with Pork Pie Hat, SCiT's house team.

American Vagabond
Syracuse University College of Arts and Sciences
Human Rights Film Festival

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Susanna Helke's lyrical and evocative film follows runaway queer youth living in the shadows of the city. James ran away from his parents' home because they didn't accept that he is gay. He tries to find refuge in San Francisco with his boyfriend, Tyler.

Return to Homs
Syracuse University College of Arts and Sciences
Human Rights Film Festival

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Closely following two friends over two years, Return to Homs is a visceral and urgent account of the Syrian revolution. Basset is a 19-year-old goalkeeper for the national soccer team. His plaintive protest songs make him a powerful voice of the opposition. By Talal Derki.

The Borinqueneers
La Casita Cultural Center

La Casita Cultural Center
109 Otisco St., Syracuse

Screening of the documentary that relates the historic account of the 65th Infantry Regiment, of the US Army. Screening followed by discussion with writer/director, Noemí Figueroa, and honored Borinqueneer, Korean War veteran Eugenio Quevedo.

The Missing Picture
Syracuse University College of Arts and Sciences
Human Rights Film Festival

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Nominated for Best Foreign Language Film at the Academy Awards, this critically acclaimed and aesthetically groundbreaking film is Rithy Panh's personal quest to reimagine his childhood memories. From the time when the Khmer Rouge ruled over Cambodia between 1975 and 1979, the only recorded artifacts that remain are propaganda footage.

Dover Quartet
Syracuse Friends of Chamber Music

Price: $25 regular, $15 senior, students free
H. W. Smith School Auditorium
1130 Salt Springs Rd., Syracuse

This brilliant young quartet swept prize after prize at the Banff International String Quartet Competition, and has been named the first-ever Quartet-in-Residence by the highly-esteemed Curtis Institute of Music.

Beethoven String Quartet in A Major, Op. 18, No. 5
Viktor Ullmann Quartet No. 3
Dvorák String Quartet in C Major No. 11, Op. 61

Read a review!

Pops Series: The Wizard of Oz
Syracuse Orchestra (formerly Symphoria)
Sean O'Loughlin, conductor

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

John Goberman, Emmy-Award winning producer of Live from Lincoln Center, and the creator of the acclaimed A Symphonic Night at the Movies, presents Oz with orchestra. The Wizard of Oz was a technical marvel for the MGM studio in the late 1930s. Today, MGM has stunningly re-mastered this timeless classic. The brilliantly restored images are accompanied by full symphony orchestra playing entirely new transcriptions of Harold Arlen's brilliant lost scores. Hearing Judy Garland's original 1939 studio recordings, backed by lush, live orchestration, will transport children and adults alike. With this version of The Wizard of Oz on the big screen, moviegoers will be treated to the Oscar-winning film as it has never been seen before.

The Little Mermaid
Magic Circle Children's Theatre

Price: $5
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive retelling of the children's classic.

The Adventures of Tom Sawyer
Appleseed Productions
C.J. Young, director

Price: $18 regular, $15 students/seniors
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

See Tom Sawyer, Huckleberry Finn, and Becky Thatcher in the greatest summer adventure ever told in this imaginative, highly theatrical adaptation of Mark Twain's incomparable classic. Featuring the thrill of mischief-making, the fickleness of first love, the cold shivers that linger after an adventure gone awry and the unbridled joy of discovering real buried treasure!

Read a Review!

The Laramie Project
Central New York Playhouse
Justin Polly, director

Price: $39.95 dinner theater, $20 show only
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

Tonight's show will be preceded by dinner at 6:45 pm.

In October 1998, a 21-year-old student at the University of Wyoming was kidnapped, severely beaten and left to die, tied to a fence in the middle of the prairie outside Laramie, Wyoming. His bloody, bruised and battered body was not discovered until the next day, and he died several days later in an area hospital. His name was Matthew Shepard, and he was the victim of this assault because he was gay.

Moisés Kaufman and fellow members of the Tectonic Theater Project made six trips to Laramie over the course of a year and a half in the aftermath of the beating and during the trial of the two young men accused of killing Shepard. They conducted more than 200 interviews with the people of the town. Some people interviewed were directly connected to the case, and others were citizens of Laramie, and the breadth of their reactions to the crime is fascinating. Kaufman and Tectonic Theater members have constructed a deeply moving theatrical experience from these interviews and their own experiences. The Laramie Project is a breathtaking theatrical collage that explores the depths to which humanity can sink and the heights of compassion of which we are capable.

Read a Review!

Red Light: The Bad Girls of Broadway
Rarely Done Productions

Price: $20
Jazz Central
441 E. Washington St., Syracuse

This revue features Broadway songs featuring hookers, strippers, and bad girls. The show will include songs from Broadway hits such as The Best Little Whorehouse in Texas, Jekyll & Hyde, Evita, Cabaret, Sweet Charity, Gypsy, and more.

This show is for mature audiences.

The 25th Annual Putnam County Spelling Bee
Redhouse

Price: $30 regular, $20 members
Former Redhouse Theater
219 S. West St., Syracuse

In this delightful musical six quirky adolescents compete in the Putnam Valley Middle School Bee and learn that winning isn't everything! Conceived by Rebecca Feldman, music and lyrics by William Finn, book by Rachel Sheinkin and additional material by Jay Reiss. Rated PG13.

Read a Review!

Sunday, September 21, 2014

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

Performing Media: Works by Signal Culture Artists in Residence
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition highlights work which was made through a performative process with media art. Artists Benton-C Bainbridge, Pat Cain, Jax Deluca & Kyle Marler, Andrew Deutsch, Colleen Keough, LoVid, and Eric Souther are featured with single channel videos, installations, and live performances. All were artists in residence at Signal Culture in Owego, NY.

Shadows: Fernando Orellana
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The interactive artworks found in Shadows are designed to be used posthumously. Inspired by paranormal research, spiritualism, and ghost folklore, these machines continuously search for the dead, attempting to allow the departed continued use of their worldly possessions. Extracted from recent estate sales, the personal objects found in these techno-effigies are in a constant state of potential energy, awaiting their owner's return. By monitoring sudden fluctuations in temperature, infrared, and electromagnetic readings, the machines try to open a channel or doorway into the neither world. By this, each machine gives the dead an opportunity or proxy to continue interacting in this world and the next.

Read a review!

Salt City Clay: Selected Works by Syracuse Ceramics Guild
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition, juried by Chandra Debuse and Tommy Frank, presents new work by members of the Syracuse Ceramic Guild. The Syracuse Ceramic Guild, established in 1947, is a not-for-profit organization of potters dedicated to the promotion of awareness and understanding of the ceramic medium.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Westcott Street Cultural Fair

Price: Free
Westcott Business District
Westcott St., Syraucuse

The Westcott Street Cultural Fair is an annual, one-day celebration of the diversity and uniqueness of the Westcott neighborhood through its culture, visual and performing arts, food, service organizations, and activities geared to families and university students returning to the neighborhood.

Main Stage
12:30-1:30 pm: Call Security
2:10-3:10 pm: Mutron Warriors
3:50-4:50 pm: Mark Doyle & The Maniacs
5:30-6:30 pm: The Blacklites

Dell Multicultural Stage
12:30-1:15 pm: Pam McGrath
1:45-2:30 pm: Kumbuyu Marimba
3:00-3:45 pm: Héspero Caído
4:15-5:00 pm: Voices of Syracuse
5:30-6:15 pm: Jonathan Dinkin & Klezmercuse

Dance Stage
12:30-1:15 pm: Sly Boots
1:25-1:45 pm: Bassett Street Hounds/Thornden Morris Dancers
1:50-2:15 pm: Kalabash Dance Troupe
2:30-3:00 pm: Bharata Natyam South Indian Dance
3:15-3:45 pm: La Familia de la Salsa
4:00-4:20 pm: DROGO Dance
4:30-4:50 pm: Dance Theater of Syracuse
5:00-6:00 pm: Wacheva Multicultural Dancers and Drummers
6:10-6:30 pm: "Yat Pak" Young and Talented Performing Arts Kompany

Westcott Acoustic Stage
12:45-1:15 pm: Malvinas
1:30-2:10 pm: Mark Zane & Friends
2:25-2:55 pm: Donna Colton & Sam Troublemaker
3:10-3:45 pm: Uncle Peacoats Big Top Banjo Band
4:05-4:35 pm: Marcia Rutledge Trio
4:50-5:30 pm: Isreal Hagan

Kids' Stage
12:30-1:15 pm: Jeff the Magic Man
1:30-2:00 pm: Mad Science with Doctor Weird
2:15-2:35 pm: Kids Yoga with Mary Hagemann
2:50-3:20 pm: Kids Races and Awards
3:30-4:00 pm: Bubbling & Juggling & Mime
4:00-4:30 pm: The Dark Stars
Kids Races start at 3:15!

Beech Bellydance Stage
12:30-1:00 pm: Yoga With Dara
1:00-2:00 pm: Ionah, Tessa, Hannah & Ruby Rose
2:00-3:00 pm: Sejal, Christina, Maya Tribe
3:00-3:30 pm: Treva, Nirvana
3:30-4:00 pm: Open Dancing, Drumming & Belly Dance Lesson (all are welcome)
4:00-5:00 pm: Sarahswati Sisters, Tribal Moira, Fleuron Rouge
5:00-5:30 pm: The Media Unit

For more information, visit westcottstreetfair.org.

Upstate Treasures
Society for New Music

Price: $15 regular; $12 students/seniors; $30 family, 12 and under free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

"Doctuh" Mike Woods Libations, 2011
Charles Fussell Moonshine, 2012
John Liberatore She rose & let me in, 2013
Sam Pellman Recursive Fury, 2014
Doug Cuomo Slowly she turns, 2010
Jonathan Pieslak selections from Shard, 2014

Rebel Ensemble for Baroque Music with Matthais Maute, recorder and flute
Malmgren Concert Series

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Rebel has enchanted diverse audiences by their unique style and their virtuosic, highly expressive and provocative approach to the Baroque and Classical repertoire. This performance entitled Barocco will use five performers on recorder, flute, violin, cello, and harpsichord, and feature music by Corelli, Vivaldi, Leclair, Handel, Boyce, and Telemann. Formed in the Netherlands in 1991, Rebel has held a longterm residency at Trinity Church, Wall Street in New York City. They have also performed in the United States at the Da Camera Society, Library of Congress, University of Chicago, and the Boston Early Music Festival.

Westcott Street Cultural Fair Show, with Professional Victims, Charley Orlando Trio, Our Friends Band
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

All proceeds to benefit the 2015 Westcott Street Cultural Fair.

The Laramie Project
Central New York Playhouse
Justin Polly, director

Price: $15
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

In October 1998, a 21-year-old student at the University of Wyoming was kidnapped, severely beaten and left to die, tied to a fence in the middle of the prairie outside Laramie, Wyoming. His bloody, bruised and battered body was not discovered until the next day, and he died several days later in an area hospital. His name was Matthew Shepard, and he was the victim of this assault because he was gay.

Moisés Kaufman and fellow members of the Tectonic Theater Project made six trips to Laramie over the course of a year and a half in the aftermath of the beating and during the trial of the two young men accused of killing Shepard. They conducted more than 200 interviews with the people of the town. Some people interviewed were directly connected to the case, and others were citizens of Laramie, and the breadth of their reactions to the crime is fascinating. Kaufman and Tectonic Theater members have constructed a deeply moving theatrical experience from these interviews and their own experiences. The Laramie Project is a breathtaking theatrical collage that explores the depths to which humanity can sink and the heights of compassion of which we are capable.

Read a Review!

Monday, September 22, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Balcon Criollo
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Inspired by the work of Puerto Rican artist Pepón Osorio, this gallery-wide installation of meaningful memorabilia pays special tribute to the valiant contributions of Hispanic soldiers in active duty and veterans of the U.S. Armed Forces. All the memorabilia, photographs and other meaningful objects in view are loaned and contributed for the show by members of the Hispanic communities of Syracuse University, the City of Syracuse and Hispanic American families statewide.

Among the honored veterans, this program especially recognizes the troops of the 65th Infantry Regiment known as the "Borinqueneers", the only segregated all-Hispanic battalion in the history of the U.S. Army. The legendary Borinqueneers gallantly served their country in World War I, WWII, and the Korean War. A former Borinqueneer and Korean War veteran, Eugenio Quevedo, was the guest of honor at the opening reception of the Balcón Criollo.

Flashback Mondays: Pulp Fiction
Palace Theatre

Price: $5
Palace Theater
2384 James St., Syracuse

Flashback Mondays: Deliverance
Palace Theatre

Price: $5
Palace Theater
2384 James St., Syracuse

Dead End (1937)
Syracuse Cinephile Society

Price: $3.50 non-members, $3 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Director: William Wyler. Cast: Humphrey Bogart, Sylvia Sidney, Joel McCrae, Wendy Hiller, Claire Trevor, Marjorie Main, Allen Jenkins, Ward Bond, the Dead End Kids.

The powerful film version of Sidney Kingsley's famous play of slum life in NYC, with tenement dwellers interacting with the wealthy tenants of an adjacent luxury high-rise apartment building. Excellent writing and acting in this classic drama.

Tuesday, September 23, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: Homa Delvaray, Overgrowing
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Attempts to discover the so-called "Iranian Identity" has always been the major concern of Iranian graphic designers. Since 1970s, they have been trying to bridge the gap between their native culture and tradition and visual aesthetics of the western world.

Homa Delvaray, who breathes in a country where culture is intertwined simultaneously with history and modern technology, has successfully created a brilliant visual approach which is rooted in her sharp instincts and intensive passion. She has retained the Iranian visual tradition, disguised in a modern appearance.

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

KaleidoScapes: Works by Pamela Johnson
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Autumn Soliloquy
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The September exhibit features painted glass by Nella Joseph and ceramics by Terry Askey-Cole.

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Balcon Criollo
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Inspired by the work of Puerto Rican artist Pepón Osorio, this gallery-wide installation of meaningful memorabilia pays special tribute to the valiant contributions of Hispanic soldiers in active duty and veterans of the U.S. Armed Forces. All the memorabilia, photographs and other meaningful objects in view are loaned and contributed for the show by members of the Hispanic communities of Syracuse University, the City of Syracuse and Hispanic American families statewide.

Among the honored veterans, this program especially recognizes the troops of the 65th Infantry Regiment known as the "Borinqueneers", the only segregated all-Hispanic battalion in the history of the U.S. Army. The legendary Borinqueneers gallantly served their country in World War I, WWII, and the Korean War. A former Borinqueneer and Korean War veteran, Eugenio Quevedo, was the guest of honor at the opening reception of the Balcón Criollo.

Last: Works by Dorene Quinn
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

In her exhibition "Last," Dorene Quinn uses visual forms and diverse materials to create memorials to nature that speak of our relationship to the earth. The dual meaning of the word "last" is the genesis of her current body of work, engaging with humanity in an act of counting down, last one of species, last fateful decades of rising temperatures, last chance to contain the damage. The artificiality and imperfection of the works reflect the futility in acting too late, to repair or preserve. By working in fragile environments, Quinn calls attention to her experience and presence in hopes that these places can remain.

Quinn currently teaches sculpture at Syracuse University and founded a non-for-profit educational program for inner city teens to gain access to college art and design programs.

Five Finger Death Punch and Volbeat, with Hellyeah and Nothing More

War Memorial at Oncenter
800 S. State St., Syracuse

Global Rock heavyweights Five Finger Death Punch and Volbeat have joined forces to bring fans one of the biggest rock tours of the year. Special guests on the tour will be Hellyeah and Nothing More.

Five Finger Death Punch, one of the most successful rock bands globally, dominated 2013 with the releases "The Wrong Side of Heaven and the Righteous Side of Hell," Volumes 1 and 2. Both volumes debuted on the U.S. Billboard album chart at No. 2 and in the top 10 mainstream charts across the globe. The two albums feature two No. 1 radio hit singles ("Lift Me UP" and "Battle Born"). Five Finger Death Punch is Ivan Moody (vocals), Zoltan Bathory (guitar), Jeremy Spencer (guitar), Jason Hook (guitar), and Chris Kael (bass).

Volbeat, a Danish quartet, received their first Grammy nomination in the "Best Metal Performance" category for "Room 24" (Volbeat featuring King Diamond), and won Germany's Echo Award for "Best International Alternative Act." The band's repertoire has become a staple at Active Radio, cementing their relevance with five consecutive No. 1 singles at the format. Since forming in Copenhagen in 2000, Volbeat has released five studio albums, and two live offerings that have turned the band into superstars, collecting platinum discs and prestigious awards making them one of the most talked-about bands around the world.

Tickets are available at the OnCenter Box Office (inside the State St. entrance of The Oncenter War Memorial Arena), by phone at 315-435-2121, or through ticketmaster.com.

The Big Break! Night 5
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

Tedeschi Trucks Band, with Alan Evans, Playonbrother
Creative Concerts

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Tedeschi Trucks Band

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Disney's Beauty and the Beast
Broadway in Syracuse

Price: $40 to $75
Landmark Theatre
362 S. Salina St., Syracuse

Disney's Beauty and the Beast, the award-winning worldwide smash hit Broadway musical, features the animated film's Academy Award-winning score with music by Alan Menken and lyrics by the late Howard Ashman, with additional songs with music by Alan Menken and lyrics by Tim Rice. The book is written by Linda Woolverton. The original creators of the Broadway production are together again for this new touring production!

Tickets may be purchased by visiting the Landmark Theatre Box Office, by phone at 315-475-7979, or online at TicketMaster.com.

SPECIAL EVENT: Enchanted Royal Celebration

The Court of The Landmark Theatre formally invites you to attend an Enchanted Royal Celebration before the presentation of the show tonight only. This royal "to do" will take place in the gilded upper mezzanine from 5:30-6:30 pm.

Honored attendees will enjoy preshow royal treats and punch, music for royal hopping, enchanted games and our young royal Princes and Princesses will receive a special enchanted gift bag. A post show "meet and greet" will take place for our royal celebration attendees only.

Please call the box office at 315-475-7979 to purchase tickets.

The cost for this additional event is $20 per person.

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