Saturday, June 27, 2026

Journey Through Time: The First 100 Years
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

An exhibition featuring the work of past Associated Artists of CNY Best of Show winners from their annual juried exhibition

   

CNY Artist Initiative: Renqian Yang
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Renqian Yang is an artist and Associate Professor of Ceramics at SUNY Oswego. She earned her BFA from the Sichuan Fine Arts Institute, China (2009), and her MFA from Syracuse University (2014). Her work explores the balance between dualities—restraint and freedom, memory and loss, dislocation and belonging.

   

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

   

ArtRageous Extravaganza
ArtRage Gallery

Price: Free
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

A festive night of live music, local brews, great food, good friends, and a silent auction all to support ArtRage Gallery!

Featuring:
• Karin Franklin King as our Master of Ceremonies!
• Starting Off Red — trip-hop influenced alternative rock project fusing heartfelt lyrics and sultry sounds with driving beats.
• The Bandwitts — Hymie and Brandy Witthoft, with contributions and input from talented friends and collaborators.

Tickets

   

Sunday, June 28, 2026

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

   

CNY Artist Initiative: Renqian Yang
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Renqian Yang is an artist and Associate Professor of Ceramics at SUNY Oswego. She earned her BFA from the Sichuan Fine Arts Institute, China (2009), and her MFA from Syracuse University (2014). Her work explores the balance between dualities—restraint and freedom, memory and loss, dislocation and belonging.

   

Tuesday, June 30, 2026

Godsmack: The Rise of Rock World Tour 2026, with Stone Temple Pilots and Dorothy
Lakeview Empower FCU Amphitheater

Lakeview Amphitheater
490 Restoration Way, Syracuse

Tickets

   

Wednesday, July 1, 2026

CNY Artist Initiative: Renqian Yang
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Renqian Yang is an artist and Associate Professor of Ceramics at SUNY Oswego. She earned her BFA from the Sichuan Fine Arts Institute, China (2009), and her MFA from Syracuse University (2014). Her work explores the balance between dualities—restraint and freedom, memory and loss, dislocation and belonging.

   

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

   

Thursday, July 2, 2026

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

   

CNY Artist Initiative: Renqian Yang
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Renqian Yang is an artist and Associate Professor of Ceramics at SUNY Oswego. She earned her BFA from the Sichuan Fine Arts Institute, China (2009), and her MFA from Syracuse University (2014). Her work explores the balance between dualities—restraint and freedom, memory and loss, dislocation and belonging.

   

Friday, July 3, 2026

CNY Artist Initiative: Renqian Yang
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Renqian Yang is an artist and Associate Professor of Ceramics at SUNY Oswego. She earned her BFA from the Sichuan Fine Arts Institute, China (2009), and her MFA from Syracuse University (2014). Her work explores the balance between dualities—restraint and freedom, memory and loss, dislocation and belonging.

   

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.