Sunday, November 24, 2024

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

   

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Casual Series: A Classical Surprise
Syracuse Orchestra (formerly Symphoria)

St. Paul's Syracuse
220 E. Fayette St., Syracuse

The Syracuse Orchesta's brass section is highlighted in this afternoon concert! Discover the fun "Surprise" for yourself in Haydn's Symphony No. 94, then compare the Haydn with Prokofiev's Classical Symphony which he wrote as a modern interpretation of the classical styles of Mozart and Haydn.

   

Viennese Delicacies
Syracuse Vocal Ensemble
Julie Pretzat, conductor

Price: $15 adults, students free
St. Joseph's Church of Camillus
5600 W. Genesee St., Camillus

Travel with us to 18th- and 19th-century Vienna with sacred and secular pieces for men's, women's, and mixed choirs by Haydn, Schumann, Schubert, Beethoven, and Brahms.

   

Tony Trischka
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

"Tony Trischka is known as the father of modern bluegrass" – New York Times

Tony was born in Syracuse in 1949, and raised in a home filled with music. There were Broadway scores and a sweeping range of classical music, from Stravinsky to Beethoven. (The first thing Trischka learned to play on the banjo, in fact, was the Ninth Symphony.) The wide-open American vistas of Aaron Copland had an especially potent spiritual and visceral impact on him, as did the folk music his left-leaning father held dear. The Almanac Singers, the solo work of its founding members Woody Guthrie and Pete Seeger, and Lead Belly's children's LP were in constant rotation.

Tickets

   

Preview: Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tickets

   

Monday, November 25, 2024

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

   

We're No Angels (1955)
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Cast: Humphrey Bogart, Peter Ustinov, Aldo Ray, Basil Rathbone, Leo G. Carroll, Joan Bennett
Director: Michael Curtiz

Three escaped convicts from Devil's Island (Bogart, Ustinov, and Ray) find refuge with a struggling shopkeeper (Carroll) and his family. The convicts not only end up helping out in the store, they also become involved in solving the family's various personal and professional problems. A fun comedy that (believe it or not) is perfect for heading into the holiday season. In Technicolor.

   

Tuesday, November 26, 2024

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Wednesday, November 27, 2024

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

In Secrecy: New Works by Jaleel Campbell
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"In Secrecy" will explore the experiences of out, discreet, and DL Black men in the gay community and what toll that takes on the psyche over time. Unlearning our natural instinct to operate in secret is half the battle. Homophobia in the Black community continues to run rampant. Growing up under these constraints forces queer youth to assimilate – to prevent drawing attention to their mannerisms, interests, or desires. Each year, those that are able to "pass" lose more and more of their natural instincts and begin to present themselves to the public how they believe society wants them to be. A performance. What is the truth? Is there truth? Jaleel hopes to enable real conversations from those that may share a similar experience and encourage others to tell their stories.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Preview: Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tickets

   

Thursday, November 28, 2024

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

   

Lynne Sachs: This Side of Salina
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes)

Screening begins at dusk.

   

Friday, November 29, 2024

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

In Secrecy: New Works by Jaleel Campbell
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"In Secrecy" will explore the experiences of out, discreet, and DL Black men in the gay community and what toll that takes on the psyche over time. Unlearning our natural instinct to operate in secret is half the battle. Homophobia in the Black community continues to run rampant. Growing up under these constraints forces queer youth to assimilate – to prevent drawing attention to their mannerisms, interests, or desires. Each year, those that are able to "pass" lose more and more of their natural instincts and begin to present themselves to the public how they believe society wants them to be. A performance. What is the truth? Is there truth? Jaleel hopes to enable real conversations from those that may share a similar experience and encourage others to tell their stories.

   

Lynne Sachs: This Side of Salina
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes)

Screening begins at dusk.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Hamell for the Holidaze
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

One of our favorite humans, the inimitable Ed Hamell, aka Hamell on Trial, returns for his annual two-day run Thanksgiving weekend.

Hamell on Trial is the musical alias of New York-based folk punk hero Ed Hamell. A one-man explosion, he is loud-as-war one minute, stepping off the microphone to whisper to an enthralled audience the next. This is a dynamic performance informed by politics, passion, intelligence and the all-important sense of humor. His caustic wit and devil-may-care attitude has long been a favorite of anti-establishment icons Aesop Rock, Kimya Dawson, Ani DiFranco and the critical elite inciting Rolling Stone magazine to call him "Bald, bold, and superbad!" Henry Rollins says "Hamell is a one man rock show!" He has been described as "Bill Hicks, Hunter S. Thompson, and Joe Strummer all rolled into one" by Philadelphia Weekly and a "one man Tarantino flick: loud, vicious, luridly hilarious, gleefully and deeply offensive" by the Village Voice.

Tickets

   

Opening: Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tickets

   

Saturday, November 30, 2024

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

   

In Secrecy: New Works by Jaleel Campbell
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"In Secrecy" will explore the experiences of out, discreet, and DL Black men in the gay community and what toll that takes on the psyche over time. Unlearning our natural instinct to operate in secret is half the battle. Homophobia in the Black community continues to run rampant. Growing up under these constraints forces queer youth to assimilate – to prevent drawing attention to their mannerisms, interests, or desires. Each year, those that are able to "pass" lose more and more of their natural instincts and begin to present themselves to the public how they believe society wants them to be. A performance. What is the truth? Is there truth? Jaleel hopes to enable real conversations from those that may share a similar experience and encourage others to tell their stories.

   

Lynne Sachs: This Side of Salina
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes)

Screening begins at dusk.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Hamell for the Holidaze
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

One of our favorite humans, the inimitable Ed Hamell, aka Hamell on Trial, returns for his annual two-day run Thanksgiving weekend.

Hamell on Trial is the musical alias of New York-based folk punk hero Ed Hamell. A one-man explosion, he is loud-as-war one minute, stepping off the microphone to whisper to an enthralled audience the next. This is a dynamic performance informed by politics, passion, intelligence and the all-important sense of humor. His caustic wit and devil-may-care attitude has long been a favorite of anti-establishment icons Aesop Rock, Kimya Dawson, Ani DiFranco and the critical elite inciting Rolling Stone magazine to call him "Bald, bold, and superbad!" Henry Rollins says "Hamell is a one man rock show!" He has been described as "Bill Hicks, Hunter S. Thompson, and Joe Strummer all rolled into one" by Philadelphia Weekly and a "one man Tarantino flick: loud, vicious, luridly hilarious, gleefully and deeply offensive" by the Village Voice.

Tickets

   

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tickets

   

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tickets

   

Sunday, December 1, 2024

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Distler's The Christmas Story
Schola Cantorum of Syracuse
Barry Torres, conductor

Price: Free
Erwin First United Methodist Church
920 Euclid Ave., Syracuse

Hugo Distler Die Weihnachtsgeschichte (sung in English)
A 1933 oratorio for soloists and a cappella chamber choir, with German Renaissance carol-motets.

   

Pierce The Veil
The Oncenter

War Memorial at Oncenter
800 S. State St., Syracuse

Right now, Pierce the Veil are at their most raw, crackling with urgency and immediacy. Never predictable, always engaging, Pierce the Veil continue to soar on the strength of highly potent energy, rich musicality, and a scrappy sense of authentic exuberant ambition that's frankly unrivaled. Frontman Vic Fuentes, guitarist Tony Perry, and bassist Jaime Precadio put volatile, angsty, confessional emotions into the music, which is why their songs resonate with so many.

Tickets

   

Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tickets