Tuesday, November 19, 2024

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Nurse Blake: Shock Advised Tour
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Nurse Blake is a nurse, creator, advocate, touring comedian and so much more. From an early age, he knew he wanted to be a nurse and started working as a patient transporter at 17. Nurse Blake graduated BSN in 2014 from UCF in Orlando Florida. As an advocate from the beginning, he was also the President of the Florida Nursing Student Association. In 2013, Nurse Blake started Banned4Life to end the permanent FDA gay blood ban, which ultimately contributed to the lifetime ban being lifted in 2015.

Nurse Blake began creating Facebook videos as a way to de-stress and share his nursing experience in a comedic way. Hailed "a genuine phenomenon" by The New York Times, Blake Lynch as @NurseBlake went viral and connected nurses and nursing students together from around the world, currently entertaining nearly 4M followers on social media. Fans worldwide know Nurse Blake from his viral videos and now he takes his comedy to the stages around the world bringing nurses together through his humor and inspiration.

Tickets

   

Wednesday, November 20, 2024

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Snaps & Taps Open Mic Night
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Join us for an awesome evening of creativity and talent at the Community Folk Art Center. Get ready to be blown away by the incredible performances at this in-person event. Whether you're a poet, musician, or just love to appreciate raw talent, this open mic is the place to be.

   

Twelfth Night
Syracuse University Drama Department
Will Pomerantz, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Orsino loves Olivia, but Olivia wants Cesario. Or is it Sebastian? Or Viola, perhaps? "Disguise, I see thou art a wickedness," except when it leads to riotous laughter in Shakespeare's delicious and exuberant comedy of love, music, and mistaken identities.

Tickets

   

Thursday, November 21, 2024

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

The Illusionists: Magic of the Holidays
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Celebrate the holidays with the entire family at "The Illusionists – Magic of the Holidays," a mind-blowing showcase featuring jaw-dropping talents of the most incredible illusionists on earth. "The Illusionists" has shattered box office records across the globe and dazzles audiences of all ages with a powerful mix of the most outrageous and astonishing acts ever seen on stage. This non-stop show is packed with thrilling and sophisticated magic of unprecedented proportions.

Tickets

   

Twelfth Night
Syracuse University Drama Department
Will Pomerantz, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Orsino loves Olivia, but Olivia wants Cesario. Or is it Sebastian? Or Viola, perhaps? "Disguise, I see thou art a wickedness," except when it leads to riotous laughter in Shakespeare's delicious and exuberant comedy of love, music, and mistaken identities.

Tickets

   

Friday, November 22, 2024

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Preview: Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tickets

   

Twelfth Night
Syracuse University Drama Department
Will Pomerantz, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Orsino loves Olivia, but Olivia wants Cesario. Or is it Sebastian? Or Viola, perhaps? "Disguise, I see thou art a wickedness," except when it leads to riotous laughter in Shakespeare's delicious and exuberant comedy of love, music, and mistaken identities.

Tickets

   

Saturday, November 23, 2024

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Tom Torrisi
Skaneateles Library Guitar Series

Price: Free
Skaneateles Library
49 E. Genesee St., Skaneateles

Tom Torrisi is a classical guitarist, composer, and arranger currently working and residing in Buffalo. He holds a Doctor of Musical Arts Degree from the Eastman School of Music. Active as both soloist and chamber musician, Tom has been heard performing throughout the United States and in the UK and has been featured on WNED, WXXI, WRUR, and BBC radio. He has received top honors in numerous competitions including the APSU Concerto Competition, the Memphis University International Guitar Competition and the Southern Guitar Festival Competition.

Tom is a passionate advocate for new music and frequently collaborates with composers premiering pieces by Rachel DeVore Fogarty, Gerald Garcia, Edgar Girtain, Evan Henry, Arthur Keegan-Bole, Timothy Lee Miller, Robert Morris, and Zack Pentecost among others and has performed at 21st Century Guitar Festival, Black House Collective, June in Buffalo, Mostly Modern Festival, New York City Electroacoustic Music Festival, and zFestival.

As a composer Tom draws on his diverse and eclectic performance background and one can hear traces of influences as wide-ranging as French impressionism, Balinese gamelan, American minimalism, and heavy metal. In addition to the guitar, Tom is a passionate explorer of non-Western musical styles and currently teaches and performs with Nusantara Arts' Balinese gamelan ensembles, and has previously performed with Gamelan Sanjiwani and Gamelan Lila Muni in Rochester.

   

Parker Quartet with mezzo-soprano Fleur Barron
Syracuse Friends of Chamber Music

Price: $30 regular, $25 seniors
Grant Middle School
2400 Grant Blvd., Syracuse

Brahms "Im Herbst" from Fünf Gesänge, op. 104
John Luther Adams The Wind in High Places
Anthony Cheung New Work
Mahler "Der Einsame im Herbst" from Das Lied von der Erde
Brahms String Quartet no. 3 in B-flat Major, op. 67

Tickets

   

Viennese Delicacies
Syracuse Vocal Ensemble
Julie Pretzat, conductor

Price: $15 adults, students free
Erwin First United Methodist Church
920 Euclid Ave., Syracuse

Travel with us to 18th- and 19th-century Vienna with sacred and secular pieces for men's, women's, and mixed choirs by Haydn, Schumann, Schubert, Beethoven, and Brahms.

   

Twelfth Night
Syracuse University Drama Department
Will Pomerantz, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Orsino loves Olivia, but Olivia wants Cesario. Or is it Sebastian? Or Viola, perhaps? "Disguise, I see thou art a wickedness," except when it leads to riotous laughter in Shakespeare's delicious and exuberant comedy of love, music, and mistaken identities.

Tickets

   

Preview: Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tickets

   

Twelfth Night
Syracuse University Drama Department
Will Pomerantz, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Orsino loves Olivia, but Olivia wants Cesario. Or is it Sebastian? Or Viola, perhaps? "Disguise, I see thou art a wickedness," except when it leads to riotous laughter in Shakespeare's delicious and exuberant comedy of love, music, and mistaken identities.

Tickets

   

Sunday, November 24, 2024

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

   

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

   

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

   

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

   

Casual Series: A Classical Surprise
Syracuse Orchestra (formerly Symphoria)

St. Paul's Syracuse
220 E. Fayette St., Syracuse

The Syracuse Orchesta's brass section is highlighted in this afternoon concert! Discover the fun "Surprise" for yourself in Haydn's Symphony No. 94, then compare the Haydn with Prokofiev's Classical Symphony which he wrote as a modern interpretation of the classical styles of Mozart and Haydn.

   

Viennese Delicacies
Syracuse Vocal Ensemble
Julie Pretzat, conductor

Price: $15 adults, students free
St. Joseph's Church of Camillus
5600 W. Genesee St., Camillus

Travel with us to 18th- and 19th-century Vienna with sacred and secular pieces for men's, women's, and mixed choirs by Haydn, Schumann, Schubert, Beethoven, and Brahms.

   

Preview: Rodgers and Hammerstein's Cinderella
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

The wondrous musical from Rodgers and Hammerstein proves that dreams do come true – if only we dare to wish – with the beloved songs "In My Own Little Corner," "The Prince is Giving a Ball," and "Impossible/It's Possible." Based on the 1957 television film starring Julie Andrews, this enchanted production of the enduring fairytale updates the classic story for modern audiences while retaining the original charm and magic, and features additional music from the celebrated 1997 version starring Brandy and Whitney Houston.

Tickets

   

Tuesday, November 26, 2024

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

   

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.