Thursday, March 72, 2025

Under Open Sky
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Nikolay Mikushkin: recent plein air paintings
Peter Valenti: nature based series of ceramics
Bead Society of CNY: bead works in nature themes

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD, and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Scholastic Art Awards of Central New York 2025
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Manuel Hernandez: The Singing Wall
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Gorgeously composed and filled with vibrant color, the mural paintings of Manuel Hernandez celebrate Indigenous American roots and address a range of subjects, from migration, to contemporary stories of Indigenous people in Latin America, to gender and family. Combining western and Indigenous histories and myths, Hernandez Sanchez challenges established narratives and visual styles, drawing on a tradition dating back to the ancient frescos found in the temples of Teotihuacán, Mexico.

A Place to Call Home: Photographs by Michelle Gabel & Mike Greenlar
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"A Place to Call Home" is a collaboration between Central Current, a nonprofit newsroom covering Syracuse and Central New York, and photographers Michelle Gabel and Mike Greenlar. The exhibition captures a cross section of Syracuse's housing crisis: those struggling with housing insecurity or grappling with unsafe housing conditions. It also shares stories of hope as it highlights "A Tiny Home for Good," a small organization with a mission to end homelessness in Syracuse.

Joiri Minaya and Miryam Charles: Lines of Flight
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Light Work's Urban Video Project is pleased to present the exhibition Lines of Flight featuring short films by multimedia artist Joiri Minaya and filmmaker Miryam Charles exploring the tangled trajectories of displacement, immigration, invasion, exploration and escape.

The exhibition will run as an architectural projection on the Everson Museum facade. Screening begins at dusk.

Labadee, by Joiri Minaya, is a short video documenting parts of a Royal Caribbean cruise trip in Labadee, Haiti, and the dynamics that unfold in this privately-managed space, which is fenced off and leased to Royal Caribbean cruises until 2050. The subtitles in the video begin with text from the diary of Christopher Columbus when they first saw land, moving into a contemporary recount of the trip we're seeing. It meditates on the exploitation, self-exploitation, performance, and access control created by the system of tourism in the Caribbean, and, in linking it to Columbus' Invasion through the first sentences in the subtitles, it traces the lineage of these contemporary spaces to colonization. (2017, 7:06 minutes)

In Fly, Fly Sadness, by Miryam Charles, a nuclear explosion mysteriously transforms the voices of all the inhabitants of an island. A journalist travels to the island to learn more and finds herself transformed. (2015, 5:23 minutes)

Mamma Mia!
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

A mother. A daughter. 3 possible dads. And a trip down the aisle you'll never forget!

Set on a Greek island paradise where the sun always shines, a tale of love, friendship, and identity is beautifully told through the timeless hits of ABBA. On the eve of her wedding, a daughter's quest to discover the father she's never known brings three men from her mother's past back to the island they last visited decades ago.

For nearly 25 years, people all around the world have fallen in love with the characters, the story, and the music that make Mamma Mia! the ultimate feel-good show.

King James
Syracuse Stage
Jamil Jude, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Cleveland, 2003. Basketball wunderkind LeBron James has just been signed to the Cavaliers, and two die-hard fans strike up an unlikely friendship — with high hopes for their new superstar player. As LeBron's career takes him to the height of fame, pulls him away from Cleveland, and brings him triumphantly back to the city, Matt and Shawn's lives play out off-court with all the drama of a championship season: full of slam dunks, huge upsets, and the unshakable bond of those who share a love of the game.

Friday, March 73, 2025

Under Open Sky
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Nikolay Mikushkin: recent plein air paintings
Peter Valenti: nature based series of ceramics
Bead Society of CNY: bead works in nature themes

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD, and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Scholastic Art Awards of Central New York 2025
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Manuel Hernandez: The Singing Wall
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Gorgeously composed and filled with vibrant color, the mural paintings of Manuel Hernandez celebrate Indigenous American roots and address a range of subjects, from migration, to contemporary stories of Indigenous people in Latin America, to gender and family. Combining western and Indigenous histories and myths, Hernandez Sanchez challenges established narratives and visual styles, drawing on a tradition dating back to the ancient frescos found in the temples of Teotihuacán, Mexico.

A Place to Call Home: Photographs by Michelle Gabel & Mike Greenlar
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"A Place to Call Home" is a collaboration between Central Current, a nonprofit newsroom covering Syracuse and Central New York, and photographers Michelle Gabel and Mike Greenlar. The exhibition captures a cross section of Syracuse's housing crisis: those struggling with housing insecurity or grappling with unsafe housing conditions. It also shares stories of hope as it highlights "A Tiny Home for Good," a small organization with a mission to end homelessness in Syracuse.

Joiri Minaya and Miryam Charles: Lines of Flight
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Light Work's Urban Video Project is pleased to present the exhibition Lines of Flight featuring short films by multimedia artist Joiri Minaya and filmmaker Miryam Charles exploring the tangled trajectories of displacement, immigration, invasion, exploration and escape.

The exhibition will run as an architectural projection on the Everson Museum facade. Screening begins at dusk.

Labadee, by Joiri Minaya, is a short video documenting parts of a Royal Caribbean cruise trip in Labadee, Haiti, and the dynamics that unfold in this privately-managed space, which is fenced off and leased to Royal Caribbean cruises until 2050. The subtitles in the video begin with text from the diary of Christopher Columbus when they first saw land, moving into a contemporary recount of the trip we're seeing. It meditates on the exploitation, self-exploitation, performance, and access control created by the system of tourism in the Caribbean, and, in linking it to Columbus' Invasion through the first sentences in the subtitles, it traces the lineage of these contemporary spaces to colonization. (2017, 7:06 minutes)

In Fly, Fly Sadness, by Miryam Charles, a nuclear explosion mysteriously transforms the voices of all the inhabitants of an island. A journalist travels to the island to learn more and finds herself transformed. (2015, 5:23 minutes)

Brandon Santini
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Illinois-based Brandon Santini radiates raw emotion and infectious energy to audiences worldwide. Born in the Piedmont region of North Carolina and raised on historic Beale Street in Memphis, Tennessee; Santini's profound connection to the blues & American roots music fuels his high-energy blend of traditional blues with a contemporary twist, earning him critical acclaim and awards along the way.

Poet Charles Martin
Downtown Writer's Center

Price: Free
YMCA
340 Montgomery St., Syracuse

Charles Martin is a poet, translator of poetry, and essayist. The Khayyam Suite is his eighth book of poetry. His poems have appeared in Poetry, The New Yorker, The Yale Review, The Hudson Review, Literary Matters, The Hopkins Review and, in numerous anthologies, including Best American Poetry, The Norton Anthology of Poetry, and War No More: Three Centuries of American Antiwar and Peace Writing. He has received an Academy Award in Literature from the American Academy of Arts and Letters, a Creative Writing Fellowship from the National Endowment for the Arts, an Ingram Merrill Grant, a Bess Hokin Award from Poetry, and a Pushcart Prize. A former Poet-in-Residence at the Cathedral of Saint John the Divine, his translation of Ovid's Metamorphoses received the 2004 Harold Morton Landon Award from the Academy of American Poets, and he has also translated The Poems of Catullus and the Medea of Euripides.

This event will be held in person and online.

Mamma Mia!
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

A mother. A daughter. 3 possible dads. And a trip down the aisle you'll never forget!

Set on a Greek island paradise where the sun always shines, a tale of love, friendship, and identity is beautifully told through the timeless hits of ABBA. On the eve of her wedding, a daughter's quest to discover the father she's never known brings three men from her mother's past back to the island they last visited decades ago.

For nearly 25 years, people all around the world have fallen in love with the characters, the story, and the music that make Mamma Mia! the ultimate feel-good show.

King James
Syracuse Stage
Jamil Jude, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Cleveland, 2003. Basketball wunderkind LeBron James has just been signed to the Cavaliers, and two die-hard fans strike up an unlikely friendship — with high hopes for their new superstar player. As LeBron's career takes him to the height of fame, pulls him away from Cleveland, and brings him triumphantly back to the city, Matt and Shawn's lives play out off-court with all the drama of a championship season: full of slam dunks, huge upsets, and the unshakable bond of those who share a love of the game.

Saturday, March 74, 2025

Under Open Sky
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Nikolay Mikushkin: recent plein air paintings
Peter Valenti: nature based series of ceramics
Bead Society of CNY: bead works in nature themes

Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Scholastic Art Awards of Central New York 2025
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

A Place to Call Home: Photographs by Michelle Gabel & Mike Greenlar
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"A Place to Call Home" is a collaboration between Central Current, a nonprofit newsroom covering Syracuse and Central New York, and photographers Michelle Gabel and Mike Greenlar. The exhibition captures a cross section of Syracuse's housing crisis: those struggling with housing insecurity or grappling with unsafe housing conditions. It also shares stories of hope as it highlights "A Tiny Home for Good," a small organization with a mission to end homelessness in Syracuse.

Manuel Hernandez: The Singing Wall
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Gorgeously composed and filled with vibrant color, the mural paintings of Manuel Hernandez celebrate Indigenous American roots and address a range of subjects, from migration, to contemporary stories of Indigenous people in Latin America, to gender and family. Combining western and Indigenous histories and myths, Hernandez Sanchez challenges established narratives and visual styles, drawing on a tradition dating back to the ancient frescos found in the temples of Teotihuacán, Mexico.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD, and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

Joiri Minaya and Miryam Charles: Lines of Flight
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Light Work's Urban Video Project is pleased to present the exhibition Lines of Flight featuring short films by multimedia artist Joiri Minaya and filmmaker Miryam Charles exploring the tangled trajectories of displacement, immigration, invasion, exploration and escape.

The exhibition will run as an architectural projection on the Everson Museum facade. Screening begins at dusk.

Labadee, by Joiri Minaya, is a short video documenting parts of a Royal Caribbean cruise trip in Labadee, Haiti, and the dynamics that unfold in this privately-managed space, which is fenced off and leased to Royal Caribbean cruises until 2050. The subtitles in the video begin with text from the diary of Christopher Columbus when they first saw land, moving into a contemporary recount of the trip we're seeing. It meditates on the exploitation, self-exploitation, performance, and access control created by the system of tourism in the Caribbean, and, in linking it to Columbus' Invasion through the first sentences in the subtitles, it traces the lineage of these contemporary spaces to colonization. (2017, 7:06 minutes)

In Fly, Fly Sadness, by Miryam Charles, a nuclear explosion mysteriously transforms the voices of all the inhabitants of an island. A journalist travels to the island to learn more and finds herself transformed. (2015, 5:23 minutes)

A Night of American Operatic Storytelling
Everson Museum of Art
Featuring Elizabeth Sutphen, soprano

Price: $25 members, $35 non-members
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The Everson Museum of Art is delighted to host a special performance by Syracuse-native Elizabeth Sutphen, a celebrated coloratura soprano. Known for her "sparkling voice" (The New York Times) and her ability to "soar deftly through stratospheric trills and arpeggios" (Financial Times), Sutphen will take the stage for an unforgettable evening of operatic storytelling. In conjunction with the "Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776–1976" exhibition, Sutphen will weave American stories through her breathtaking performance. This evening promises a celebration of both the visual and musical arts, bringing together the rich heritage of American culture. A meet and greet with Sutphen will follow the performance.

Jeffrey Gaines
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Jeffrey Gaines has been heralded for his soul-searching lyrics and his powerful live performances. With only his voice and a guitar for accompaniment, Gaines has earned a reputation as a captivating performer, entertaining his audiences worldwide.

Kenneth Meyer
Skaneateles Library Guitar Series

Price: Free
Skaneateles Library
49 E. Genesee St., Skaneateles

Kenneth Meyer, the national first-prize winner at the Music Teacher's National Association Collegiate Artist Competition, is regarded by The Washington Post as, "A thinking man's guitarist – he focuses on the inner structure of a piece...and plays with impressive gravity and power." The Buffalo News has called him, "Impeccably articulate with superb technique."?

Mr. Meyer's commitment to the cultivation and performance of new music has led to awards from the Barlow Endowment, the Argosy Foundation, and the Eastman School's Hanson Institute for American Music; interpretive instruction from Milton Babbitt, and premiere performances of compositions by among others, Natalie Draper, Leslie Basset, Edward Green, Andrew Waggoner, Gregory Mertl, Edie Hill, Kevin Ernste, Nicolas Scherzinger, Jesse Benjamin Jones, Donald J. Sparr, James Piorkowski and Robert Baker. His diversity as a musician has led to performances on mandolin, banjo and electric guitar with among others, the Syracuse Opera, the Syracuse Society for New Music and the Broadway touring production of the Who's rock opera, Tommy. ?

Previous concert tours include trips to Venezuela, Rome, Canada, Romania, Hungary, Malaysia, Thailand, and Singapore. He has appeared in concerto performances with Symphoria, the Long Island Philharmonic, the Erie Chamber Orchestra, the Niagara Symphony Orchestra, and the Seattle Modern Orchestra. He has recorded for Innova, Frameworks, Albany, Summit, and Bridge.

His latest commercial recording, A Seeker's Song was released on the Frameworks record label and his book titled Diatonic Arpeggios for Classical Guitar is published through Mel Bay. Both are now available online.?

He holds degrees in Music Composition and Classical Guitar Performance from the State University of New York at Fredonia and Master of Music and Doctor of Musical Arts degrees from the Eastman School of Music. He has served on the faculties of East Carolina University and SUNY at Fredonia and most recently held visiting professorships at the Eastman School of Music and SUNY Potsdam's Crane School of Music.

Currently, Dr. Kenneth Meyer serves as a lecturer/affiliate artist at Hamilton College and Syracuse University. He serves on the board of directors for the Great Lakes Guitar Society, the Classical Guitar Society of Upstate New York, and the Twisted Spruce Music Foundation. He also founded and directs the Mohawk Valley Childbloom classical guitar program in New Hartford.

Shai Wosner - Gilles Vonsattel Piano Duo
Syracuse Friends of Chamber Music

Price: $30 regular, $25 seniors
Grant Middle School
2400 Grant Blvd., Syracuse

Mozart Sonata for Two Pianos in D major, K. 448
Mozart Barbarina's Cavatina from The Marriage of Figaro
Schubert Fantasia in F Minor for piano four hands, D. 940
Brahms Sixteen Waltzes for piano four hands, op. 39
Ravel La Valse for two pianos

King James
Syracuse Stage
Jamil Jude, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Cleveland, 2003. Basketball wunderkind LeBron James has just been signed to the Cavaliers, and two die-hard fans strike up an unlikely friendship — with high hopes for their new superstar player. As LeBron's career takes him to the height of fame, pulls him away from Cleveland, and brings him triumphantly back to the city, Matt and Shawn's lives play out off-court with all the drama of a championship season: full of slam dunks, huge upsets, and the unshakable bond of those who share a love of the game.

Mamma Mia!
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

A mother. A daughter. 3 possible dads. And a trip down the aisle you'll never forget!

Set on a Greek island paradise where the sun always shines, a tale of love, friendship, and identity is beautifully told through the timeless hits of ABBA. On the eve of her wedding, a daughter's quest to discover the father she's never known brings three men from her mother's past back to the island they last visited decades ago.

For nearly 25 years, people all around the world have fallen in love with the characters, the story, and the music that make Mamma Mia! the ultimate feel-good show.

King James
Syracuse Stage
Jamil Jude, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Cleveland, 2003. Basketball wunderkind LeBron James has just been signed to the Cavaliers, and two die-hard fans strike up an unlikely friendship — with high hopes for their new superstar player. As LeBron's career takes him to the height of fame, pulls him away from Cleveland, and brings him triumphantly back to the city, Matt and Shawn's lives play out off-court with all the drama of a championship season: full of slam dunks, huge upsets, and the unshakable bond of those who share a love of the game.

Sunday, March 75, 2025

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Scholastic Art Awards of Central New York 2025
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD, and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

*SOLD OUT* Nachos & Blancos
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Join us for our once-a-month rockin' rhythm and roots par-tay at The 443!

It's the best hang in town and we can't think of a better way to spend Sunday afternoon than grooving to the tasty tunes of the mighty Los Blancos.

Mamma Mia!
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

A mother. A daughter. 3 possible dads. And a trip down the aisle you'll never forget!

Set on a Greek island paradise where the sun always shines, a tale of love, friendship, and identity is beautifully told through the timeless hits of ABBA. On the eve of her wedding, a daughter's quest to discover the father she's never known brings three men from her mother's past back to the island they last visited decades ago.

For nearly 25 years, people all around the world have fallen in love with the characters, the story, and the music that make Mamma Mia! the ultimate feel-good show.

King James
Syracuse Stage
Jamil Jude, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Cleveland, 2003. Basketball wunderkind LeBron James has just been signed to the Cavaliers, and two die-hard fans strike up an unlikely friendship — with high hopes for their new superstar player. As LeBron's career takes him to the height of fame, pulls him away from Cleveland, and brings him triumphantly back to the city, Matt and Shawn's lives play out off-court with all the drama of a championship season: full of slam dunks, huge upsets, and the unshakable bond of those who share a love of the game.

Mamma Mia!
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

A mother. A daughter. 3 possible dads. And a trip down the aisle you'll never forget!

Set on a Greek island paradise where the sun always shines, a tale of love, friendship, and identity is beautifully told through the timeless hits of ABBA. On the eve of her wedding, a daughter's quest to discover the father she's never known brings three men from her mother's past back to the island they last visited decades ago.

For nearly 25 years, people all around the world have fallen in love with the characters, the story, and the music that make Mamma Mia! the ultimate feel-good show.

Monday, March 76, 2025

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

Peppy Downer
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Peppy Downer" draws exclusively from the Light Work Collection and pulls together works whose makers might have never imagined exhibiting together. It is a portrait through difference as much as similarity, but its music is a mixtape of our time, laid down by our importantly diverse and complicated cohort. Power to the people.

The exhibit contains a selection of photographs by Vikky Alexander, Mike Barth, Robert Benjamin, Phil Block, David Broda, John Collier, Larry Cook, Peter De Lory, Lucinda Devlin, Lydia Ann Douglas, Alex Harsley, Biff Henrich, Jeffrey Hoone, Saiman Li, Pipo Nguyen-duy, Diane Neumaier, Ernesto Pujol, Jon Reis, Patricia Reynolds, Coreen Simpson, Aaron Siskind, Lenard Smith, Miso Suchy, and James Welling.

Tuesday, March 77, 2025

Under Open Sky
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Nikolay Mikushkin: recent plein air paintings
Peter Valenti: nature based series of ceramics
Bead Society of CNY: bead works in nature themes

Peppy Downer
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Peppy Downer" draws exclusively from the Light Work Collection and pulls together works whose makers might have never imagined exhibiting together. It is a portrait through difference as much as similarity, but its music is a mixtape of our time, laid down by our importantly diverse and complicated cohort. Power to the people.

The exhibit contains a selection of photographs by Vikky Alexander, Mike Barth, Robert Benjamin, Phil Block, David Broda, John Collier, Larry Cook, Peter De Lory, Lucinda Devlin, Lydia Ann Douglas, Alex Harsley, Biff Henrich, Jeffrey Hoone, Saiman Li, Pipo Nguyen-duy, Diane Neumaier, Ernesto Pujol, Jon Reis, Patricia Reynolds, Coreen Simpson, Aaron Siskind, Lenard Smith, Miso Suchy, and James Welling.

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD, and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

On Opacity: Gallery Talk with Artist Joiri Minaya
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Artist Joiri Minaya and curator Cristina Pardo Porto will talk about the exhibition "Joiri Minaya: Unseeing the Tropics at the Museum." The conversation will explore Minaya's use of lens-based media, collage, and performance to resist the inner workings of the colonial gaze. Reception to follow.

S.A. Cosby
Friends of the Central Library Author Series

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

S.A. Cosby is a "Southern noir" crime fiction writer. He is the author of the instant New York Times bestseller All the Sinners Bleed, which was on Barack Obama's Summer Reading List. Razorblade Tears, published in 2021, is described by the Washington Post as "provocative, violent-beautiful and moving, too." Blacktop Wasteland was named one of the best novels of the year in 2020 by NPR and The New York Times, along with winning the Los Angeles Times Book Prize. When not writing, he is an avid hiker and chess player.

Wednesday, March 78, 2025

Under Open Sky
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Nikolay Mikushkin: recent plein air paintings
Peter Valenti: nature based series of ceramics
Bead Society of CNY: bead works in nature themes

   

Peppy Downer
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Peppy Downer" draws exclusively from the Light Work Collection and pulls together works whose makers might have never imagined exhibiting together. It is a portrait through difference as much as similarity, but its music is a mixtape of our time, laid down by our importantly diverse and complicated cohort. Power to the people.

The exhibit contains a selection of photographs by Vikky Alexander, Mike Barth, Robert Benjamin, Phil Block, David Broda, John Collier, Larry Cook, Peter De Lory, Lucinda Devlin, Lydia Ann Douglas, Alex Harsley, Biff Henrich, Jeffrey Hoone, Saiman Li, Pipo Nguyen-duy, Diane Neumaier, Ernesto Pujol, Jon Reis, Patricia Reynolds, Coreen Simpson, Aaron Siskind, Lenard Smith, Miso Suchy, and James Welling.

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

   

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

   

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD, and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

   

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

   

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

   

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

   

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

Scholastic Art Awards of Central New York 2025
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

   

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

   

Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

   

A Place to Call Home: Photographs by Michelle Gabel & Mike Greenlar
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"A Place to Call Home" is a collaboration between Central Current, a nonprofit newsroom covering Syracuse and Central New York, and photographers Michelle Gabel and Mike Greenlar. The exhibition captures a cross section of Syracuse's housing crisis: those struggling with housing insecurity or grappling with unsafe housing conditions. It also shares stories of hope as it highlights "A Tiny Home for Good," a small organization with a mission to end homelessness in Syracuse.

   

*SOLD OUT* Selwyn Birchwood
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

"A remarkable, contemporary bluesman… a powerhouse young guitarist and soulful vocalist…
a major player… highly recommended"
– Rolling Stone

"No one in blues compares to young Florida-based guitarist Selwyn Birchwood. With the quality of his material, combined with a vibrant stage persona, there's no need to borrow tunes from the greats who went before him. Lean yet mean and tough ... lyrically and musically intense" — American Songwriter

"Rising blues star Selwyn Birchwood is the real deal. Birchwood puts his own fresh spin on the blues, taking the tradition and making it into something new." — Guitar World

Join the waitlist

   

Hari Kunzru
Raymond Carver Reading Series

Price: Free
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Hari Kunzru is the author of seven novels: Blue Ruin, Red Pill, White Tears, Gods Without Men, My Revolutions, Transmission, and The Impressionist. He is a regular contributor to The New York Review of Books and writes the "Easy Chair" column for Harper's Magazine. He is an Honorary Fellow of Wadham College Oxford, a Fellow of the Royal Society of Literature, and has been a Cullman Fellow at the New York Public Library, a Guggenheim Fellow, and a Fellow of the American Academy in Berlin. He teaches in the Creative Writing Program at New York University and is the host of the podcast Into the Zone, from Pushkin Industries. He lives in Brooklyn.

The reading will be preceded by a question-and-answer session beginning at 4:00 pm.

   

Thursday, March 79, 2025

Under Open Sky
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Nikolay Mikushkin: recent plein air paintings
Peter Valenti: nature based series of ceramics
Bead Society of CNY: bead works in nature themes

   

Peppy Downer
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Peppy Downer" draws exclusively from the Light Work Collection and pulls together works whose makers might have never imagined exhibiting together. It is a portrait through difference as much as similarity, but its music is a mixtape of our time, laid down by our importantly diverse and complicated cohort. Power to the people.

The exhibit contains a selection of photographs by Vikky Alexander, Mike Barth, Robert Benjamin, Phil Block, David Broda, John Collier, Larry Cook, Peter De Lory, Lucinda Devlin, Lydia Ann Douglas, Alex Harsley, Biff Henrich, Jeffrey Hoone, Saiman Li, Pipo Nguyen-duy, Diane Neumaier, Ernesto Pujol, Jon Reis, Patricia Reynolds, Coreen Simpson, Aaron Siskind, Lenard Smith, Miso Suchy, and James Welling.

   

Nabil Harb: Mater si, magistra no
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nabil Harb's project "Mater si, magistra no" (a macaronic phrase that translates as "Mother yes, teacher no") presents photographs that describe and depict moments and scenes within his hometown of Lakeland in Polk County, FL. This Central Florida location is both the backdrop and main character of Harb's visual narrative: a story that emits surreal qualities which twist ideas of the region through photography's formal language into a conceptual idea — an idea of how to describe the atmosphere of a place without words. Harb writes, "The landscape is the perfect reflection of our society, our ultimate index — it holds our histories, our secrets, our failures, and our hopes for the future."

   

Surrealism and Photography: "Where I Dream, It is Awake"
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition examines the role of Surrealism in modern photography, tracking the movement's love of chance, fragmentation, and uncanny dream imagery from its origins in Paris to Britain, Mexico, and Japan over the course of the 20th century. Curated by graduate students in the Department of Art & Music Histories under the direction of Sam Johnson (associate professor and director of graduate studies in Art History), the exhibition features photographs from collections of the SU Art Museum alongside Surrealist books and periodicals from the Special Collections Research Center of the Syracuse University Libraries.

   

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

   

The Earth Laughs in Flowers: Plants in the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing upon Ralph Waldo Emerson's famous line "the earth laughs in flowers" from his poem, "Hamatreya" (1846), this exhibition explores images of plants, as well as plant-based objects, in the collections of the Syracuse University Art Museum. This exhibition is co-curated by senior art history majors under the supervision of Professor Romita Ray (Art and Music Histories), in collaboration with Melissa Yuen, PhD, and Kate Holohan, PhD. It is the outcome of the annual art history Senior Seminar taught in the College of Arts and Sciences.

   

Faculty Fellows Curate
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In Summer 2022, the Syracuse University Art Museum launched a Faculty Fellows program to support innovative curriculum development, experiential learning, and the fuller integration of the museum's collection into academic life at the University. The program focuses on object-based teaching and research, which is active and student-centered. This exhibition features artworks that the 2024-2025 Faculty Fellows, Lyndsay Gratch (Communication and Rhetorical Studies) and Elizabeth Wimer (Management), will teach with during the Spring 2025 semester.

   

Joiri Minaya: Unseeing the Tropics at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Joiri Minaya: Unseeing the Tropics at the Museum" brings together artwork by the acclaimed New York City-based Dominican artist and objects from the collection to examine how Minaya critiques Western ideas of tropicality, which are rooted in otherness and exoticism. Through these comparisons, the exhibition explores how nature, landscape, culture, and race have been historically constructed and deployed as tropes in visual culture.

   

Simply Simon: Pottery from the Collection of Michael Simon and Susan Roberts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Over the course of five decades, Georgia-based potter Michael Simon's name became synonymous with American functional pottery. Simon was born in Minnesota and studied with legendary pottery Warren MacKenzie. After building his own kiln near Athens, Georgia in 1980, Simon began setting one exemplary piece from each kiln firing aside for posterity. These "pick of the kiln" pieces are a testimony to Simon's enduring influence on the field of ceramics.

In 2018, Simon donated one of his favorite "pick of the kiln" vases to the Everson's permanent collection. With the vase came a donation of more than 30 functional pots by other artists that Simon and his wife Susan Roberts had collected over the years. Simon passed away in August of 2021, but left an immense legacy through his work, which now graces the collections of more than 20 museums across the United States. The works exhibited in "Simply Simon" reflect the qualities that Simon valued as a potter, while also illuminating his enduring relationships with his friends and colleagues.

   

At Water's Edge: Reflections on 200 Years of the Erie Canal
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

2025 marks the 200th anniversary of the Erie Canal's completion. The Canal transformed New York State in the 19th century. Today, 80% of the upstate population lives within 25 miles of the waterway, yet in much of the public's imagination, the canal remains confined to the past. The 2024 Erie Canal Artists-in-Residence — Alon Koppel, Judit German-Heins, and Clara Riedlinger — each embarked on a year-long photographic exploration contemplating the Canal's current condition, activating the landscape, and considering the waterway's lasting impacts on present-day American culture. "At Water's Edge: Reflections on 200 Years of the Erie Canal" highlights the culmination of these artists' projects.

"At Water's Edge" is organized by the Erie Canal Museum in Syracuse. The Artist-in-Residence program was created through a partnership between the New York State Canal Corporation and the Erie Canal Museum.

   

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

CNY Artist Initiative: Courtney Rile: Moments in Between
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Courtney Rile was the mother of a toddler when the emergence of COVID-19 triggered mandatory stay-at-home orders in March of 2020. The change, confusion, and uncertainty of that time mirrored the feelings she experienced during her "fourth trimester" — the 12 weeks in a mother and baby's life after the baby is born. Rile turned to photography to help process both motherhood and grief, and to cope with the changes in the world around her. The resulting portraits of friends with young children, as well as portraits of her daughter and other images captured in Rile's home, made during lockdown and its immediate aftermath, explore the passage of time and the duality of inward and outward looking.

   

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

   

Scholastic Art Awards of Central New York 2025
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Founded in 1923, the Scholastic Art Awards are the nation's longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, thousands of students representing 14 counties in Central New York submitted 4,555 works of art, which were then judged by professional artists and educators. The judges awarded first place (Gold Key), second place (Silver Key), and honorable mentions to nearly 1,300 works in 17 different categories. Gold Key winners move on to compete at the national level, and a small selection of the Silver Key winners and honorable mentions are displayed at the Everson.

   

Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Making American Artists: Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976" presents more than 70 of the most acclaimed and recognizable works of American art, which have played a demonstrable role in shaping conversations about the nation's history and identity. The exhibition explores new narratives of the history of American art, embracing stories about women artists, LGBTQ+ artists, and artists of color within a visual and thematic structure that also features iconic works traditionally associated with the Pennsylvania Academy of the Fine Arts. "Making American Artists" presents PAFA's formidable collection of well-known historic works alongside pieces by traditionally underrepresented artists to pose questions about what it meant to be an American artist from when the institution was founded to the late 20th century.

"Making American Artists" features works from PAFA's esteemed collection that helped define new chapters in the history of American art, including works by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Alice Neel, Georgia O'Keeffe, Gilbert Stuart, Henry O. Tanner, and Andrew Wyeth. The exhibition also features icons of PAFA's history and collection, such as Stuart's "George Washington" (Lansdowne Portrait) (1796) and Charles Wilson Peale's "The Artist in His Museum" (1822).

   

Manuel Hernandez: The Singing Wall
Brewer Harris Projects

138 Bank Alley (University Building)
Syracuse

Gorgeously composed and filled with vibrant color, the mural paintings of Manuel Hernandez celebrate Indigenous American roots and address a range of subjects, from migration, to contemporary stories of Indigenous people in Latin America, to gender and family. Combining western and Indigenous histories and myths, Hernandez Sanchez challenges established narratives and visual styles, drawing on a tradition dating back to the ancient frescos found in the temples of Teotihuacán, Mexico.

   

A Place to Call Home: Photographs by Michelle Gabel & Mike Greenlar
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

"A Place to Call Home" is a collaboration between Central Current, a nonprofit newsroom covering Syracuse and Central New York, and photographers Michelle Gabel and Mike Greenlar. The exhibition captures a cross section of Syracuse's housing crisis: those struggling with housing insecurity or grappling with unsafe housing conditions. It also shares stories of hope as it highlights "A Tiny Home for Good," a small organization with a mission to end homelessness in Syracuse.

   

Lines of Flight: Joiri Minaya and Miryam Charles
Urban Video Project

Price: Free
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Minaya and Charles will be present for this indoor screening and Q&A.

   

Joiri Minaya and Miryam Charles: Lines of Flight
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Light Work's Urban Video Project is pleased to present the exhibition Lines of Flight featuring short films by multimedia artist Joiri Minaya and filmmaker Miryam Charles exploring the tangled trajectories of displacement, immigration, invasion, exploration and escape.

The exhibition will run as an architectural projection on the Everson Museum facade. Screening begins at dusk.

Labadee, by Joiri Minaya, is a short video documenting parts of a Royal Caribbean cruise trip in Labadee, Haiti, and the dynamics that unfold in this privately-managed space, which is fenced off and leased to Royal Caribbean cruises until 2050. The subtitles in the video begin with text from the diary of Christopher Columbus when they first saw land, moving into a contemporary recount of the trip we're seeing. It meditates on the exploitation, self-exploitation, performance, and access control created by the system of tourism in the Caribbean, and, in linking it to Columbus' Invasion through the first sentences in the subtitles, it traces the lineage of these contemporary spaces to colonization. (2017, 7:06 minutes)

In Fly, Fly Sadness, by Miryam Charles, a nuclear explosion mysteriously transforms the voices of all the inhabitants of an island. A journalist travels to the island to learn more and finds herself transformed. (2015, 5:23 minutes)