Friday, April 12, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

2024 MFA Exhibition 2: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Sarah Aristy, Jaleel Blanchard, Brianna Brescka, Cara Crowley, Markus Denil, Olivia Dovorany, Fatemeh Kazemi, Emily Kofsky, Lily LaGrange, Brady McDougall, grace otten, Anshul Roy, Stefanos Schultz, Angelica Starcovic, Katie Stone, Zelikha Zohra Shoja

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

Mark Normand: Ya Don't Say Tour
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Dubbed by Jerry Seinfeld as the "best young up and coming comic," Mark Normand is quickly becoming one of the most talked about touring comedians on the scene. Normand's recent one-hour Netflix special, SOUP TO NUTS, has been a staple in the streamers' Top Ten since its July 25th premiere. This follows Normand's self-released special, 2020's "Out to Lunch" which amassed over 12 million views on YouTube. He also starred on Netflix's Season 3 of The Stand Ups.

An extremely prolific stand-up, he previously had two Comedy Central special and has made an unparalleled seven appearances on "Conan," four appearances on "The Tonight Show with Jimmy Fallon," and has also appeared on "The Late Show with Stephen Colbert." Mark is a frequent guest on "The Joe Rogan Experience," and hosts his own podcasts "Tuesdays with Stories" and "We Might Be Drunk."

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Jeffrey Yang, poet
Downtown Writer's Center

Price: Free
Online

Jeffrey Yang is the author of the poetry collections Line and Light; Hey, Marfa; Vanishing-Line; and An Aquarium. He is the translator of Bei Dao's autobiography City Gate, Open Up; Nobel Peace Prize Laureate Liu Xiaobo's June Fourth Elegies; Ahmatjan Osman's Uyghurland, the Farthest Exile; Su Shi's East Slope, and an anthology of classical Chinese poems, Rhythm 226. He is the editor of the poetry anthologies Birds, Beasts, and Seas and Time of Grief, a volume of Walt Whitman's poetry and prose, The Sea Is a Continual Miracle, and an expanded edition of Mary Oppen's Meaning a Life: An Autobiography. He works as the editor-at-large for New Directions Publishing and as a freelance editor for New York Review Books. His translation of Bei Dao's long poem Sidetracks will be published by New Directions in next May.

Plaza Suite
Central New York Playhouse
Amy Prieto, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Hilarity abounds in this portrait of three couples successively occupying a suite at The Plaza.

Karen and Sam are a long-married pair whose relationship may be headed for an early checkout. Muriel and Jesse are former high school sweethearts who seem destined for an extended stay. And Norma and Roy are the mother and father of the bride, ready to celebrate their daughter's nuptials — if only they can get her out of the bathroom.

Read a review!

Stephen Sondheim's Company, a staged concert
Covey Theatre Company
Garrett Heater, director

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Stephen Sondheim's break-out 1970 hit explores the ups and downs of relationships, marriages, and identity with a string of memorable tunes, including "Getting Married Today," "Ladies Who Lunch," and "Being Alive." This staged concert features a 9-piece orchestra, choreography, and a starry local cast, bringing Sondheim's score to blazing life.

Read a review!

Bernhardt/Hamlet
Syracuse Shakespeare-in-the-Park

Jazz Central
441 E. Washington St., Syracuse

Bernhardt/Hamlet is the story of a groundbreaking production of Hamlet by a woman at the beginning of the 20th century. This production promises to blend history with spellbinding performances, showcasing the timeless relevance of Shakespeare's work and the pioneering spirit of Sarah Bernhardt.

Touch(ed)
Syracuse University Drama Department
Christine Albright-Tufts, director

Price: Free, but reservations required
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Kay has always worried about her sister Emma. Worried so much, in fact, that she's mostly put her own life – save for an unsatisfying job teaching science to middle schoolers – on hold, always on call for when Emma faces another mental health crisis. After years of medication and psychiatric hospitals, Kay and her novelist boyfriend Billy decide to bring Emma to a secluded cabin in the woods, as a sort of vacation from the doctors and therapy. But when Emma miraculously starts to get better, Kay is suddenly faced with a terrifying prospect: Finally taking care of herself. Darkly funny and unexpectedly tender, Bess Wohl's Touch(ed) is a deftly observed drama about navigating life, love, and loss in an age of endless anxieties.

Saturday, April 13, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

CNY Art Guild Fine Art Show and Sale

Price: Free admisson
Aspen House, Radisson
8550 N. Entry Rd., Baldwinsville

Artwork for sale includes acrylic and oil paintings, watercolors, stained glass, photography and ceramics. There will be live art demonstrations both days and live music on Saturday.

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

2024 MFA Exhibition 2: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Sarah Aristy, Jaleel Blanchard, Brianna Brescka, Cara Crowley, Markus Denil, Olivia Dovorany, Fatemeh Kazemi, Emily Kofsky, Lily LaGrange, Brady McDougall, grace otten, Anshul Roy, Stefanos Schultz, Angelica Starcovic, Katie Stone, Zelikha Zohra Shoja

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Wind Quintet Music with the Lake Effect Winds
Civic Morning Musicals

Price: $10
St. David's Episcopal Church
13 Jamar Dr., Dewitt

Paquito D'Rivera Aires Tropicales (1994)
August Klughart Wind Quintet, op. 79
Michael Kibbe Bicycle Music (2017)

Professor Louie & the Crowmatix
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Professor Louie & The Crowmatix, from Woodstock, NY, present a diverse set list with original & select cover songs from their 16 Albums released on Woodstock Records.

Jeffery Pepper Rodgers and friends
Steeple Coffee House

Price: $15 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

The British Are Coming!
Syracuse Chamber Orchestra

West Genesee High School
5201 W. Genesee St., Syracuse

Hubert Parry Prelude to "An English Suite"
Henry Purcell Abdelazar Suite
Edward Elgar Serenade for Strings
Peter Warlock Capriol Suite
Ralph Vaughan Williams Fantasia on Greensleeves
Gustav Holst St. Paul's Suite

Pops Series: Total Eclipse of the Chart
Syracuse Orchestra (formerly Symphoria)
Sean O'Loughlin, conductor

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Join us for a retro musical experience. Blast off to the past and sing along as the Orchestra plays all of your favorite chart toppers from the 1980s. Costumes are encouraged — show off your funkiest 80s fashion!

Stephen Sondheim's Company, a staged concert
Covey Theatre Company
Garrett Heater, director

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Stephen Sondheim's break-out 1970 hit explores the ups and downs of relationships, marriages, and identity with a string of memorable tunes, including "Getting Married Today," "Ladies Who Lunch," and "Being Alive." This staged concert features a 9-piece orchestra, choreography, and a starry local cast, bringing Sondheim's score to blazing life.

Read a review!

Touch(ed)
Syracuse University Drama Department
Christine Albright-Tufts, director

Price: Free, but reservations required
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Kay has always worried about her sister Emma. Worried so much, in fact, that she's mostly put her own life – save for an unsatisfying job teaching science to middle schoolers – on hold, always on call for when Emma faces another mental health crisis. After years of medication and psychiatric hospitals, Kay and her novelist boyfriend Billy decide to bring Emma to a secluded cabin in the woods, as a sort of vacation from the doctors and therapy. But when Emma miraculously starts to get better, Kay is suddenly faced with a terrifying prospect: Finally taking care of herself. Darkly funny and unexpectedly tender, Bess Wohl's Touch(ed) is a deftly observed drama about navigating life, love, and loss in an age of endless anxieties.

Plaza Suite
Central New York Playhouse
Amy Prieto, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Hilarity abounds in this portrait of three couples successively occupying a suite at The Plaza.

Karen and Sam are a long-married pair whose relationship may be headed for an early checkout. Muriel and Jesse are former high school sweethearts who seem destined for an extended stay. And Norma and Roy are the mother and father of the bride, ready to celebrate their daughter's nuptials — if only they can get her out of the bathroom.

Read a review!

Bernhardt/Hamlet
Syracuse Shakespeare-in-the-Park

Jazz Central
441 E. Washington St., Syracuse

Bernhardt/Hamlet is the story of a groundbreaking production of Hamlet by a woman at the beginning of the 20th century. This production promises to blend history with spellbinding performances, showcasing the timeless relevance of Shakespeare's work and the pioneering spirit of Sarah Bernhardt.

Touch(ed)
Syracuse University Drama Department
Christine Albright-Tufts, director

Price: Free, but reservations required
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Kay has always worried about her sister Emma. Worried so much, in fact, that she's mostly put her own life – save for an unsatisfying job teaching science to middle schoolers – on hold, always on call for when Emma faces another mental health crisis. After years of medication and psychiatric hospitals, Kay and her novelist boyfriend Billy decide to bring Emma to a secluded cabin in the woods, as a sort of vacation from the doctors and therapy. But when Emma miraculously starts to get better, Kay is suddenly faced with a terrifying prospect: Finally taking care of herself. Darkly funny and unexpectedly tender, Bess Wohl's Touch(ed) is a deftly observed drama about navigating life, love, and loss in an age of endless anxieties.

Sunday, April 14, 2024

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

CNY Art Guild Fine Art Show and Sale

Price: Free admisson
Aspen House, Radisson
8550 N. Entry Rd., Baldwinsville

Artwork for sale includes acrylic and oil paintings, watercolors, stained glass, photography and ceramics. There will be live art demonstrations both days and live music on Saturday.

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

*SOLD OUT* Nachos & Blancos
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

spend Sunday afternoon than grooving to the tasty tunes of the mighty Los Blancos.

*CANCELLED* Hidden Gems: Music for Piano, Voice, and Cello by Award-Winning Female Composers
Civic Morning Musicals

Price: $20
Park Central Presbyterian Church
504 E. Fayette St., Syracuse

Festive Music for Organ, Brass, and Choir
Hendricks Chapel
Syracuse University Trumpet Ensemble

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

The award-winning Syracuse University Trumpet Ensemble brings their exuberant sound to the beautifully reverberant space of Hendricks Chapel. Join us for a festive program that will feature Erik Morales' recent works for eight-part trumpet ensemble, Within Sacred Walls and Infinite Ascent. Student and faculty trumpet and organ duos offer works by Antonio Vivaldi and Alan Hovhaness and the Hendricks Chapel Choir combines with brass and organ on Richard Proulx's Festival Gloria.

Casting Crowns: 20th Anniversary Tour
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Multi-platinum selling Grammy winners Casting Crowns will take their powerful live performances on the road this spring with The Casting Crowns 20thAnniversary Tour: A Live Symphony Experience. Featuring hit songs from the band's current chart-topping Healer album ("Scars In Heaven," "Crazy People"), concert goers will also experience a night of worship like no other celebrating an incredible 20-year repertoire of songs like "Only Jesus," "Nobody," "Praise You In This Storm," "East To West" and many more. For the first time ever, Casting Crowns has been joined by a live symphony on this special anniversary tour. With more than 12 million albums sold and multiple Grammy, Dove and American Music Awards to their name, Casting Crowns might be best known for their fan-favorite live concert events – and The Casting Crowns 20th Anniversary Tour promises to be no different.

Plaza Suite
Central New York Playhouse
Amy Prieto, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Hilarity abounds in this portrait of three couples successively occupying a suite at The Plaza.

Karen and Sam are a long-married pair whose relationship may be headed for an early checkout. Muriel and Jesse are former high school sweethearts who seem destined for an extended stay. And Norma and Roy are the mother and father of the bride, ready to celebrate their daughter's nuptials — if only they can get her out of the bathroom.

Read a review!

Bernhardt/Hamlet
Syracuse Shakespeare-in-the-Park

Jazz Central
441 E. Washington St., Syracuse

Bernhardt/Hamlet is the story of a groundbreaking production of Hamlet by a woman at the beginning of the 20th century. This production promises to blend history with spellbinding performances, showcasing the timeless relevance of Shakespeare's work and the pioneering spirit of Sarah Bernhardt.

Touch(ed)
Syracuse University Drama Department
Christine Albright-Tufts, director

Price: Free, but reservations required
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Kay has always worried about her sister Emma. Worried so much, in fact, that she's mostly put her own life – save for an unsatisfying job teaching science to middle schoolers – on hold, always on call for when Emma faces another mental health crisis. After years of medication and psychiatric hospitals, Kay and her novelist boyfriend Billy decide to bring Emma to a secluded cabin in the woods, as a sort of vacation from the doctors and therapy. But when Emma miraculously starts to get better, Kay is suddenly faced with a terrifying prospect: Finally taking care of herself. Darkly funny and unexpectedly tender, Bess Wohl's Touch(ed) is a deftly observed drama about navigating life, love, and loss in an age of endless anxieties.

Monday, April 15, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

“Old Meets New” Western Double Feature
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Two fun and offbeat western features from Republic in which Old West settings encounter more modern inventions like automobiles, radios, phonographs, airplanes and more.

The Old Barn Dance (1938)
Cast: Gene Autry, Smiley Burnette, Joan Valerie, Sammy McKim, Ivan Miller, the Maple City Four
Director: Joseph Kane

Gene and Smiley are horse sellers who are forced to tangle with some slick characters trying to convince the local townspeople to buy and use tractors instead. This musical western is an unusual but entertaining mix of cowboys, radio broadcasting and a few surprises.

Overland Stage Raiders (1938)
Cast: The Three Mesquiteers (John Wayne, Ray "Crash" Corrigan, Max Terhune), Louise Brooks, Anthony Marsh, John Archer, Gordon Hart
Director: George Sherman

To prevent gold shipments from being hijacked by stage bandits, the Mesquiteers buy an airplane to safely fly the gold to its destination ... but the crooks don't give up so easily! An exciting entry in this popular series.

Tuesday, April 16, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

*POSTPONED* Artist Talk with Sofía Luz Pérez
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

New date TBA.

Sofía Luz Pérez is a Mexican American artist born in Austin, TX, in 1989, and raised in central New York. Her exhibition, "My Shadow is My Teacher," is on view until May 18.

Jazz at Timber Banks: Ronnie Leigh
CNY Jazz Arts Foundation

Price: No cover
Persimmons
3536 Timber Banks Pkwy., Baldwinsville

The Classic Rock Show: World Tour 2024
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

An amazing opportunity for rock fans, young and old, to celebrate three decades of the world's greatest classic rock music with a stunning multi-million dollar sound and light show to match.

Note-for-note, anthem after anthem, riff after riff and solo after solo — culminating in a show-stopping guitar duel, that is definitely not to be missed.

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

Wednesday, April 17, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Miss Emily
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

She is hilarious in her honesty, heartfelt in her compassion, touching in her grief but always and forever, she is simply her genuine self on stage and off. That naked commitment to the truth has never been more apparent than in her sixth studio album, "Defined By Love". It's a warts-and-all diary of a year filled with confusion and anger, lost relationships, and found humanity.

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

Thursday, April 18, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

Le Moyne Student Dance Company Spring 2024
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest-choreographers Erica Zimmerman and Cristina Battle. Students in the dance minor program will also perform a piece choreographed by Maria Daniel.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Ward Hayden & the Outliers
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Boston is one of America's great music towns. But among the various styles the city is known for that have launched many musical acts to success and stardom, country music wasn't a truly thriving genre there, that's until singer, songwriter and guitarist Ward Hayden and his band The Outliers (formerly known as Girls Guns & Glory) sang and played their distinctive take on C&W with a rock'n'roll kick to the top of the Boston scene and a thriving, critically acclaimed, and highly awarded career across America and in Europe.

Cruel April Poetry Reading
Point of Contact Gallery
Featuring Emily Lee Luan

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

The Dangerous Variety
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Welcome to 1961 and Club Polska where tonight local radio station WSKI will be recording their popular variety show The Hunky Dory Hour! You plan to laugh it up like always but the manager of the sausage factory where you work has mysteriously died and rumors flying around Kielbasi Park say it might be the notorious Pierogi Killer! But they're just rumors, right? You're not worried. The Impressive Sausage Company is sending their best man and if you can't trust a corporate fixer, who can you trust?

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

Friday, April 19, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Annual High School Seniors’ Exhibit
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Senior high school students within a 30-mile radius were invited to submit their artwork to be juried for this exhibit by the CNY Art Guild.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

2024 MFA Exhibition 3: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Atagun Ilhan, Zihan Lin, Evelyn Liu, Feiyang Liu, Linziyu Lu, Sheez Lu, Wenyi Qian, Aletta Ren, Zixiao Song, Fan Tang, Chenyu Wang, Jinning Wang, Yuhui Zheng, Jin Zhu, Jianye Zou, Sean Zhai

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

2024 Poster Unveiling Celebration
Syracuse Poster Project

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The event celebrates this year's 12 poets and 12 artists. ?There will be music, appetizers, beverages, and a silent auction, featuring items donated by local merchants and large-format posters on panels from last year's series. You'll also get to vote for your favorite poster — the "people's choice" award.

Le Moyne Student Dance Company Spring 2024
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest-choreographers Erica Zimmerman and Cristina Battle. Students in the dance minor program will also perform a piece choreographed by Maria Daniel.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Jamie McLean Band
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Jamie McLean Band is a triple threat. The group's energetic and captivating live show is undeniable. McLean's fiery guitar has joined the ranks of Derek Trucks, Gregg Allman, Aaron Neville, Dr. John, and more on stages from Madison Square Garden to Japan's Fuji Rock. His blue-eyed southern soul vocals ooze real emotion. And his top-line songwriting chops have crafted profound, honest, and heartfelt songs that will keep you singing, dancing, and feeling like the song was written about you. Jamie McLean Band creates a musical gumbo that incorporates New Orleans soul, middle Americana roots, Delta blues, and New York City swagger.

Folkus Member Appreciation Event: Annie & The Hedonists
Folkus Project

Price: $20 regular, Folkus members free
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Jazz, blues, country, folk, bluegrass ... it's all here...

Comprised of Annie Rosen (lead vocals), Jonny Rosen (guitar and vocals), Peter Davis (clarinet, tenor guitar, piano, and vocals), and Don Young (upright bass and vocals), Annie and the Hedonists interpret the songs of the great female blues artists of the 1920s-40s: Bessie Smith, Sippie Wallace, Memphis Minnie, Billie Holiday, Rosetta Tharpe, Blue Lu Barker, Ella Fitzgerald, and others. Other styles include western swing, bluesy country, and roots Americana.

Author Steven Huff and Poet Tony Leuzzi
Downtown Writer's Center

Price: Free
YMCA
340 Montgomery St., Syracuse

Steven Huff is the author of Resting Among Us: Authors' Gravesites in Upstate New York (SU Press, 2023), two story collections, Blissful and Other Stories (Cosmographia, 2017), and A Pig in Paris (Big Pencil Press, 2007), as well as three books of poetry, most recently A Fire in the Hill (Blue Horse Press, 2017). He is a Pushcart Prize winner in fiction, and teaches creative writing in the Solstice Low-Residency MFA Program at Lasell University in Boston. The former publisher/managing editor at BOA Editions, Ltd., he served as publisher at Tiger Bark Press from 2006 until 2022. He lives in Rochester and Forestville, NY.

Tony Leuzzi is a poet, critic, and art-maker whose books of poems include, most recently, Fog Notes (2023) and Meditation Archipelago (2018), both from Tiger Bark Press. Passwords Primeval (BOA Editions 2012) is a collection of interviews with 20 American poets. He was the recipient of the State University of New York's Chancellor's Award for Scholarship and Creativity. He is a routine contributor to the "Books" section of The Brooklyn Rail, and his interviews and criticism have been published in Lambda Literary, American Literary Review, Great River Review, The Kenyon Review (Online), The Poetry Society of America, and elsewhere.

This event will take place in person and online.

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

Stephen Sondheim's Company, a staged concert
Covey Theatre Company
Garrett Heater, director

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Stephen Sondheim's break-out 1970 hit explores the ups and downs of relationships, marriages, and identity with a string of memorable tunes, including "Getting Married Today," "Ladies Who Lunch," and "Being Alive." This staged concert features a 9-piece orchestra, choreography, and a starry local cast, bringing Sondheim's score to blazing life.

Read a review!

Preview: The Droll (or, A Stage-Play About the End of Theatre)
Syracuse University Drama Department
Celia Madeoy, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In 2011, playwright Meg Miroshnik pondered the question, "What would it have been like to discover a passion for acting during the 18 years in which theater was illegal and considered an abomination in 17th-century Puritan England?" She also posed the question: "What is it like to fall in love with theater today in the face of anxieties about its future and future audiences?" This daring and darkly funny play celebrates our need to come together in the act of collective storytelling.