Thursday, March 7, 2024

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Aofie Scott
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Aoife Scott is an award-winning folk singer and songwriter based in Dublin, Ireland.

Born into the legendary Black Family, Aoife is steadily rising to the top of the traditional and folk music scene, and has long enjoyed success as an established artist in her own right. Fragile and ethereal one minute and strong and vibrant the next, her dynamic and profound vocals explore the emotional depths of her lyrics, leaving the audience entranced.

Aoife has a unique sound. Her music has a broad creative scope but is largely influenced by her own roots in folk and traditional Irish music.

Head Over Heels
Syracuse University Drama Department
Kiira Schmidt Carper and Kathleen Wrinn, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A hilarious and sexy celebration of love in all its infinite varieties, this bold and fierce modern musical comedy comes from the visionary minds that rocked Broadway with Hedwig and the Angry Inch, Avenue Q, and Spring Awakening. Told through the story of a royal family embarking on an extravagant journey and set to the iconic music of the 1980s all-female band The Go-Go's, it includes such hit songs as "We Got the Beat," "Vacation," and Belinda Carlisle's "Heaven is a Place on Earth."

Conceived by and Original Book by Jeff Whitty, adaptation by James Magruder, music direction by Brian Cimmet.

Friday, March 8, 2024

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Nate Bargatze: The Be Funny Tour
The Oncenter

War Memorial at Oncenter
800 S. State St., Syracuse

Hailed this year as "The Nicest Man in Stand-Up," by The Atlantic Magazine and a "Rising Star," by CBS Morning, 2021 Grammy nominated comedian and podcaster Nate Bargatze is selling out shows across the world.

Syracuse Area Music Awards Award Show

Price: $25
Landmark Theatre
362 S. Salina St., Syracuse

The SAMMYS Award Show is the annual celebration of the Syracuse music scene.

SAMMY awards are given based on the judgement of submissions sent to the SAMMY Board by musicians in Syracuse and the surrounding area. An independent panel of music industry professionals and educators from around the country, led by James Abbott, reviewed the submissions and made their selections based on their merit within their genre. Congratulations to the 63 SAMMY Nominees in 13 categories, and six Hall of Fame Inductees!

International Women's Day Celebration of NY Authors
Downtown Writer's Center

Price: Free
YMCA
340 Montgomery St., Syracuse

An evening to honor those who led this historic day, featuring readings by women authors, including Carol Decker, Deborah Bradshaw, Geena Matuson, Georgia Popoff, Gloria Heffernan, Jennifer Pashley, Julie B. Hughes, Laura Carnes Willams, Linda Pennisi, Maggie Iribarne, Mary Jumbelic, Apple An, Roxanne Bocyck, and Sandy Lane.

Event produced by Mary Jumbelic, MD, with support by YMCA.

Head Over Heels
Syracuse University Drama Department
Kiira Schmidt Carper and Kathleen Wrinn, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A hilarious and sexy celebration of love in all its infinite varieties, this bold and fierce modern musical comedy comes from the visionary minds that rocked Broadway with Hedwig and the Angry Inch, Avenue Q, and Spring Awakening. Told through the story of a royal family embarking on an extravagant journey and set to the iconic music of the 1980s all-female band The Go-Go's, it includes such hit songs as "We Got the Beat," "Vacation," and Belinda Carlisle's "Heaven is a Place on Earth."

Conceived by and Original Book by Jeff Whitty, adaptation by James Magruder, music direction by Brian Cimmet.

Saturday, March 9, 2024

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Pastoral and Passionate
Civic Morning Musicals
Featuring Benjamin Daly, piano

Price: $10
St. David's Episcopal Church
13 Jamar Dr., Dewitt

Solo works by Beethoven, Mozart, Chopin, and Liszt

*SOLD OUT* Adam Ezra Group
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Working outside the confines of the traditional music industry, Adam Ezra and his bandmates – Corinna Smith (fiddle), Alex Martin (drums), Poche Ponce (bass) – built a community of fans through sheer grit and determination, regularly performing hundreds of shows a year for the past two decades without any major label or mainstream radio support. Fusing folk intimacy and rock energy with soul power and pop charm, the band first emerged from Boston in the early 2000s and quickly garnered widespread acclaim for their bold, insightful songwriting and interactive, euphoric performances. From hole in the wall bars and house concerts to sold-out headline shows and dates with the likes of Little Big Town, The Wallflowers, Gavin DeGraw, Train, and The Wailers, Ezra and his bandmates treated every single gig like their last, attracting a die-hard following that believed not just in the music, but in their commitment to activism and social change, as well.

*SOLD OUT* Adam Ezra Group
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Working outside the confines of the traditional music industry, Adam Ezra and his bandmates – Corinna Smith (fiddle), Alex Martin (drums), Poche Ponce (bass) – built a community of fans through sheer grit and determination, regularly performing hundreds of shows a year for the past two decades without any major label or mainstream radio support. Fusing folk intimacy and rock energy with soul power and pop charm, the band first emerged from Boston in the early 2000s and quickly garnered widespread acclaim for their bold, insightful songwriting and interactive, euphoric performances. From hole in the wall bars and house concerts to sold-out headline shows and dates with the likes of Little Big Town, The Wallflowers, Gavin DeGraw, Train, and The Wailers, Ezra and his bandmates treated every single gig like their last, attracting a die-hard following that believed not just in the music, but in their commitment to activism and social change, as well.

The Bobcats
Steeple Coffee House

Price: $15 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Masterworks Series: Julian Plays Tchaikovsky
Syracuse Orchestra (formerly Symphoria)
Lawrence Loh, conductor
Featuring Julian Schwarz, cello

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Tchaikovsky Variations on a Rococo Theme, Op. 33, TH57
Mahler Symphony No. 5 in C-sharp minor

Head Over Heels
Syracuse University Drama Department
Kiira Schmidt Carper and Kathleen Wrinn, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A hilarious and sexy celebration of love in all its infinite varieties, this bold and fierce modern musical comedy comes from the visionary minds that rocked Broadway with Hedwig and the Angry Inch, Avenue Q, and Spring Awakening. Told through the story of a royal family embarking on an extravagant journey and set to the iconic music of the 1980s all-female band The Go-Go's, it includes such hit songs as "We Got the Beat," "Vacation," and Belinda Carlisle's "Heaven is a Place on Earth."

Conceived by and Original Book by Jeff Whitty, adaptation by James Magruder, music direction by Brian Cimmet.

Head Over Heels
Syracuse University Drama Department
Kiira Schmidt Carper and Kathleen Wrinn, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A hilarious and sexy celebration of love in all its infinite varieties, this bold and fierce modern musical comedy comes from the visionary minds that rocked Broadway with Hedwig and the Angry Inch, Avenue Q, and Spring Awakening. Told through the story of a royal family embarking on an extravagant journey and set to the iconic music of the 1980s all-female band The Go-Go's, it includes such hit songs as "We Got the Beat," "Vacation," and Belinda Carlisle's "Heaven is a Place on Earth."

Conceived by and Original Book by Jeff Whitty, adaptation by James Magruder, music direction by Brian Cimmet.

Sunday, March 10, 2024

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Preview Concert
MasterWorks Chorale
Micheal Kringer, conductor

St. Cecilia's Church
1001 Woods Rd., Syracuse

A preview with piano accompaniment of the March 17 concert, which will have orchestral accompaniment. Program features Dan Forrest's Requiem for the Living.

*SOLD OUT* Mike Zito
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Mike Zito is one of the most lauded artists in the contemporary blues arena today and rightfully so, but for him, the thing that counts the most is maintaining his honesty, authenticity, and integrity. Those are the qualities that have steered Zito's career since the beginning and continue to define every effort he's offered since.

Monday, March 11, 2024

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Tuesday, March 12, 2024

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Jazz at Timber Banks: Kirsten Tegtmeyer with ESP
CNY Jazz Arts Foundation

Price: No cover
Persimmons
3536 Timber Banks Pkwy., Baldwinsville

Wednesday, March 13, 2024

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Halo Rider
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Preview: Murder on the Orient Express
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Wherever Agatha Christie's famed detective Hercule Poirot goes, murder is never far behind! On his journey home from Istanbul to London on the luxurious Orient Express, an avalanche stops the train and Poirot must interrogate the parade of passengers, solve the murder, and save the reputation of the famous train before the killer strikes again. The ultimate whodunit! Adapted by Ken Ludwig.

Thursday, March 14, 2024

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Molly Hatchet Show
Palace Theatre

Palace Theater
2384 James St., Syracuse

The Legendary southern rock band Molly Hatchet is celebrating the release of their new album with a world tour and you can see them at The Palace Theatre in Syracuse!

With hits like "Flirtin' with Disaster" and "Dreams I'll Never See," Molly Hatchet has been entertaining audiences for over four decades with their signature sound and high-energy performances.

Opening band (TBA) will go on at 6:30pm, Molly Hatchet will be going on at 8pm.

Le Winston Band
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

The Dangerous Variety
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Welcome to 1961 and Club Polska where tonight local radio station WSKI will be recording their popular variety show The Hunky Dory Hour! You plan to laugh it up like always but the manager of the sausage factory where you work has mysteriously died and rumors flying around Kielbasi Park say it might be the notorious Pierogi Killer! But they're just rumors, right? You're not worried. The Impressive Sausage Company is sending their best man and if you can't trust a corporate fixer, who can you trust?

Preview: Murder on the Orient Express
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Wherever Agatha Christie's famed detective Hercule Poirot goes, murder is never far behind! On his journey home from Istanbul to London on the luxurious Orient Express, an avalanche stops the train and Poirot must interrogate the parade of passengers, solve the murder, and save the reputation of the famous train before the killer strikes again. The ultimate whodunit! Adapted by Ken Ludwig.