Saturday, November 8, 2025

Emptiness: Works By Abisay Puentes
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A solo exhibition of 25 acrylic on canvas pieces. The exhibition will be on view, inviting art enthusiasts to immerse themselves in Puentes' interwoven tapestry of three inseparable languages — poetry, painting, and music.

The exhibition will also feature an interactive video component that intertwines art and classical music. Far from being an occasional addition, this medium expands the experience Puentes has cultivated for years, offering the viewer another gateway into the symbolic and existential narrative that defines his work.

Colorful Celebrations
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Jim Ridlon: recent collection of paintings expressing reactions to intense thoughts and experiences
Tom Slocum: organic wood sculpture
Belle Pietre jewelry: founder and designer Rebecca Carr's collection of jewelry inspired by operatic heroines

On My Own Time
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

CNY Arts' 52nd annual On My Own Time exhibition connects Central New York businesses in a collaboration that promotes the benefits of the creative process across community sectors.

Original works created by amateur artists working in a variety of professions were displayed at their work sites. This professional juried selection recognizes outstanding works by employees of Central New York companies and organizations.

Patterns of Resistance
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In the early 1970s, the Pattern & Decoration Movement emerged as an antidote to the vice grip in which abstraction had held American art since the 1950s. Artists like Valerie Jaudon, Joyce Kozloff, and Miriam Shapiro began juxtaposing colors and patterns that critics and artists alike had previously dismissed as feminine to powerful effect. Simultaneously, other feminist artists like Lynda Benglis were consciously subverting clay's associations as a masculine and/or craft medium.

As the '70s played out, a generation of artists like Andrea Gill, Nancy Selvin, and Betty Woodman did not just embrace the decorative strategies of the Pattern & Decoration Movement, they also sought to place a feminist spin on their work. As ceramics become more common in a fine art context, hierarchies surrounding different materials faded, giving artists the ability to experiment and construct narrative and meaning through pattern. Long denigrated as "decorative" and closely associated with domesticity, patterns are now an integral part of the language of contemporary art.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Jake Troyli: Open Season
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Jake Troyli's works address the commodification of Black and Brown bodies, confronting and exploring labor capitalism and sweat equity as a demonstration of value. Troyli also injects his paintings with a sense of humor and absurdity through the inclusion of his own self-portrait. His avatar populates the works in "Open Season," where Troyli is both the hunter and the hunted as he participates in a variety of physical activities. As a former Division I basketball player, Troyli has a potent understanding of how athletes in America, particularly athletes of color, are simultaneously celebrated and criticized.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Everything Nice: Sasha Phyars-Burgess
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Sasha Phyars-Burgess's photographic project "Everything Nice" traces her family history through Portugal, the Dominican Republic, Florida, and Louisiana, following the paths of sugarcane farmed on colonial plantations and the transatlantic slave trade in relation to her ancestors. The photographs are taken in various locations: Madeira, Portugal, the Dominican Republic, Florida, and Louisiana. The pictures provide clues and details that are layered into a larger story.

Looking back at history and locating the present, Phyars-Burgess is thinking through the idea that we are all living in a history, whether it is acknowledged or not. Once acknowledged, and if we allow ourselves to live with the past, with choices made by and for others, we can access a wider view of the present day.

Tough Skin, Soft Ribs
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents "Tough Skin, Soft Ribs," a selection of photographs from our collection by Marcus Xavier Chormicle, Jeremy Dennis, Amy Elkins, Tarrah Krajnak, Shelley Niro, Wendy Red Star, Pamela Shields, Hulleah Tsinhnahjinnie, Kathy Vargas, and Cristina Velásquez. This exhibition is curated by Cali M. Banks, who manages communications and outreach at Light Work.

Resistant to 19th-century staged portraits of Indigenous people and the posed photographic work of Edward S. Curtis, the chosen artists confront colonial frameworks of Northern, Central, and Southern Indigeneity. This grouping of artists points back to the Four Directions, a cultural foundation that honors a holistic view of our interconnectedness; a place where borders do not exist, and we can join together as relatives. Through spectacles of Indigenous tropes, satire, religious testaments, diasporic histories, and fantasy, these artists are unpacking stereotypes, forcing a reclamation of personal and collective identities.

Art Mart Syracuse
Syracuse Allied Arts

500 S. Franklin St.
Syracuse

A pop-up art show featuring 45 or more local artists who have created everything from jewelry, watercolor painting, oil painting, ceramics, pottery, woodwork, glasswork, textiles, consumables, photography, and other unique products.

For more information, visit www.facebook.com/artmartsyracuse.

A Sense of Arrival: Kevin Adonis Browne
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"A Sense of Arrival" brings together scholarship and artistic practice in a multimedia installation by Kevin Adonis Browne, professor of rhetoric and writing in the Department of Writing Studies in the College of Arts and Sciences. Browne's exhibition combines photographs, sculpture, and new writings that reflect a decades-long meditation on Caribbean blackness, being, and rhetorical expression.

Bhen Alan: Why Does My Adobo Taste Different?
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The fifth iteration of the Art Wall Project features textiles made by the Filipino-American artist Bhen Alan. Through the creation of a monumental banig, or a traditional Filipino handwoven mat made from plant fibers, Alan grapples with the traumas of immigration and explores how diasporic communities work to recover a lost idea of home.

“What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"What If I Try This?" explores how Helen Frankenthaler, the noted 20th-century abstract artist, collaborated with printmakers in print studios and workshops throughout her long career. By focusing on her works on paper, this exhibition considers how printshops are key nodes within the printmaking ecosystems, or sites where artists and printers simultaneously championed technical innovations and created community.

Human/Environment: 4,000 Years of Art
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing on the museum's extensive collection that encompasses almost 45,000 historic and contemporary artworks made around the globe, this exhibition explores how humans have interacted with and shaped the environment in which they live. Thematic sections focus on plants, home, population centers, and human figures.

The Portal's Keeper
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Media artists LaJuné McMillian and Manuel Molina Martagon worked with local, community-engaged creatives Kofi Antwi, Clove Flores, Sofia Gutierrez, and Martikah Williams. Together, they discussed their practices and their visions for a liberated future. The artists asked them to embody their answers not only through words, but through movement as well. "The Portal's Keeper" realizes those visions through the technological "portal" of a popular game engine better known for first-person shooter and battle royale MMO games. Here, the artists use this technology not to realistically simulate violence, but instead as a means to represent what liberation might look like.

Screening, projected on the museum wall, begins at dusk.

Kevin James: Owls Don't Walk
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Artist Lecture: Joyce Kozloff
Everson Museum of Art

Price: Free with museum admission
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

In celebration of "Joyce Kozloff: Contested Territories, 1983-2023," join featured artist Joyce Kozloff for a lecture about her role as a founding figure of the Pattern and Decoration movement and the evolution of her work, exploring the entanglements of geography, history, and power and their influence on the visual language of maps. Live audience Q&A and light reception to follow.

Miller & the Other Sinners
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Miller and The Other Sinners is David Michael Miller ("Miller") on vocals & guitars; Steve Davis on keys, organ, key bass, and vocals; Isaiah Griffin on drums and percussion; Dalton Sharp on saxophone; and for the last 2 years, Paul Gaspar on trumpet. These five together tracked this latest effort, a full-length album, recorded in a studio that Miller built in his mid-1800s farm house during the COVID shutdown. "Thieves In The Breadline," is an amazing step in defining this band's last 4+ years of work together, finding their sound and capturing their live chemistry. Inspired by the Marcus King record produced by Warren Haynes, both strong influences on Miller, Thieves sets to capture that fat warm sound reminiscent of iconic recordings, yet with a modern presence and push. Miller engineered, arranged, produced, mixed, and mastered this project as a labor of love and passion, yet had to hit the high water mark of his first solo album in 2014, "Poisons Sipped."

Kristen Gitler Festival
Steeple Coffee House
Featuring Bryan Dickenson and Melissa Grace

Price: $15-$20 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Modigliani Quartet
Syracuse Friends of Chamber Music

Price: $30 regular, $25 seniors
Grant Middle School
2400 Grant Blvd., Syracuse

Haydn String Quartet op. 77, no. 2, "Lobkowitz"
Beethoven String Quartet in G major, op. 18, no. 2
Brahms String Quartet no. 2 in A minor, op. 51

The 39 Steps
Syracuse Stage
Benjamin Hanna, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Alfred Hitchcock's classic is given the madcap treatment in this award-winning comedy from playwright Patrick Barlow.

London, 1935: Retired British Army Officer Richard Hannay has settled into quiet civilian life, but that tranquility is shattered when he's unwittingly pulled into an international web of state secrets, double agents, and murder. Will Hannay go down for a crime he didn't commit? Can he trust the beautiful, mysterious woman from the train? And what is the meaning behind the cryptic 39 Steps? Performed by a cast of four actors, this dizzying, hysterical parody is packed with non-stop thrills—a warmly comic love letter to the fiendishly fun spy stories of a bygone era.

A Wee Bit o' Murder
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Holy St. Patrick on a stick! Someone has stolen the pot of gold and now you and all the other leprechauns of Clover Union Local Number 7 have your little tails in a spin. The president of your local, Jimmy Jack Daniels O'Toole, is demanding that you get your wee bottoms over to the pub as fast as your little feet can go. If the International Fellowship of Little Knickers finds out about this, you'll all be turned into garden gnomes!

The 39 Steps
Syracuse Stage
Benjamin Hanna, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Alfred Hitchcock's classic is given the madcap treatment in this award-winning comedy from playwright Patrick Barlow.

London, 1935: Retired British Army Officer Richard Hannay has settled into quiet civilian life, but that tranquility is shattered when he's unwittingly pulled into an international web of state secrets, double agents, and murder. Will Hannay go down for a crime he didn't commit? Can he trust the beautiful, mysterious woman from the train? And what is the meaning behind the cryptic 39 Steps? Performed by a cast of four actors, this dizzying, hysterical parody is packed with non-stop thrills—a warmly comic love letter to the fiendishly fun spy stories of a bygone era.

Sunday, November 9, 2025

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Jake Troyli: Open Season
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Jake Troyli's works address the commodification of Black and Brown bodies, confronting and exploring labor capitalism and sweat equity as a demonstration of value. Troyli also injects his paintings with a sense of humor and absurdity through the inclusion of his own self-portrait. His avatar populates the works in "Open Season," where Troyli is both the hunter and the hunted as he participates in a variety of physical activities. As a former Division I basketball player, Troyli has a potent understanding of how athletes in America, particularly athletes of color, are simultaneously celebrated and criticized.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Patterns of Resistance
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In the early 1970s, the Pattern & Decoration Movement emerged as an antidote to the vice grip in which abstraction had held American art since the 1950s. Artists like Valerie Jaudon, Joyce Kozloff, and Miriam Shapiro began juxtaposing colors and patterns that critics and artists alike had previously dismissed as feminine to powerful effect. Simultaneously, other feminist artists like Lynda Benglis were consciously subverting clay's associations as a masculine and/or craft medium.

As the '70s played out, a generation of artists like Andrea Gill, Nancy Selvin, and Betty Woodman did not just embrace the decorative strategies of the Pattern & Decoration Movement, they also sought to place a feminist spin on their work. As ceramics become more common in a fine art context, hierarchies surrounding different materials faded, giving artists the ability to experiment and construct narrative and meaning through pattern. Long denigrated as "decorative" and closely associated with domesticity, patterns are now an integral part of the language of contemporary art.

On My Own Time
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

CNY Arts' 52nd annual On My Own Time exhibition connects Central New York businesses in a collaboration that promotes the benefits of the creative process across community sectors.

Original works created by amateur artists working in a variety of professions were displayed at their work sites. This professional juried selection recognizes outstanding works by employees of Central New York companies and organizations.

Everything Nice: Sasha Phyars-Burgess
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Sasha Phyars-Burgess's photographic project "Everything Nice" traces her family history through Portugal, the Dominican Republic, Florida, and Louisiana, following the paths of sugarcane farmed on colonial plantations and the transatlantic slave trade in relation to her ancestors. The photographs are taken in various locations: Madeira, Portugal, the Dominican Republic, Florida, and Louisiana. The pictures provide clues and details that are layered into a larger story.

Looking back at history and locating the present, Phyars-Burgess is thinking through the idea that we are all living in a history, whether it is acknowledged or not. Once acknowledged, and if we allow ourselves to live with the past, with choices made by and for others, we can access a wider view of the present day.

Tough Skin, Soft Ribs
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents "Tough Skin, Soft Ribs," a selection of photographs from our collection by Marcus Xavier Chormicle, Jeremy Dennis, Amy Elkins, Tarrah Krajnak, Shelley Niro, Wendy Red Star, Pamela Shields, Hulleah Tsinhnahjinnie, Kathy Vargas, and Cristina Velásquez. This exhibition is curated by Cali M. Banks, who manages communications and outreach at Light Work.

Resistant to 19th-century staged portraits of Indigenous people and the posed photographic work of Edward S. Curtis, the chosen artists confront colonial frameworks of Northern, Central, and Southern Indigeneity. This grouping of artists points back to the Four Directions, a cultural foundation that honors a holistic view of our interconnectedness; a place where borders do not exist, and we can join together as relatives. Through spectacles of Indigenous tropes, satire, religious testaments, diasporic histories, and fantasy, these artists are unpacking stereotypes, forcing a reclamation of personal and collective identities.

Bhen Alan: Why Does My Adobo Taste Different?
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The fifth iteration of the Art Wall Project features textiles made by the Filipino-American artist Bhen Alan. Through the creation of a monumental banig, or a traditional Filipino handwoven mat made from plant fibers, Alan grapples with the traumas of immigration and explores how diasporic communities work to recover a lost idea of home.

A Sense of Arrival: Kevin Adonis Browne
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"A Sense of Arrival" brings together scholarship and artistic practice in a multimedia installation by Kevin Adonis Browne, professor of rhetoric and writing in the Department of Writing Studies in the College of Arts and Sciences. Browne's exhibition combines photographs, sculpture, and new writings that reflect a decades-long meditation on Caribbean blackness, being, and rhetorical expression.

Human/Environment: 4,000 Years of Art
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing on the museum's extensive collection that encompasses almost 45,000 historic and contemporary artworks made around the globe, this exhibition explores how humans have interacted with and shaped the environment in which they live. Thematic sections focus on plants, home, population centers, and human figures.

“What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"What If I Try This?" explores how Helen Frankenthaler, the noted 20th-century abstract artist, collaborated with printmakers in print studios and workshops throughout her long career. By focusing on her works on paper, this exhibition considers how printshops are key nodes within the printmaking ecosystems, or sites where artists and printers simultaneously championed technical innovations and created community.

Nutcracker! Magical Christmas Ballet
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Share the joy of Nutcracker! Magical Christmas Ballet with family and friends. Give the gift of a spectacular holiday experience featuring an international cast, whimsical puppetry, and opulent costumes and sets, hand-crafted by the finest artisans of Europe. Go back to a simpler time and make memories your family will cherish forever. Celebrate the season with America's most beloved Nutcracker tradition! Tchaikovsky's timeless score sets the stage for a Christmas your family will never forget.

The 39 Steps
Syracuse Stage
Benjamin Hanna, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Alfred Hitchcock's classic is given the madcap treatment in this award-winning comedy from playwright Patrick Barlow.

London, 1935: Retired British Army Officer Richard Hannay has settled into quiet civilian life, but that tranquility is shattered when he's unwittingly pulled into an international web of state secrets, double agents, and murder. Will Hannay go down for a crime he didn't commit? Can he trust the beautiful, mysterious woman from the train? And what is the meaning behind the cryptic 39 Steps? Performed by a cast of four actors, this dizzying, hysterical parody is packed with non-stop thrills—a warmly comic love letter to the fiendishly fun spy stories of a bygone era.

Monday, November 10, 2025

Emptiness: Works By Abisay Puentes
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A solo exhibition of 25 acrylic on canvas pieces. The exhibition will be on view, inviting art enthusiasts to immerse themselves in Puentes' interwoven tapestry of three inseparable languages — poetry, painting, and music.

The exhibition will also feature an interactive video component that intertwines art and classical music. Far from being an occasional addition, this medium expands the experience Puentes has cultivated for years, offering the viewer another gateway into the symbolic and existential narrative that defines his work.

Tough Skin, Soft Ribs
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents "Tough Skin, Soft Ribs," a selection of photographs from our collection by Marcus Xavier Chormicle, Jeremy Dennis, Amy Elkins, Tarrah Krajnak, Shelley Niro, Wendy Red Star, Pamela Shields, Hulleah Tsinhnahjinnie, Kathy Vargas, and Cristina Velásquez. This exhibition is curated by Cali M. Banks, who manages communications and outreach at Light Work.

Resistant to 19th-century staged portraits of Indigenous people and the posed photographic work of Edward S. Curtis, the chosen artists confront colonial frameworks of Northern, Central, and Southern Indigeneity. This grouping of artists points back to the Four Directions, a cultural foundation that honors a holistic view of our interconnectedness; a place where borders do not exist, and we can join together as relatives. Through spectacles of Indigenous tropes, satire, religious testaments, diasporic histories, and fantasy, these artists are unpacking stereotypes, forcing a reclamation of personal and collective identities.

Everything Nice: Sasha Phyars-Burgess
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Sasha Phyars-Burgess's photographic project "Everything Nice" traces her family history through Portugal, the Dominican Republic, Florida, and Louisiana, following the paths of sugarcane farmed on colonial plantations and the transatlantic slave trade in relation to her ancestors. The photographs are taken in various locations: Madeira, Portugal, the Dominican Republic, Florida, and Louisiana. The pictures provide clues and details that are layered into a larger story.

Looking back at history and locating the present, Phyars-Burgess is thinking through the idea that we are all living in a history, whether it is acknowledged or not. Once acknowledged, and if we allow ourselves to live with the past, with choices made by and for others, we can access a wider view of the present day.

Corpórea
La Casita Cultural Center

La Casita Cultural Center
109 Otisco St., Syracuse

Corpórea is a showcase of powerful, large-scale works in mixed media, body maps created by a collaborative of local Latino artists, community members, SU faculty and students through a series of adult workshops that integrate the principles of Art Therapy. Facilitated by Syracuse University graduate student in Creative Art Therapy, Bennie Guzmán, the workshops explored themes of healing, identity, and embodiment, and the transformative power of creativity.

Art Mart Syracuse
Syracuse Allied Arts

500 S. Franklin St.
Syracuse

A pop-up art show featuring 45 or more local artists who have created everything from jewelry, watercolor painting, oil painting, ceramics, pottery, woodwork, glasswork, textiles, consumables, photography, and other unique products.

For more information, visit www.facebook.com/artmartsyracuse.

Tuesday, November 11, 2025

Colorful Celebrations
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Jim Ridlon: recent collection of paintings expressing reactions to intense thoughts and experiences
Tom Slocum: organic wood sculpture
Belle Pietre jewelry: founder and designer Rebecca Carr's collection of jewelry inspired by operatic heroines

Emptiness: Works By Abisay Puentes
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A solo exhibition of 25 acrylic on canvas pieces. The exhibition will be on view, inviting art enthusiasts to immerse themselves in Puentes' interwoven tapestry of three inseparable languages — poetry, painting, and music.

The exhibition will also feature an interactive video component that intertwines art and classical music. Far from being an occasional addition, this medium expands the experience Puentes has cultivated for years, offering the viewer another gateway into the symbolic and existential narrative that defines his work.

Everything Nice: Sasha Phyars-Burgess
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Sasha Phyars-Burgess's photographic project "Everything Nice" traces her family history through Portugal, the Dominican Republic, Florida, and Louisiana, following the paths of sugarcane farmed on colonial plantations and the transatlantic slave trade in relation to her ancestors. The photographs are taken in various locations: Madeira, Portugal, the Dominican Republic, Florida, and Louisiana. The pictures provide clues and details that are layered into a larger story.

Looking back at history and locating the present, Phyars-Burgess is thinking through the idea that we are all living in a history, whether it is acknowledged or not. Once acknowledged, and if we allow ourselves to live with the past, with choices made by and for others, we can access a wider view of the present day.

Tough Skin, Soft Ribs
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents "Tough Skin, Soft Ribs," a selection of photographs from our collection by Marcus Xavier Chormicle, Jeremy Dennis, Amy Elkins, Tarrah Krajnak, Shelley Niro, Wendy Red Star, Pamela Shields, Hulleah Tsinhnahjinnie, Kathy Vargas, and Cristina Velásquez. This exhibition is curated by Cali M. Banks, who manages communications and outreach at Light Work.

Resistant to 19th-century staged portraits of Indigenous people and the posed photographic work of Edward S. Curtis, the chosen artists confront colonial frameworks of Northern, Central, and Southern Indigeneity. This grouping of artists points back to the Four Directions, a cultural foundation that honors a holistic view of our interconnectedness; a place where borders do not exist, and we can join together as relatives. Through spectacles of Indigenous tropes, satire, religious testaments, diasporic histories, and fantasy, these artists are unpacking stereotypes, forcing a reclamation of personal and collective identities.

A Sense of Arrival: Kevin Adonis Browne
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"A Sense of Arrival" brings together scholarship and artistic practice in a multimedia installation by Kevin Adonis Browne, professor of rhetoric and writing in the Department of Writing Studies in the College of Arts and Sciences. Browne's exhibition combines photographs, sculpture, and new writings that reflect a decades-long meditation on Caribbean blackness, being, and rhetorical expression.

Bhen Alan: Why Does My Adobo Taste Different?
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The fifth iteration of the Art Wall Project features textiles made by the Filipino-American artist Bhen Alan. Through the creation of a monumental banig, or a traditional Filipino handwoven mat made from plant fibers, Alan grapples with the traumas of immigration and explores how diasporic communities work to recover a lost idea of home.

“What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"What If I Try This?" explores how Helen Frankenthaler, the noted 20th-century abstract artist, collaborated with printmakers in print studios and workshops throughout her long career. By focusing on her works on paper, this exhibition considers how printshops are key nodes within the printmaking ecosystems, or sites where artists and printers simultaneously championed technical innovations and created community.

Human/Environment: 4,000 Years of Art
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing on the museum's extensive collection that encompasses almost 45,000 historic and contemporary artworks made around the globe, this exhibition explores how humans have interacted with and shaped the environment in which they live. Thematic sections focus on plants, home, population centers, and human figures.

Corpórea
La Casita Cultural Center

La Casita Cultural Center
109 Otisco St., Syracuse

Corpórea is a showcase of powerful, large-scale works in mixed media, body maps created by a collaborative of local Latino artists, community members, SU faculty and students through a series of adult workshops that integrate the principles of Art Therapy. Facilitated by Syracuse University graduate student in Creative Art Therapy, Bennie Guzmán, the workshops explored themes of healing, identity, and embodiment, and the transformative power of creativity.

Art Mart Syracuse
Syracuse Allied Arts

500 S. Franklin St.
Syracuse

A pop-up art show featuring 45 or more local artists who have created everything from jewelry, watercolor painting, oil painting, ceramics, pottery, woodwork, glasswork, textiles, consumables, photography, and other unique products.

For more information, visit www.facebook.com/artmartsyracuse.

Michael McDermott
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Michael McDermott's brand of rock n' roll brims with the kind of well-honed style and wisdom that can only come from a career on the road and a pedigree in the studio. Effortlessly blending natural folk sensibility, pop hooks, and honest rock, McDermott's music is as much for the outcast as the congregation. It's an exploration of the dark corners of life's journey and it resonates middle-class truths through the passionate filter of a kid who grew up on Chicago's Irish South Side.

Wednesday, November 12, 2025

Colorful Celebrations
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Jim Ridlon: recent collection of paintings expressing reactions to intense thoughts and experiences
Tom Slocum: organic wood sculpture
Belle Pietre jewelry: founder and designer Rebecca Carr's collection of jewelry inspired by operatic heroines

Emptiness: Works By Abisay Puentes
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A solo exhibition of 25 acrylic on canvas pieces. The exhibition will be on view, inviting art enthusiasts to immerse themselves in Puentes' interwoven tapestry of three inseparable languages — poetry, painting, and music.

The exhibition will also feature an interactive video component that intertwines art and classical music. Far from being an occasional addition, this medium expands the experience Puentes has cultivated for years, offering the viewer another gateway into the symbolic and existential narrative that defines his work.

Everything Nice: Sasha Phyars-Burgess
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Sasha Phyars-Burgess's photographic project "Everything Nice" traces her family history through Portugal, the Dominican Republic, Florida, and Louisiana, following the paths of sugarcane farmed on colonial plantations and the transatlantic slave trade in relation to her ancestors. The photographs are taken in various locations: Madeira, Portugal, the Dominican Republic, Florida, and Louisiana. The pictures provide clues and details that are layered into a larger story.

Looking back at history and locating the present, Phyars-Burgess is thinking through the idea that we are all living in a history, whether it is acknowledged or not. Once acknowledged, and if we allow ourselves to live with the past, with choices made by and for others, we can access a wider view of the present day.

Tough Skin, Soft Ribs
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents "Tough Skin, Soft Ribs," a selection of photographs from our collection by Marcus Xavier Chormicle, Jeremy Dennis, Amy Elkins, Tarrah Krajnak, Shelley Niro, Wendy Red Star, Pamela Shields, Hulleah Tsinhnahjinnie, Kathy Vargas, and Cristina Velásquez. This exhibition is curated by Cali M. Banks, who manages communications and outreach at Light Work.

Resistant to 19th-century staged portraits of Indigenous people and the posed photographic work of Edward S. Curtis, the chosen artists confront colonial frameworks of Northern, Central, and Southern Indigeneity. This grouping of artists points back to the Four Directions, a cultural foundation that honors a holistic view of our interconnectedness; a place where borders do not exist, and we can join together as relatives. Through spectacles of Indigenous tropes, satire, religious testaments, diasporic histories, and fantasy, these artists are unpacking stereotypes, forcing a reclamation of personal and collective identities.

Bhen Alan: Why Does My Adobo Taste Different?
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The fifth iteration of the Art Wall Project features textiles made by the Filipino-American artist Bhen Alan. Through the creation of a monumental banig, or a traditional Filipino handwoven mat made from plant fibers, Alan grapples with the traumas of immigration and explores how diasporic communities work to recover a lost idea of home.

A Sense of Arrival: Kevin Adonis Browne
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"A Sense of Arrival" brings together scholarship and artistic practice in a multimedia installation by Kevin Adonis Browne, professor of rhetoric and writing in the Department of Writing Studies in the College of Arts and Sciences. Browne's exhibition combines photographs, sculpture, and new writings that reflect a decades-long meditation on Caribbean blackness, being, and rhetorical expression.

Human/Environment: 4,000 Years of Art
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing on the museum's extensive collection that encompasses almost 45,000 historic and contemporary artworks made around the globe, this exhibition explores how humans have interacted with and shaped the environment in which they live. Thematic sections focus on plants, home, population centers, and human figures.

“What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"What If I Try This?" explores how Helen Frankenthaler, the noted 20th-century abstract artist, collaborated with printmakers in print studios and workshops throughout her long career. By focusing on her works on paper, this exhibition considers how printshops are key nodes within the printmaking ecosystems, or sites where artists and printers simultaneously championed technical innovations and created community.

Patterns of Resistance
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In the early 1970s, the Pattern & Decoration Movement emerged as an antidote to the vice grip in which abstraction had held American art since the 1950s. Artists like Valerie Jaudon, Joyce Kozloff, and Miriam Shapiro began juxtaposing colors and patterns that critics and artists alike had previously dismissed as feminine to powerful effect. Simultaneously, other feminist artists like Lynda Benglis were consciously subverting clay's associations as a masculine and/or craft medium.

As the '70s played out, a generation of artists like Andrea Gill, Nancy Selvin, and Betty Woodman did not just embrace the decorative strategies of the Pattern & Decoration Movement, they also sought to place a feminist spin on their work. As ceramics become more common in a fine art context, hierarchies surrounding different materials faded, giving artists the ability to experiment and construct narrative and meaning through pattern. Long denigrated as "decorative" and closely associated with domesticity, patterns are now an integral part of the language of contemporary art.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Jake Troyli: Open Season
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Jake Troyli's works address the commodification of Black and Brown bodies, confronting and exploring labor capitalism and sweat equity as a demonstration of value. Troyli also injects his paintings with a sense of humor and absurdity through the inclusion of his own self-portrait. His avatar populates the works in "Open Season," where Troyli is both the hunter and the hunted as he participates in a variety of physical activities. As a former Division I basketball player, Troyli has a potent understanding of how athletes in America, particularly athletes of color, are simultaneously celebrated and criticized.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Corpórea
La Casita Cultural Center

La Casita Cultural Center
109 Otisco St., Syracuse

Corpórea is a showcase of powerful, large-scale works in mixed media, body maps created by a collaborative of local Latino artists, community members, SU faculty and students through a series of adult workshops that integrate the principles of Art Therapy. Facilitated by Syracuse University graduate student in Creative Art Therapy, Bennie Guzmán, the workshops explored themes of healing, identity, and embodiment, and the transformative power of creativity.

Art Mart Syracuse
Syracuse Allied Arts

500 S. Franklin St.
Syracuse

A pop-up art show featuring 45 or more local artists who have created everything from jewelry, watercolor painting, oil painting, ceramics, pottery, woodwork, glasswork, textiles, consumables, photography, and other unique products.

For more information, visit www.facebook.com/artmartsyracuse.

Thursday, November 13, 2025

Colorful Celebrations
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Jim Ridlon: recent collection of paintings expressing reactions to intense thoughts and experiences
Tom Slocum: organic wood sculpture
Belle Pietre jewelry: founder and designer Rebecca Carr's collection of jewelry inspired by operatic heroines

Emptiness: Works By Abisay Puentes
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A solo exhibition of 25 acrylic on canvas pieces. The exhibition will be on view, inviting art enthusiasts to immerse themselves in Puentes' interwoven tapestry of three inseparable languages — poetry, painting, and music.

The exhibition will also feature an interactive video component that intertwines art and classical music. Far from being an occasional addition, this medium expands the experience Puentes has cultivated for years, offering the viewer another gateway into the symbolic and existential narrative that defines his work.

Everything Nice: Sasha Phyars-Burgess
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Sasha Phyars-Burgess's photographic project "Everything Nice" traces her family history through Portugal, the Dominican Republic, Florida, and Louisiana, following the paths of sugarcane farmed on colonial plantations and the transatlantic slave trade in relation to her ancestors. The photographs are taken in various locations: Madeira, Portugal, the Dominican Republic, Florida, and Louisiana. The pictures provide clues and details that are layered into a larger story.

Looking back at history and locating the present, Phyars-Burgess is thinking through the idea that we are all living in a history, whether it is acknowledged or not. Once acknowledged, and if we allow ourselves to live with the past, with choices made by and for others, we can access a wider view of the present day.

Tough Skin, Soft Ribs
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents "Tough Skin, Soft Ribs," a selection of photographs from our collection by Marcus Xavier Chormicle, Jeremy Dennis, Amy Elkins, Tarrah Krajnak, Shelley Niro, Wendy Red Star, Pamela Shields, Hulleah Tsinhnahjinnie, Kathy Vargas, and Cristina Velásquez. This exhibition is curated by Cali M. Banks, who manages communications and outreach at Light Work.

Resistant to 19th-century staged portraits of Indigenous people and the posed photographic work of Edward S. Curtis, the chosen artists confront colonial frameworks of Northern, Central, and Southern Indigeneity. This grouping of artists points back to the Four Directions, a cultural foundation that honors a holistic view of our interconnectedness; a place where borders do not exist, and we can join together as relatives. Through spectacles of Indigenous tropes, satire, religious testaments, diasporic histories, and fantasy, these artists are unpacking stereotypes, forcing a reclamation of personal and collective identities.

A Sense of Arrival: Kevin Adonis Browne
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"A Sense of Arrival" brings together scholarship and artistic practice in a multimedia installation by Kevin Adonis Browne, professor of rhetoric and writing in the Department of Writing Studies in the College of Arts and Sciences. Browne's exhibition combines photographs, sculpture, and new writings that reflect a decades-long meditation on Caribbean blackness, being, and rhetorical expression.

Bhen Alan: Why Does My Adobo Taste Different?
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The fifth iteration of the Art Wall Project features textiles made by the Filipino-American artist Bhen Alan. Through the creation of a monumental banig, or a traditional Filipino handwoven mat made from plant fibers, Alan grapples with the traumas of immigration and explores how diasporic communities work to recover a lost idea of home.

“What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"What If I Try This?" explores how Helen Frankenthaler, the noted 20th-century abstract artist, collaborated with printmakers in print studios and workshops throughout her long career. By focusing on her works on paper, this exhibition considers how printshops are key nodes within the printmaking ecosystems, or sites where artists and printers simultaneously championed technical innovations and created community.

Human/Environment: 4,000 Years of Art
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing on the museum's extensive collection that encompasses almost 45,000 historic and contemporary artworks made around the globe, this exhibition explores how humans have interacted with and shaped the environment in which they live. Thematic sections focus on plants, home, population centers, and human figures.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Jake Troyli: Open Season
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Jake Troyli's works address the commodification of Black and Brown bodies, confronting and exploring labor capitalism and sweat equity as a demonstration of value. Troyli also injects his paintings with a sense of humor and absurdity through the inclusion of his own self-portrait. His avatar populates the works in "Open Season," where Troyli is both the hunter and the hunted as he participates in a variety of physical activities. As a former Division I basketball player, Troyli has a potent understanding of how athletes in America, particularly athletes of color, are simultaneously celebrated and criticized.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Patterns of Resistance
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In the early 1970s, the Pattern & Decoration Movement emerged as an antidote to the vice grip in which abstraction had held American art since the 1950s. Artists like Valerie Jaudon, Joyce Kozloff, and Miriam Shapiro began juxtaposing colors and patterns that critics and artists alike had previously dismissed as feminine to powerful effect. Simultaneously, other feminist artists like Lynda Benglis were consciously subverting clay's associations as a masculine and/or craft medium.

As the '70s played out, a generation of artists like Andrea Gill, Nancy Selvin, and Betty Woodman did not just embrace the decorative strategies of the Pattern & Decoration Movement, they also sought to place a feminist spin on their work. As ceramics become more common in a fine art context, hierarchies surrounding different materials faded, giving artists the ability to experiment and construct narrative and meaning through pattern. Long denigrated as "decorative" and closely associated with domesticity, patterns are now an integral part of the language of contemporary art.

Corpórea
La Casita Cultural Center

La Casita Cultural Center
109 Otisco St., Syracuse

Corpórea is a showcase of powerful, large-scale works in mixed media, body maps created by a collaborative of local Latino artists, community members, SU faculty and students through a series of adult workshops that integrate the principles of Art Therapy. Facilitated by Syracuse University graduate student in Creative Art Therapy, Bennie Guzmán, the workshops explored themes of healing, identity, and embodiment, and the transformative power of creativity.

Art Mart Syracuse
Syracuse Allied Arts

500 S. Franklin St.
Syracuse

A pop-up art show featuring 45 or more local artists who have created everything from jewelry, watercolor painting, oil painting, ceramics, pottery, woodwork, glasswork, textiles, consumables, photography, and other unique products.

For more information, visit www.facebook.com/artmartsyracuse.

The Portal's Keeper
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Media artists LaJuné McMillian and Manuel Molina Martagon worked with local, community-engaged creatives Kofi Antwi, Clove Flores, Sofia Gutierrez, and Martikah Williams. Together, they discussed their practices and their visions for a liberated future. The artists asked them to embody their answers not only through words, but through movement as well. "The Portal's Keeper" realizes those visions through the technological "portal" of a popular game engine better known for first-person shooter and battle royale MMO games. Here, the artists use this technology not to realistically simulate violence, but instead as a means to represent what liberation might look like.

Screening, projected on the museum wall, begins at dusk.

Sugaray Rayford
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Sugaray Rayford is a man with a message and a larger-than-life personality and voice to deliver it. Working with producer, songwriter Eric Corne for the past 3 albums, the soul-blues powerhouse has crafted an incendiary sound and narrative, combining classic soul melodies and funky R & B grooves with raw blues power.

Friday, November 14, 2025

Colorful Celebrations
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Jim Ridlon: recent collection of paintings expressing reactions to intense thoughts and experiences
Tom Slocum: organic wood sculpture
Belle Pietre jewelry: founder and designer Rebecca Carr's collection of jewelry inspired by operatic heroines

Emptiness: Works By Abisay Puentes
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A solo exhibition of 25 acrylic on canvas pieces. The exhibition will be on view, inviting art enthusiasts to immerse themselves in Puentes' interwoven tapestry of three inseparable languages — poetry, painting, and music.

The exhibition will also feature an interactive video component that intertwines art and classical music. Far from being an occasional addition, this medium expands the experience Puentes has cultivated for years, offering the viewer another gateway into the symbolic and existential narrative that defines his work.

Everything Nice: Sasha Phyars-Burgess
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Sasha Phyars-Burgess's photographic project "Everything Nice" traces her family history through Portugal, the Dominican Republic, Florida, and Louisiana, following the paths of sugarcane farmed on colonial plantations and the transatlantic slave trade in relation to her ancestors. The photographs are taken in various locations: Madeira, Portugal, the Dominican Republic, Florida, and Louisiana. The pictures provide clues and details that are layered into a larger story.

Looking back at history and locating the present, Phyars-Burgess is thinking through the idea that we are all living in a history, whether it is acknowledged or not. Once acknowledged, and if we allow ourselves to live with the past, with choices made by and for others, we can access a wider view of the present day.

Tough Skin, Soft Ribs
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents "Tough Skin, Soft Ribs," a selection of photographs from our collection by Marcus Xavier Chormicle, Jeremy Dennis, Amy Elkins, Tarrah Krajnak, Shelley Niro, Wendy Red Star, Pamela Shields, Hulleah Tsinhnahjinnie, Kathy Vargas, and Cristina Velásquez. This exhibition is curated by Cali M. Banks, who manages communications and outreach at Light Work.

Resistant to 19th-century staged portraits of Indigenous people and the posed photographic work of Edward S. Curtis, the chosen artists confront colonial frameworks of Northern, Central, and Southern Indigeneity. This grouping of artists points back to the Four Directions, a cultural foundation that honors a holistic view of our interconnectedness; a place where borders do not exist, and we can join together as relatives. Through spectacles of Indigenous tropes, satire, religious testaments, diasporic histories, and fantasy, these artists are unpacking stereotypes, forcing a reclamation of personal and collective identities.

Bhen Alan: Why Does My Adobo Taste Different?
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The fifth iteration of the Art Wall Project features textiles made by the Filipino-American artist Bhen Alan. Through the creation of a monumental banig, or a traditional Filipino handwoven mat made from plant fibers, Alan grapples with the traumas of immigration and explores how diasporic communities work to recover a lost idea of home.

A Sense of Arrival: Kevin Adonis Browne
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"A Sense of Arrival" brings together scholarship and artistic practice in a multimedia installation by Kevin Adonis Browne, professor of rhetoric and writing in the Department of Writing Studies in the College of Arts and Sciences. Browne's exhibition combines photographs, sculpture, and new writings that reflect a decades-long meditation on Caribbean blackness, being, and rhetorical expression.

Human/Environment: 4,000 Years of Art
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing on the museum's extensive collection that encompasses almost 45,000 historic and contemporary artworks made around the globe, this exhibition explores how humans have interacted with and shaped the environment in which they live. Thematic sections focus on plants, home, population centers, and human figures.

“What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"What If I Try This?" explores how Helen Frankenthaler, the noted 20th-century abstract artist, collaborated with printmakers in print studios and workshops throughout her long career. By focusing on her works on paper, this exhibition considers how printshops are key nodes within the printmaking ecosystems, or sites where artists and printers simultaneously championed technical innovations and created community.

Patterns of Resistance
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In the early 1970s, the Pattern & Decoration Movement emerged as an antidote to the vice grip in which abstraction had held American art since the 1950s. Artists like Valerie Jaudon, Joyce Kozloff, and Miriam Shapiro began juxtaposing colors and patterns that critics and artists alike had previously dismissed as feminine to powerful effect. Simultaneously, other feminist artists like Lynda Benglis were consciously subverting clay's associations as a masculine and/or craft medium.

As the '70s played out, a generation of artists like Andrea Gill, Nancy Selvin, and Betty Woodman did not just embrace the decorative strategies of the Pattern & Decoration Movement, they also sought to place a feminist spin on their work. As ceramics become more common in a fine art context, hierarchies surrounding different materials faded, giving artists the ability to experiment and construct narrative and meaning through pattern. Long denigrated as "decorative" and closely associated with domesticity, patterns are now an integral part of the language of contemporary art.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Jake Troyli: Open Season
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Jake Troyli's works address the commodification of Black and Brown bodies, confronting and exploring labor capitalism and sweat equity as a demonstration of value. Troyli also injects his paintings with a sense of humor and absurdity through the inclusion of his own self-portrait. His avatar populates the works in "Open Season," where Troyli is both the hunter and the hunted as he participates in a variety of physical activities. As a former Division I basketball player, Troyli has a potent understanding of how athletes in America, particularly athletes of color, are simultaneously celebrated and criticized.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Corpórea
La Casita Cultural Center

La Casita Cultural Center
109 Otisco St., Syracuse

Corpórea is a showcase of powerful, large-scale works in mixed media, body maps created by a collaborative of local Latino artists, community members, SU faculty and students through a series of adult workshops that integrate the principles of Art Therapy. Facilitated by Syracuse University graduate student in Creative Art Therapy, Bennie Guzmán, the workshops explored themes of healing, identity, and embodiment, and the transformative power of creativity.

Art Mart Syracuse
Syracuse Allied Arts

500 S. Franklin St.
Syracuse

A pop-up art show featuring 45 or more local artists who have created everything from jewelry, watercolor painting, oil painting, ceramics, pottery, woodwork, glasswork, textiles, consumables, photography, and other unique products.

For more information, visit www.facebook.com/artmartsyracuse.

The Portal's Keeper
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Media artists LaJuné McMillian and Manuel Molina Martagon worked with local, community-engaged creatives Kofi Antwi, Clove Flores, Sofia Gutierrez, and Martikah Williams. Together, they discussed their practices and their visions for a liberated future. The artists asked them to embody their answers not only through words, but through movement as well. "The Portal's Keeper" realizes those visions through the technological "portal" of a popular game engine better known for first-person shooter and battle royale MMO games. Here, the artists use this technology not to realistically simulate violence, but instead as a means to represent what liberation might look like.

Screening, projected on the museum wall, begins at dusk.

Music as Healing: Echoes of Falling Leaves Concert
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

A night of music and harmony celebrating the season of gratitude and thanksgiving performed by Upstate medical students for the Syracuse Community.

Live from Jazz Central: Jeff Lederer with the Lamb, Mack, and Sorgen Trio
CNY Jazz Arts Foundation

Price: $25 in advance, $30 at the door
Jazz Central
441 E. Washington St., Syracuse

The World Famous Glenn Miller Orchestra
The Oncenter

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

"In The Mood" for swing music? The most popular and sought after big band of all time returns to Syracuse for an evening of swing music.

Lizzie Borden Took an Axe
Covey Theatre Company
Garrett Heater, director

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The brutal 1892 double homicide of Fall River, MA, mill owner Andrew Borden and his second wife Abby shocked Victorian Americans. Suspicion quickly fell on Andrew's daughter Lizzie, resulting in a sensationalized trial and Lizzie's eventual acquittal. The most historically accurate play on the subject, Lizzie Borden Took an Axe, by Garrett Heater brings court transcripts and testimony of the horrific murders to dramatic life. Having inaugurated the company in 2010, Lizzie ... celebrates 15 years of Covey Theater in Syracuse with this brand new production.

Preview: Antigonick
Syracuse University Drama Department
Matthew Winning and Erica Murphy, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Canadian poet Anne Carson's stunning translation revives and boldly reworks Sophokles' tragic meditation on tyranny and civil disobedience.

Saturday, November 15, 2025

Emptiness: Works By Abisay Puentes
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A solo exhibition of 25 acrylic on canvas pieces. The exhibition will be on view, inviting art enthusiasts to immerse themselves in Puentes' interwoven tapestry of three inseparable languages — poetry, painting, and music.

The exhibition will also feature an interactive video component that intertwines art and classical music. Far from being an occasional addition, this medium expands the experience Puentes has cultivated for years, offering the viewer another gateway into the symbolic and existential narrative that defines his work.

Joyce Kozloff: Contested Territories, 1983-2023
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For more than four decades, Joyce Kozloff has explored how the entanglements of geography, history, and power influence the visual language of maps. "Contested Territories" presents a selection of Kozloff's works that uncover how maps shape our understanding of the world—not as neutral tools, but as instruments of influence, ideology, and control.

Kozloff's wide range of sources include historical maps, classroom wall maps, atlases, globes, and even satellite imagery from Google Maps. Her dense and colorful works often layer these materials with hand-painted details, collage, and intricate ornamentation. By combining sources that span centuries—from Renaissance celestial charts to contemporary digital mapping—she exposes how maps carry the legacies of empire, conflict, and shifting territorial claims.

A founding figure in the Pattern and Decoration movement, Kozloff combines meticulous craftsmanship with political critique. Her works are labor-intensive, involving the detailed process of painting, drawing, and collaging over cartographic surfaces. The resulting richly textured visual field invites viewers to look closely—and to question the conquest, division, and erasure found beneath the official surface narrative.

Whether reimagining educational globes or deconstructing colonial-era charts, Kozloff transforms maps from static documents into contested, dynamic spaces. Her work encourages viewers to reconsider how borders are drawn as well as how art can reclaim such boundaries as sites of resistance, memory, and possibility.

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

Jake Troyli: Open Season
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Jake Troyli's works address the commodification of Black and Brown bodies, confronting and exploring labor capitalism and sweat equity as a demonstration of value. Troyli also injects his paintings with a sense of humor and absurdity through the inclusion of his own self-portrait. His avatar populates the works in "Open Season," where Troyli is both the hunter and the hunted as he participates in a variety of physical activities. As a former Division I basketball player, Troyli has a potent understanding of how athletes in America, particularly athletes of color, are simultaneously celebrated and criticized.

Lessons in Geometry
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artists have obsessed over the relationship between mathematics and art for millennia. As artists turned toward abstraction in the early 20th century, Europeans like Piet Mondrian used geometry to create a set of rules and parameters that guided their creative process. Meanwhile, American artists began developing their own styles and movements—particularly Abstract Expressionism, which was typified by bold, quickly executed brushwork, drips, and splashes. In the mid-20th century in the United States, artists laid the groundwork for Geometric Abstraction as a more cerebral alternative to the often macho flamboyance of Abstract Expressionism. Over the ensuing decades, artists used geometry to produce abstract works that ranged from the dazzling Op Art of Victor Vasarely to the restrained Minimalism of Sol LeWitt.

"Lessons in Geometry" traces the evolution of hard-edged abstraction in the United States as artists sought to use pure geometric forms to create works with balance, harmony, and order. For these artists, shape, line, and color took precedence over representational compositions. The Everson's collection reflects the wildly varied ways that artists have used geometry to serve their personal expression, from the analytical formulations of Robert Swain to the shaped canvases of Harmony Hammond and the spatial illusions of Tony King.

Patterns of Resistance
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In the early 1970s, the Pattern & Decoration Movement emerged as an antidote to the vice grip in which abstraction had held American art since the 1950s. Artists like Valerie Jaudon, Joyce Kozloff, and Miriam Shapiro began juxtaposing colors and patterns that critics and artists alike had previously dismissed as feminine to powerful effect. Simultaneously, other feminist artists like Lynda Benglis were consciously subverting clay's associations as a masculine and/or craft medium.

As the '70s played out, a generation of artists like Andrea Gill, Nancy Selvin, and Betty Woodman did not just embrace the decorative strategies of the Pattern & Decoration Movement, they also sought to place a feminist spin on their work. As ceramics become more common in a fine art context, hierarchies surrounding different materials faded, giving artists the ability to experiment and construct narrative and meaning through pattern. Long denigrated as "decorative" and closely associated with domesticity, patterns are now an integral part of the language of contemporary art.

Everything Nice: Sasha Phyars-Burgess
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Sasha Phyars-Burgess's photographic project "Everything Nice" traces her family history through Portugal, the Dominican Republic, Florida, and Louisiana, following the paths of sugarcane farmed on colonial plantations and the transatlantic slave trade in relation to her ancestors. The photographs are taken in various locations: Madeira, Portugal, the Dominican Republic, Florida, and Louisiana. The pictures provide clues and details that are layered into a larger story.

Looking back at history and locating the present, Phyars-Burgess is thinking through the idea that we are all living in a history, whether it is acknowledged or not. Once acknowledged, and if we allow ourselves to live with the past, with choices made by and for others, we can access a wider view of the present day.

Tough Skin, Soft Ribs
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents "Tough Skin, Soft Ribs," a selection of photographs from our collection by Marcus Xavier Chormicle, Jeremy Dennis, Amy Elkins, Tarrah Krajnak, Shelley Niro, Wendy Red Star, Pamela Shields, Hulleah Tsinhnahjinnie, Kathy Vargas, and Cristina Velásquez. This exhibition is curated by Cali M. Banks, who manages communications and outreach at Light Work.

Resistant to 19th-century staged portraits of Indigenous people and the posed photographic work of Edward S. Curtis, the chosen artists confront colonial frameworks of Northern, Central, and Southern Indigeneity. This grouping of artists points back to the Four Directions, a cultural foundation that honors a holistic view of our interconnectedness; a place where borders do not exist, and we can join together as relatives. Through spectacles of Indigenous tropes, satire, religious testaments, diasporic histories, and fantasy, these artists are unpacking stereotypes, forcing a reclamation of personal and collective identities.

Art Mart Syracuse
Syracuse Allied Arts

500 S. Franklin St.
Syracuse

A pop-up art show featuring 45 or more local artists who have created everything from jewelry, watercolor painting, oil painting, ceramics, pottery, woodwork, glasswork, textiles, consumables, photography, and other unique products.

For more information, visit www.facebook.com/artmartsyracuse.

A Sense of Arrival: Kevin Adonis Browne
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"A Sense of Arrival" brings together scholarship and artistic practice in a multimedia installation by Kevin Adonis Browne, professor of rhetoric and writing in the Department of Writing Studies in the College of Arts and Sciences. Browne's exhibition combines photographs, sculpture, and new writings that reflect a decades-long meditation on Caribbean blackness, being, and rhetorical expression.

Bhen Alan: Why Does My Adobo Taste Different?
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The fifth iteration of the Art Wall Project features textiles made by the Filipino-American artist Bhen Alan. Through the creation of a monumental banig, or a traditional Filipino handwoven mat made from plant fibers, Alan grapples with the traumas of immigration and explores how diasporic communities work to recover a lost idea of home.

“What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"What If I Try This?" explores how Helen Frankenthaler, the noted 20th-century abstract artist, collaborated with printmakers in print studios and workshops throughout her long career. By focusing on her works on paper, this exhibition considers how printshops are key nodes within the printmaking ecosystems, or sites where artists and printers simultaneously championed technical innovations and created community.

Human/Environment: 4,000 Years of Art
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing on the museum's extensive collection that encompasses almost 45,000 historic and contemporary artworks made around the globe, this exhibition explores how humans have interacted with and shaped the environment in which they live. Thematic sections focus on plants, home, population centers, and human figures.

The Portal's Keeper
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Media artists LaJuné McMillian and Manuel Molina Martagon worked with local, community-engaged creatives Kofi Antwi, Clove Flores, Sofia Gutierrez, and Martikah Williams. Together, they discussed their practices and their visions for a liberated future. The artists asked them to embody their answers not only through words, but through movement as well. "The Portal's Keeper" realizes those visions through the technological "portal" of a popular game engine better known for first-person shooter and battle royale MMO games. Here, the artists use this technology not to realistically simulate violence, but instead as a means to represent what liberation might look like.

Screening, projected on the museum wall, begins at dusk.

Opening: Reclaiming Our Collective Inheritance: A Palestinian Diaspora Collection
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

The Palestinian thobe is more than an embroidered garment — it is a living archive. For Palestinians in the diaspora, these intricately stitched dresses are tangible connections to a homeland many have never seen, yet fiercely carry within them. Each motif tells a story — of identity, ancestral village, and unbroken resilience. Tragically, many thobes have been lost to time, war, and dispossession — from heirloom dresses smuggled out of Palestine to stolen thobes rediscovered in antique markets, their narratives preserved only in the whispers of fading thread.

This exhibit, "Reclaiming Our Collective Inheritance," is both a memorial and a call to action: to rescue, preserve, remember, and honor the hands that embroidered them. More than fabric, these thobes weave memory and return into every stitch. This is more than an exhibit — it is a reclamation. An act of cultural preservation which ensures that this art form, and the Palestinian narrative itself, remains alive for future generations.

The Jamie McLean Band
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Jamie McLean Band is a triple threat. The group's energetic and captivating live show is undeniable. McLean's fiery guitar has joined the ranks of Derek Trucks, Gregg Allman, Aaron Neville, Dr. John, and more on stages from Madison Square Garden to Japan's Fuji Rock. His blue-eyed southern soul vocals ooze real emotion. And his top-line songwriting chops have crafted profound, honest, and heartfelt songs that will keep you singing, dancing, and feeling like the song was written about you. Jamie McLean Band creates a musical gumbo that incorporates New Orleans soul, middle Americana roots, Delta blues, and New York City swagger.

Gonzalo P. Biedma, guitar
Skaneateles Library Guitar Series

Price: Free
Skaneateles Library
49 E. Genesee St., Skaneateles

Gonzalo Peñalosa Biedma (Seville, 2002) began studying guitar at the age of five with his father, José Antonio Peñalosa. He later received instruction from Serafín Arriaza, Miguel Arriaza, Lola Montes, María Esther Guzmán, and Álvaro Toscano. He completed his studies at the Francisco Guerrero Professional Conservatory of Music in Seville, graduating in 2019 with the Honorary End-of-Studies Award. In 2018, he was granted the Academic and Personal Achievement Award by the City Council of Seville. Most recently, he graduated with Highest Honors and the Extraordinary Award from the Conservatory of the Balearic Islands, where he worked under the guidance of Pedro Mateo.

Masterworks Series: Elgar's Enigma Variations
Syracuse Orchestra (formerly Symphoria)
José-Luis Novo, conductor
Featuring Aaron Wunsch and Giancarlo Llerena, pianists

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Saint-Saens Carnival of the Animals
Liszt Totentanz
Tan Dun Secret of Wind and Birds
Elgar Enigma Variations

Lizzie Borden Took an Axe
Covey Theatre Company
Garrett Heater, director

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The brutal 1892 double homicide of Fall River, MA, mill owner Andrew Borden and his second wife Abby shocked Victorian Americans. Suspicion quickly fell on Andrew's daughter Lizzie, resulting in a sensationalized trial and Lizzie's eventual acquittal. The most historically accurate play on the subject, Lizzie Borden Took an Axe, by Garrett Heater brings court transcripts and testimony of the horrific murders to dramatic life. Having inaugurated the company in 2010, Lizzie ... celebrates 15 years of Covey Theater in Syracuse with this brand new production.

Opening: Antigonick
Syracuse University Drama Department
Matthew Winning and Erica Murphy, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Canadian poet Anne Carson's stunning translation revives and boldly reworks Sophokles' tragic meditation on tyranny and civil disobedience.