Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

To celebrate the new millennium, in the year 2000 artist Neil Tetkowski undertook a Herculean project: gathering clay from all 188 member countries from the United Nations. With these clay samples, Tetkowski created a suitably monumental work that debuted at United Nations headquarters in New York City—the Common Ground World Mandala. Measuring seven feet in diameter and more than nine feet high, Tetkowski's sculpture is a testament to the artist's ability to think beyond boundaries—of scale, of geography, and of politics.

"Common Ground" uses Tetkowski's World Mandala as the centerpiece of an exhibition that showcases the Everson's vast collection of world ceramics. From ancient Mesopotamian and Greek pottery to contemporary Zulu beer brewing vessels and a life-size terracotta horse built by Indian priests, the Everson's collection traces the evolution of ceramics across cultures over thousands of years. Because of Syracuse's focus on welcoming immigrants and refugees to the community, there are over 70 languages spoken in city schools. "Common Ground" uses ceramics, one of humankind's oldest art forms, to remind us of our shared bonds with the earth.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Alison Altafi is a self-taught fiber artist based in Syracuse. She explores fibers in unexpected ways, creating weavings-in-the-round that appear to be portals to other worlds. Their magical, otherworldly, textured, and fantastical abstract surfaces could be microcosms for the universe.

Altafi's unique process involves transforming metal frames into looms, which she then weaves onto. Unlike traditional weaving, where the tapestry is removed from the loom upon completion, with Altafi's process, the loom becomes a part of the internal structure of the work, providing both a frame and a structure. She uses the loom like a canvas, and the yarn becomes her paint.

For Altafi, the weaving process is just as important as the final work. It functions as a form of escapism, and is cathartic and meditative.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

Color is an essential therapy for those cold and gray Central New York winters. The Everson embraces this with Chromania, a riot of kaleidoscopic color guaranteed to chase the winter grays away. In the wake of Impressionism, 20th-century artists developed a range of strategies to explore and employ color. Painter and educator Josef Albers taught that all color is relative, meaning that the appearance of a color can change based on other colors it is surrounded by.

Beginning with Albers' iconic Homage to the Square series, Chromania explores how subsequent generations of artists in the Everson's collection employ color in ways that are subjective and expressive as well as scientific and systematic. From the precise geometry of Peter Pincus' ceramics to the animated gesture of a painting by Jackie Saccoccio, Chromania provides dazzle and inspiration during the long months of winter.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.

Everson Museum of Art
401 Harrison St., Syracuse

Remarkable in its breadth and depth, Light Work's 50th Anniversary exhibition is a thoughtful composition of photographic works that have come into Light Work's permanent collection over the past 50 years through the generosity of former artist-in-residence participants, Grant Awardees, and individual donations. The works on view are a reflective curation from over 4,000 objects and photographic prints from an extensive and diverse archive that maps the trends and developments in contemporary photography. The semi-centennial presents a unique opportunity to share the legacy of support the organization has extended to emerging and under-represented artists working in photography and digital image-making. Highlights in the show include early works from acclaimed photographers Dawoud Bey, Carrie Mae Weems, James Welling, and more.

Everson Museum of Art
401 Harrison St., Syracuse

A multibillion-dollar global industry that began as a recreational activity more than a century ago, the game of basketball is deeply rooted in our society and culture. Playing or watching the sport invokes intangible ideas and feelings — beauty, excitement, hope, triumph, joy, pain, defeat — experiences that define what it means to be human.

Artists have drawn creative inspiration from the personas and culture of the game for decades, and many in recent years have used them as a topic or metaphor to interrogate today's pressing social issues, from dismantling racial stereotypes and traditional gender roles to revealing systemic economic inequities, the effects of global commodification, and more. Featuring paintings, sculpture, photography, video, and installation works created by some of the most significant living artists in the United States, Hoop Dreams demonstrates how tightly intertwined contemporary art and life are with the art of the game.