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SU Art Galleries

Shaffer Art Building
Syracuse University
Syracuse, NY 13244
Phone: 315-443-4097
Website: suart.syr.edu/
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Hours: Tuesday - Sunday, noon - 5:00 pm



SU Art Galleries Coming Events

Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, September 23, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, September 23, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Saturday, September 23, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, September 24, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, September 24, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Sunday, September 24, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, September 26, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, September 26, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Tuesday, September 26, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, September 27, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, September 27, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Wednesday, September 27, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, September 28, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, September 28, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Thursday, September 28, 2017, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, September 29, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, September 29, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Friday, September 29, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, September 30, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, September 30, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Saturday, September 30, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, October 1, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, October 1, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Sunday, October 1, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, October 3, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, October 3, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Tuesday, October 3, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, October 4, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, October 4, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Wednesday, October 4, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, October 5, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, October 5, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Thursday, October 5, 2017, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, October 6, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, October 6, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Friday, October 6, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, October 7, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, October 7, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Saturday, October 7, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, October 8, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, October 8, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Sunday, October 8, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, October 10, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, October 10, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Tuesday, October 10, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, October 11, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, October 11, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Wednesday, October 11, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Lunchtime Lecture: Meant to Be Shared: Spotlight on Giovanni Battista Piranesi

Save to Google calendar  Save to desktop calendar    Wednesday, October 11, 2017, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join SUArt for a spotlight tour of the Giovanni Battista Piranesi prints included in the current exhibition "Meant to Be Shared."


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, October 12, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, October 12, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Thursday, October 12, 2017, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, October 13, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, October 13, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Friday, October 13, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, October 14, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, October 14, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Saturday, October 14, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, October 15, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, October 15, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Sunday, October 15, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, October 17, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, October 17, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Tuesday, October 17, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, October 18, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, October 18, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Wednesday, October 18, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, October 19, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, October 19, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Thursday, October 19, 2017, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, October 20, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, October 20, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Friday, October 20, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, October 21, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, October 21, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Saturday, October 21, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, October 22, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, October 22, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Sunday, October 22, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, October 24, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, October 24, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Tuesday, October 24, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, October 25, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, October 25, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Wednesday, October 25, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Lunchtime Lecture: Meant to Be Shared: Spotlight on Francisco Goya

Save to Google calendar  Save to desktop calendar    Wednesday, October 25, 2017, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join SUArt for a spotlight tour of the Francisco Goya prints included in the current exhibition "Meant to Be Shared."


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, October 26, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, October 26, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Thursday, October 26, 2017, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, October 27, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, October 27, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Friday, October 27, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, October 28, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, October 28, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Saturday, October 28, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, October 29, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, October 29, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Sunday, October 29, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, October 31, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, October 31, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Tuesday, October 31, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, November 1, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, November 1, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Wednesday, November 1, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, November 2, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, November 2, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Thursday, November 2, 2017, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, November 3, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, November 3, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Friday, November 3, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, November 4, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, November 4, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Saturday, November 4, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, November 5, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, November 5, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Sunday, November 5, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, November 7, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, November 7, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Tuesday, November 7, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, November 8, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, November 8, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Wednesday, November 8, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Lunchtime Lecture: Meant to Be Shared: Spotlight on French Prints

Save to Google calendar  Save to desktop calendar    Wednesday, November 8, 2017, 12:15 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Join SUArt for a spotlight tour of the prints by French artists included in the current exhibition "Meant to Be Shared."


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, November 9, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, November 9, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Thursday, November 9, 2017, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, November 10, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, November 10, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Friday, November 10, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, November 11, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, November 11, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Saturday, November 11, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, November 12, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, November 12, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Sunday, November 12, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, November 14, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, November 14, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Tuesday, November 14, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, November 15, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, November 15, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Wednesday, November 15, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, November 16, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, November 16, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Thursday, November 16, 2017, 11:00 AM - 8:00 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, November 17, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, November 17, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Friday, November 17, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, November 18, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, November 18, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Saturday, November 18, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, November 19, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, November 19, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at Yale University Art Gallery

Save to Google calendar  Save to desktop calendar    Sunday, November 19, 2017, 11:00 AM - 4:30 PM


Price: Free


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

Beginning in the late 1970s, philanthropist Arthur Ross (1910-2007) avidly collected for his eponymous foundation works of art by some of the most renowned printmakers of the last several centuries. The Arthur Ross Collection eventually came to comprise more than 1,200 17th- to 20th-century Italian, Spanish, and French prints of exceptional quality. Highlights include works by Francisco Goya, the first artist whom Ross collected; Giovanni Battista Piranesi's views of 18th-century and ancient Rome, which reflect Ross's love of classicism and the Eternal City; and Édouard Manet's illustrations for Edgar Allan Poe's famous poem The Raven.

From the collection's early years, The Arthur Ross Foundation frequently lent to academic institutions, museums, and cultural organizations, such that for three decades, some portion of the collection was accessible to the public.

Organized by the Yale University Art Gallery, and made possible by the Ross Foundation, Syracuse University Art Galleries is the final venue for this touring exhibition.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, November 28, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, November 28, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, November 29, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, November 29, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, November 30, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, November 30, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, December 1, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, December 1, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, December 2, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, December 2, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, December 3, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, December 3, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, December 5, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, December 5, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, December 6, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, December 6, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, December 7, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, December 7, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, December 8, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, December 8, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, December 9, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, December 9, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, December 10, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, December 10, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, December 12, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, December 12, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, December 13, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, December 13, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, December 14, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, December 14, 2017, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, December 15, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, December 15, 2017, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, January 16, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, January 16, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, January 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, January 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, January 18, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, January 18, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, January 19, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, January 19, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, January 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, January 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, January 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, January 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, January 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, January 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, January 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, January 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, January 25, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, January 25, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, January 26, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, January 26, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, January 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, January 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, January 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, January 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, January 30, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, January 30, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, January 31, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, January 31, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, February 1, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, February 1, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, February 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, February 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, February 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, February 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, February 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, February 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, February 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, February 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, February 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, February 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, February 8, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, February 8, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, February 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, February 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, February 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, February 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, February 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, February 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, February 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, February 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, February 14, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, February 14, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, February 15, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, February 15, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, February 16, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, February 16, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, February 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, February 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, February 18, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, February 18, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, February 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, February 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, February 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, February 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, February 22, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, February 22, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, February 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, February 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, February 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, February 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, February 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, February 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, February 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, February 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, February 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, February 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, March 1, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, March 1, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, March 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, March 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, March 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, March 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, March 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, March 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, March 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, March 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, March 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, March 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, March 8, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, March 8, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, March 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, March 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, March 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, March 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, March 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, March 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, March 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, March 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, March 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, March 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, March 22, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, March 22, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, March 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, March 23, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, March 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, March 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, March 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, March 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, March 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, March 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, March 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, March 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, March 29, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, March 29, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, March 30, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, March 30, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, March 31, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, March 31, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 1, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 1, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, April 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, April 3, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, April 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, April 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, April 5, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, April 5, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, April 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, April 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, April 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, April 7, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 8, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 8, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, April 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, April 10, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, April 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, April 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, April 12, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, April 12, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, April 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, April 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, April 14, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, April 14, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 15, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 15, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, April 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, April 17, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, April 18, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, April 18, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, April 19, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, April 19, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, April 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, April 20, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, April 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, April 21, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 22, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 22, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, April 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, April 24, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, April 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, April 25, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, April 26, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, April 26, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, April 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, April 27, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, April 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, April 28, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, April 29, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, April 29, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, May 1, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, May 1, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, May 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, May 2, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, May 3, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, May 3, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, May 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, May 4, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, May 5, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, May 5, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, May 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, May 6, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Tuesday, May 8, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Tuesday, May 8, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Wednesday, May 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Wednesday, May 9, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Thursday, May 10, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Thursday, May 10, 2018, 11:00 AM - 8:00 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Friday, May 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Friday, May 11, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Saturday, May 12, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Saturday, May 12, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


Americans in Venice: Late 19th and Early 20th Century Prints

Save to Google calendar  Save to desktop calendar    Sunday, May 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.


In Gratitude: The Museum Project

Save to Google calendar  Save to desktop calendar    Sunday, May 13, 2018, 11:00 AM - 4:30 PM


SU Art Galleries, Shaffer Art Building
Syracuse University, Syracuse

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.


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